The Pope is the formidable nickname given to Frank Silva; a businessman who runs a multi-million dollar empire of gambling with his glamorous dockside casino. Luke Vaughn works as a card dealer at Pope's casino, and in a desperate bid to raise 300,000 dollars to pay for his sick daughter's medical treatment, he turns to his boss for help. Predictably, Pope is less than pleased about being asked for money and throws Vaughn out, but little does he know that there's another worker who'll stop at nothing to get a share of the riches. Cox convinces Vaughn to rob the place and they make off with 3 million dollars after a messy shoot-out. However, their plans go slightly wrong at the getaway stage, forcing them to take over a passing bus and holding the passengers hostage. Now, as well as The Pope's savage cohorts on their tail including the bloodthirsty Dog, they have a SWAT team led by no-nonsense female Officer Bajos after them and escape seems futile.
Continue: Heist Trailer
The idea of the perfect man doesn't always hold up entirely. Sometimes, a person can seem perfect on the surface - too perfect, in fact - and hold a deep, dark secret beneath. Leah Vaughn (Sanaa Lathan) discovers this when she finally leaves Dave (Morris Chestnut), her long-term boyfriend, because he isn't ready to commit to the idea of children. Dating begins, and she soon meets Carter Duncan (Morris Chestnut) who seems like the perfect man for her. But when she accidentally discovers his darker side, she does her best to get away from him, only to find herself pursued by a very dangerous suiter.
Continue: The Perfect Guy Trailer
After this unusually well-made thriller builds suspense to almost unbearable levels, the filmmakers nearly throw everything away with a gear-change so contrived that we can't help but laugh. It's one of those ill-conceived final acts that seems to have been written by a focus group that wanted to see something "satisfying" on screen even if it violates the integrity of the entire story. Fortunately the cast is good enough to get away with it.
Most of the story takes place in a Los Angeles emergency call centre, where Jordan (Berry) receives a horrific call from a teen girl who's being stalked in her own home. And Jordan blames herself for the violence that follows. Six months later, she has removed herself to a training job, but gets roped in when another teen, Casey (Breslin), calls in panic from the boot of a moving car. This is clearly the same villain (Eklund) as before, and Jordan does everything she can to help Casey both survive and reveal her location. Along the way Jordan's assisted by a passerby (Imperioli) as well as her cop ex-boyfriend (Chestnut).
So far so good, as both Jordan's and Casey's perspectives ratchet up the emotional intensity. The kidnapper is seriously deranged and oddly difficult to track as time runs out. And here's where the film jumps the rail: Jordan takes matters into her own hands, heading out into danger without bothering to call for back-up. This sets up a rather terrifying final showdown that would have been much more involving if we could believe it.
Continue reading: The Call Review
New writer-director Wadlow (Never Back Down) makes one severe misstep with this sequel to Matthew Vaughn's snappy 2010 Kick-Ass: he loses the irony. Now everything is played for goofy laughs and indulgent grisliness. There's no longer any subtext, nothing original in the structure or premise and a clear fear of being politically incorrect. Even so, it's an entertaining romp with a steady stream of funny gags.
After the craziness of the first film, Dave (Taylor-Johnson) has hung up his Kick-Ass costume and is trying to be a regular teen at school, but he's jealous of Mindy (Moretz) secretly carrying on her training as Hit Girl. So he asks her to team up and teach him some new tricks. But when her guardian (Chestnut) finds out, she promises to give up the violence and go back to school. Now Dave has to find a new partner, so he joins a lively team of underground heroes led by the gung-ho Captain Stars and Stripes (Carrey). But Dave's old nemesis Chris (Mintz-Plasse) still wants to avenge his father's death, so he abandons his dodgy heroic alter-ego Red Mist and instead becomes a supervillain called The Mother F**ker, with his own butler-assistant (Leguizamo) and a crew of minions.
Wadlow briskly leaps from one action set-piece to the next, and each scene has a witty sense of humour about it, even if the extreme violence is played for rather glamorised fun rather than the shock-value of the first film. Through everything, the dialog is packed with amusing lines that keep us laughing. And Mindy's parallel plot has its moments as well, throwing her in with the school's mean girls, who clearly don't know who they're messing with. Moretz plays Mindy so well that she makes everyone else feel scruffy and simplistic by comparison. Carrey's muscled meathead is a startlingly against-type role that strangely refuses to go anywhere. But Glen is rivetingly sharp in one key scene.
