Director : John Madden
Producer : Lawrence Bender, Richard N. Gladstein
Screenwriter : Hossein Amini
Starring : Mickey Rourke, Diane Lane, Thomas Jane, Joseph Gordon-Levitt, Rosario Dawson
An exceptionally difficult gestation period that spanned many years, many
casts, and many studios destined Killshot to the DVD bin, and it's an unfair
fate. While there may not be much innovation in this good vs. evil showdown
between a crazed killer for hire and a divorcing couple hiding in the witness
protection program, the quality of the A-list cast's performances do deserve a
tip of the hat.
Based on an Elmore Leonard novel, the story sets half-Indian contract killer
Armand "Blackbird" Degas (Mickey Rourke) loose in Detroit, where he puts a
bullet into the skull of Hal Holbrook, of all people. When he meets equally
dangerous and trigger-happy career criminal Richie Nix (Joseph Gordon-Levitt)
in a bar, the two decide to team up to finish off an extortion job Richie has
set into motion at a real estate agency. Pay me $20,000, he has told the
broker, or I'll burn down your inventory.
Unfortunately, the meeting with the broker turns into a shotgun ballet, with
real estate agent Carmen (Diane Lane) being protected by her gun-loving
estranged husband Wayne (Thomas Jane). No one is killed, but Carmen sees
Blackbird's face, and that means she will have to be killed, something
Blackbird demonstrates time and time again that he has no problem doing. As the
couple head into witness protection, Blackbird and Richie go on the lam,
stopping off to shack up with Richie's girlfriend Donna (Rosario Dawson).
It turns out that witness protection ain't what it used to be, and the killers
have little trouble tracking down Wayne and Carmen. The chase is on, and given
the body count in the first half of the film, one has to assume that more
corpses will litter the screen before everyone finally runs out of ammunition.
What's compelling here isn't the by-the-numbers story but the top-notch cast.
In this pre-Wrestler appearance, Rourke is in good and menacing form. One
wonders what he could have put up on the screen during all his lost years if
only he had pulled himself together. The always reliable Grodon-Levitt is fun
to watch; his nervousness is contagious. Lane and Jane create a believable
fractured marital dynamic and find that the new identities they've been given
by the FBI free them to reboot their marriage. Maybe they can forget all the
things that have driven them apart.
Introducing Starbucks Killshot(TM), with extra foam.
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Rating: R, 2008
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