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Director : Eric Schaeffer
Producer : Chip Hourihan, Robert Kravitz, Terence Michael, Eric Schaeffer
Screenwriter : Eric Schaeffer
Starring : Alan King, Elizabeth Reaser, Eric Schaeffer, Jill Sobule, Kim Raver, Mina Badie, John Heard
Pleasantly patching the lives of five disparate characters, Eric Schaeffer’s
Mind the Gap is a richly textured study of simple interconnections that weave a
provocative emotional terrain without ever veering too far into overly
sentimental soap operatic situations.
Sam (Eric Schaeffer) is a single father who purchased an egg off the internet
to fulfill his paternal needs after being left at the altar a decade before.
Malissa (Elizabeth Reaser) takes care of an invalid mother who is embittered by
thoughts of the life she could have had if not becoming a mother. Jody (Jill
Sobule) is a soulful singer/songwriter with a pacemaker who refuses to leaves
the New York borough of Queens until she gets a gig in the big city. John
(Charles Parnell) is undergoing separation anxiety from his young son, who now
lives in New York with his mother and a new father figure. And Herb (Alan King)
is a cranky old-timer on a mission to reach the highest point in Manhattan to
relive what he and his brother loved about New York’s past.
Without getting into a heavy list of plot summaries, each of the characters is
given just enough time to build a strong connection with the audience. There is
thankfully no need to focus, and no extraneous time spent, on an arduous
backstory. It’s enough to know what their current objectives are and follow
them on their eclectic journeys. Their eventual tenuous attachments to each
other during the progress of the narrative is a salute to intelligently writing
a script for the purpose of working with how small gestures affect a larger
world instead of a naïve Screenwriting 101 need to have everything make sense
so quickly.
Most touching about the humanist material is how it allows extreme situations
to play out with such quiet grace that they become that much more powerful.
When one character is contemplating suicide, the implication is shown with a
short note written to his son that he’s done nothing wrong. He’s been an
average, working stiff and even his purchase of a gun remains unclear until his
pen begins running across the page. As Malissa is being bluntly told how little
her presence means to the woman that bore her, all of the emotion is handled
matter-of-factly instead of treading on the normal heavy melodrama that you
would normally expect to ensue.
As poignant as the small details of life that assist in appreciating each
character that comes on screen are, the determinedly ponderous pace also has a
tendency to make you feel each of the 134 minutes of the film’s length. As
respectful as it is to build a solid story based on such an ambitious theme
from an ensemble cast, there are times when attention can wane.
While there are moments that reek of pushing the various threads to an end
quickly, a profound but not overwhelming sympathy has been built enough for
each that the predictable closures are earned. As much as you might see a
particular future coming, it’s still just as rewarding to arrive in that
individual’s destination. Despite its flaws, Mind the Gap comes together as a
beautiful portrait of seemingly unrelated ties that lead to important shifts in
the lives of total strangers.
Play ball.
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" Good "
Rating: PG, 2004