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Director : Jeff Balsmeyer
Producer : Andrew Mason
Screenwriter : Jeff Balsmeyer
Starring : Rhys Ifans, Miranda Otto, Justine Clarke, Rhys Muldoon, John Batchelor
In the game of life, Danny Morgan (Rhys Ifans) is a checkers piece sitting on a
chess board. At his construction site job, he spends more time in the cement
mixer than he does on the girders. His solution to just about any problem, no
matter how complicated, is to hold a pancake breakfast. And his current dream
in life is to tie multiple helium balloons to his deckchair to see if he can
get off the ground.
Danny Deckchair is an unchallenging romantic comedy that begins with its quirky
character’s balloon-and-chair experiment but never flies as high as the film’s
leading man. Writer/director Jeff Balsmeyer injects his script with the
universal desire to fit in, to be accepted despite one’s obvious faults. It’s
familiar territory and relatively harmless, for sure, but it’s also humorless
and lacking in those all important grains of logical sense.
After floating out of his yard in Sydney, Danny sets down miles from home in
the Aussie farming community of Clarence. He abruptly crash lands in Glenda’s
(Miranda Otto) backyard, and the lovely but lonely traffic cop makes excuses
for her strange visitor when the townsfolk come around asking questions.
In no time flat, Danny charms the entire village while simultaneously becoming
a media sensation back in Sydney. Danny’s adventure lets several people play
make believe for a few days. His abandoned girlfriend, Trudy (Justine Clarke),
gets the attention she long thought she deserved. Meanwhile, Danny’s zany
ideas, which fell on deaf ears in his old home, click with his new neighbors. A
pancake breakfast can’t be far behind.
As if you couldn’t tell by its premise, Deckchair borders on surreal but is
content to stay that way. Balsmeyer bends more than a few rom-com rules to keep
his daydream afloat. Clear-headed viewers not willing to wholeheartedly swallow
the fairy tale romance might ask themselves why Glenda would lie to her
neighbors for this stranger, who literally dropped from the sky into her life.
Glenda’s not exactly a witch, so why is the town so shocked that she’d have a
male caller? They’d sooner believe that a guy riding a deckchair could land on
her porch. Good thing one does. And how come the news reports that flood the
televisions telling of Danny’s disappearance fail to include any decent
headshots of the missing man?
The actors aren’t asked to deliver too much. Ifans comes across as subdued for
what we’re led to believe is an unpredictable bloke. Both leading ladies,
though, are very good. Clarke’s eyes sell a spark between Danny and Trudy that
burned much brighter when these characters were younger pups, and Otto’s the
type of girl-next-door you root for when love is on the line.
Those who really take to Deckchair will appreciate it for all the things it
doesn’t have. There are no gratuitous sex scenes, there’s very little swearing
(if any), and one quick punch is dished out by Danny to Trudy’s new beau. There’
s an entire audience out there who don’t go to movies anymore because they feel
Hollywood has strayed too far from telling a sweet story with likable
characters and a happy, but predictable, ending. Deckchair welcomes that crowd
back to theaters, and awaits their return with open arms.
Look ma, top of the world!
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" Weak "
Rating: PG-13, 2003