Director : Ridley Scott
Producer : Stanley R. Jaffe, Sherry Lansing
Screenwriter : Craig Bolotin, Warren Lewis
Starring : Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw, Yusaku Matsuda
Let's ponder these ingredients: Ridley Scott, Michael Douglas, sunglasses,
motorcycles, Osaka, and nighttime. Sounds like a recipe for Black Rain indeed.
Douglas is a mildly corrupt cop (he's on the take, sure, but he also races
motorcycles to earn a few bucks before work), but we are expected to forgive
this because he has to pay alimony and child support (though the wife seems to
be far better off). While internal affairs closes in, our pal Nick gets
involved in a Yakuza gang war -- as he and partner Charlie (Andy Garcia) are
having lunch, no less.
Chase ensues and Nick bags a Japanese felon. Japan wants him back, so he and
Charlie jet to Osaka, where they hand him over to the cops... or rather, to the
killer's pals who flash a phony badge. Oh no! Before you know it, Nick is
marauding his way around Japan (jurisdiction is just a state of mind, it seems)
and bagging gangsters left and right.
Shot during the late-'80s infatuation with everything Japanese, Black Rain is a
bit of a follow-up to the grim but artistic Blade Runner, taking a similar
setting and shoehorning in an awkward cop drama. How awkward? In the film's
third act we discover -- apropos of nothing -- that the whole movie revolves
around a counterfeiting scheme which one gangster has engaged in as a sort of
vengeance for the atom bomb drop on Hiroshima. I'm still trying to get my mind
around that one.
The rest of the movie comprises the usual chases, shootouts, and Ugly American
vignettes, with detours paid to a geisha (Kate Capshaw) and a Japanese cop who
quickly becomes Nick's buddy, even after Nick's antics get him suspended.
Something tells me the police system doesn't quite work this way in either New
York or Japan. Fortunately, atmosphere gets you a long way, as does slicing up
Garcia with a samurai sword. Watching these two guys bumble their way through
an investigation (as every clue and lead is literally dropped in their laps and
every problem is solved by violence) is equally, absurdly priceless.
A new special edition DVD includes commentary from Scott and a mega-making-of
featurette in four parts.
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" OK "
Rating: R, 1989
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