Director : Luis Buñuel
Producer : Raymond Hakim, Robert Hakim
Screenwriter : Luis Buñuel, Jean-Claude Carriere
Starring : Catherine Deneuve
Martin Scorsese has done us all a great service by reviving the little-seen
classic, Belle De Jour, Luis Buñuel darkly comic and disturbing 1967 tale of
Séverine (Catherine Deneuve), a woman who lives a double life. By evening she
is the steadfast, almost-frigid wife of a famed French doctor (Jean Sorel). By
day, she is "Belle de Jour"--her new "stage name" at an exclusive Parisian
brothel.
Buñuel weaves masterfully through scenes of Séverine's hum-drum existence with
her cold husband, her surreal day job as a wanton prostitute, flashbacks to her
childhood, and bizarre daydreams of her humiliation, bondage, rape, and
torture. Deneuve is exquisite, playing one of the most difficult roles
imaginable with her characteristic grace. I find it incredible that this film
has gone unnoticed for so long.
At the heart of Belle is the question of how our selfish actions affect those
around us. While Séverine's infidelity first seems incomprehensible, it soon
becomes a vital part of her being and, eventually, degenerates into an
inevitable nightmare which brings her world crashing down.
The sheer force that builds up behind the film's first scene had me
thunderstruck for its entire 100 minutes. Deeply compelling, while remaining
tasteful and never approaching pornographic, the film is an eerie exposé of the
haunting desires that lie within us all. You truly have to see it for yourself.
The only problems with the film were some poor post-production values. First
was the difficulty of a scratchy print with some skipped frames, especially
noticeable during the imagery-filled daydream sequences. More troubling were
the incomplete subtitles, which often left out seemingly important snippets of
dialogue. Maybe they weren't important after all, but it was enough to break
the fragile mood.
Regardless, Belle De Jour tells a story that desperately needs to be heard and
which is even more relevant today than when it was made 28 years ago. A true
classic worthy of its highest praises, I urge you to see it.
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" Extraordinary "
Rating: NR, 1967