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Director : Barbet Schroeder
Producer : Barbet Schroeder, Susan Hoffman
Screenwriter : Ted Tally
Starring : Meryl Streep, Liam Neeson, Edward Furlong, Alfred Molina, Julie Weldon
(Not to be confused with last year's Now and Then.) And aside from that brief
statement, I scarcely know where to begin trying to critique Before and After.
I don't even quite know how to describe it, but I do know that it isn't a good
sign.
Let me try my best here, in the process trying to spoil the plot as little as
possible. In small town Massachusetts, the Ryan family lives a semi-typical
semi-functional family life. Carolyn (Meryl Streep) is a physician. Ben (Liam
Neeson) is an avant-garde artist. Daughter Judith (Julia Weldon) is a
precocious elementary school student but is wise beyond her years, and son
Jacob (Edward Furlong) is the typical bratty teenager.
And of course it's Jacob who shames the upstanding family by getting embroiled
in a suspected murder and fleeing the town to avoid the police. When Jacob is
finally caught, he finds himself not only hated by the townsfolk but the
subject of a tug-of-war between his parents: mom wants only to tell the
unadulterated truth, and dad will do anything, even lie and destroy potentially
incriminating evidence, to help out Jacob, as does his lawyer (well-played by
Alfred Molina).
Sounds good, and it probably made a good book, but this type of inner-turmoil
drama fares poorly when constrained to the screen. The plodding picture is
slow and relatively unmoving from the start, and while it does pick up the pace
and the stakes as it goes on, it never gains enough momentum to make you really
care about any of the characters, all of whom somehow seem to be somewhere in
the moral wrong. Carolyn takes the extreme of "never tell a lie" while Ben
seems to have graduated from the School of Tough Love and Social
Irresponsibility. These two are such an unlikely couple it actually hampers
the film's credibility.
Unfortunately, credibility is exactly what Before and After needed, because its
subject matter is, at heart, an engaging topic. A few stars shine, notably
Molina's and Weldon's performances, but with its poor pacing, a sleepwalking
performance by Furlong in a critical role, a goofy love scene, and even a
horrid, interfering score, there's too much wrong with the film to get you too
interested. The resulting conclusion leaves you wondering if the Ryan family
did the right thing after all, but more to the point, if you did the right
thing by sitting through the film.
Edward Furlong gets ready to kick a paper "football" through dad Liam Neeson's
finger "uprights" while mom Meryl Streep cheers him on.
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" Weak "
Rating: PG-13, 1996
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