Continue reading: Kick-Ass 2 Review
Dave and Mindy have been forced to abandon their Kick-Ass and Hit-Girl monikers following the defeat of ruthless crime boss Frank D'Amico and the death of Mindy's father Big Daddy. Dave goes back to his school life, while Mindy enrols alongside with him and struggles to fit in amongst her fellow female classmates. However, their 'normal lives' don't last when a new group of masked crime-fighters hit the streets led by the patriotic Colonel Stars and Stripes and they decide it's time to do what they think's right and join with them. It's just as well too, as D'Amico's vengeful son Red Mist has adopted a new alter-ego, The Motherf*****, and is attempting to rally an army of supervillains - with names like Black Death, Mother Russia and Genghis Carnage - to take Kick-Ass and Hit-Girl down.
Continue: Kick Ass 2 - Extended Red Band Trailer
Jordan Turner is a 911 emergency call operator whose life is turned upside down when one distressed girl's call complaining of an intruder in her house ends in a brutal murder. Shaken and traumatised, Jordan contemplates taking a different career path as she struggles to come to terms with what happened when she recognises that her own actions could have been a catalyst in the girl's fate. With the support of her cop boyfriend, she finds the strength to remain as that steady, calm figure that has helped so many people in the most devastating of situations. However, when another girl dials 911 from the trunk of a kidnapper's car, she realises that, through several disturbingly familiar similarities, they are dealing with the same killer and this time she is determined not to let another girl die. Passing on a series of careful instructions to the victim, she takes matters into her own hands and goes from operator to rescuer in a matter of hours.
Continue: The Call Trailer
It's been fifteen years since the release of Harper Stewart's inflammatory autobiographical novel and the wedding of his best friend Lance, and now he is reuniting once again with his friends from college - also including Julian Murch and Quentin Spivey - over the course of the Christmas holiday period. He is now married to his then girlfriend Robin and he still has his friends in spite of some incriminating details in his book that could've ruined everything with the people he cared about most during Lance's tense wedding ceremony. But now he has more to contend with as he is reunited with old flames, former rivals and new arrivals who could shake things up again as Christmas approaches.
Continue: The Best Man Holiday Trailer
After their previous caped capering defeating mob boss Frank D'Amico, things seem back to normal for Dave Lizewski and Mindy who have abandoned their respective Kick-Ass and Hit-Girl monikers in favour of a regular high-school life. Mindy struggles to fit in, however, and when Dave tells her of the new generation of crime-fighting, masked civilians, the offer to get back on the streets of New York seems too good to turn down. This new league of superheroes is led by the formidable Colonel Stars and Stripes who encourages his co-crusaders, above all else, to have fun. Though when news of Red Mist, the son of the now deceased D'Amico who now dubs himself The Motherf*****, rallying together an army of supervillains to take on Kick-Ass and his cohorts, things seem less than enjoyable for the teenage heroes.
Continue: Kick Ass 2 Trailer
The four "brothers" are commitment-fearing Jackson (Morris Chestnut, who also starred in The Best Man), woman-hating playboy Brian (Bill Bellamy), not-so-happily married Derrick (D.L. Hughley) and reformed womanizer Terry (Shemar Moore). When Terry decides to get married, his boys start sizing up their own lives.
Continue reading: The Brothers (2001) Review
The Pope is the formidable nickname given to Frank Silva; a businessman who runs a...
The idea of the perfect man doesn't always hold up entirely. Sometimes, a person can...
After this unusually well-made thriller builds suspense to almost unbearable levels, the filmmakers nearly throw...
New writer-director Wadlow (Never Back Down) makes one severe misstep with this sequel to Matthew...
Dave and Mindy have been forced to abandon their Kick-Ass and Hit-Girl monikers following the...
Jordan Turner is a 911 emergency call operator whose life is turned upside down when...
It's been fifteen years since the release of Harper Stewart's inflammatory autobiographical novel and the...
After their previous caped capering defeating mob boss Frank D'Amico, things seem back to normal...
Dave Lizewski is Kick-Ass, a real superhero who's been trying to live a normal life...
Sandy Bigelow Patterson is a successful businessman who lives in Denver, Colorado but his world...