21 and Over
Facts and Figures
In Theaters: Monday 1st July 2013
Box Office Worldwide: $41.9M
Production compaines: Mandeville Films, Relativity Media
Contactmusic.com: 2.5 / 5
21 and Over Movie Review
The writers of The Hangover stick with the same formula for this university-aged romp about three young guys who get far too drunk for their own good. It even opens on the morning after (they're walking naked across campus) before cycling back to piece together what actually happened. But all of the humour is as cheap as it can be, merely laughing at stupid behaviour rather than mining much genuine comedy out of the situation. At least the actors find some chemistry along the way.
Our three chuckleheads are party-boy Miller (Teller), smart-guy Casey (Astin) and their pal Jeff Chang (Chon), who is turning 21 at midnight. This prompts Miller and Casey to propose a night of drunkenness to celebrate his legal drinking age in style. But Jeff has his med school interview in the morning, so they have to sneak past his terrifying dad (Chau) to have just one drink together. Unsurprisingly, this drink turns into an epic bar crawl, culminating in Jeff's unconsciousness. And since Miller and Casey can't remember where he lives, they go on a ludicrously convoluted quest to find his address. This involves enraging a sorority house, releasing the university's mascot buffalo and tormenting the tough-talking boyfriend (Keltz) of a cheerleader (Wright) who catches Casey's eye.
Obviously, there's one massive problem with this whole premise: a cold shower and a cup of coffee would revive Jeff pretty easily. But then, Miller and Casey wouldn't need to go through, say, eight levels of frat-house drinking games to find a guy who might know Jeff's address. At least all of the antics give Teller and Astin a chance to deepen their characters a bit, mainly in the way they interact with each other as childhood pals who have taken unexpected turns along the way. Chon doesn't have quite as much to do with Jeff. Sure, he's been pushed into studying medicine by his fearsome dad, but he spends the entire movie in a drunken stupor.
Filmmakers Lucas and Moore just want us to laugh at inebriated stupidity, presenting the biggest gross-out moments in slow-motion glory to make them seem somehow amusing. And there's a lot of wacky nudity. Audiences in the mood for undemanding humour will probably find this hilarious, although even they won't fall for the tacked-on romance side-plot. But frankly, no one should be encouraged to laugh at drunk driving.