Director : Van Elder
Producer : Van Elder, Lisa DeWitt
Screenwriter : Van Elder
Starring : Ben Watkins, Laz Alonso, Shawna Rodgers, Barri Whittaker, Mailon Rivera, Todd Bridges
Writer-director Van Elder starts off his film Issues with a two-part dictionary
definition of his film’s title, one part of which is "unresolved problems."
Sadly, that phrase doesn't just define the title.
It's difficult to give praise to this sometimes daring first feature effort
when Elder and crew fail too often to hide their amateur cracks. Poor sound
editing, film editing, and lighting all mar any pluses. Bottom line, if you
can't even edit a scene together properly, you need to go back to film school.
Regardless of the quality of the dialogue and acting (which are spotty at
best), this film should not have gone out to the public in this state.
Issues opens with its best scene: straight-laced Royce (Ben Watkins), wannabe
playboy Damien (Laz Alonso), and even-keeled Will (Mailon Rivera) are playing
dominoes, discussing relationships, the war in Iraq, and everything in between
(including how one might cause the other). And then it's downhill from there.
Royce is dating a born-again Christian (Janora McDuffie) who won't give him any
play. Meanwhile, Damien can't get enough. In the middle of this, Will is moving
back east, and sets up his L.A. roomies with a new third: hot, aspiring actress
Toni (Shawna Rodgers). Adding to this Three's Company scenario, Toni's friend
Nicole (Barri Whittaker) is in an unhappy relationship with big time agent
Carson (played by a very clean-and-sober-looking Todd Bridges), building
tension between her and Damien, with whom she keeps crossing paths.
Will Royce ever get his groove on? Will Damien ever teach Nicole the value of a
true man? Is this director for real casting Todd Bridges, and giving him a sex
scene!? All these questions are eventually answered, mostly in a series of bits
filled with hackneyed dialogue and largely mediocre performances.
The writing is simply a crime. Early on, Elder recycles an ancient "bitch vs.
ho" joke and a Chris Rock bit about how "new pussy can't cook." At least,
credit your source, man! Later on, he dredges up the "a good man is hard to
find, but a hard man is good to find" crusty oldie. And the movie is intercut
with "you get it/I'm not going to get it" doorbell scenes that would be lame
even in a sitcom. The final insult comes toward the end of the film when Toni
exclaims that she's just been cast as the lead in her first feature film: "It's
called Issues, and it's by a hot new director!" I'm sure Elder thought that was
cute, but it just comes off as desperate after watching this shoddy work.
The film's actors contribute the few saving graces of this "unromantic comedy,"
mainly Alonso, who plays Damien just wildly enough to give the biggest laughs
of the movie. And Bridges turns in a good showing as the sleazebag hotshot from
"the William Morris Agency." But the film's weakest link is definitely Rodgers,
who turns in a totally wooden, unsexy performance as the supposedly hot and
passionate Toni. She doesn't bring a single drop of passion to what should've
been the sauciest role.
Issues may be Elder's feature debut, but there's no excuse for the glaring
rookie mistakes seen here. When I first requested a copy for review, Elder
warned me that this "film is a 'romantic comedy' from a male's perspective,"
most likely out of concern that – as a woman – I'd judge this film harshly for
its blunt take on relationships. Ironically, the subject matter is the best
part of Issues; it's the substandard, unprofessional filmmaking, writing, and
acting that are keeping it down.
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" Unbearable "
Rating: NR, 2005