Morris Chestnut

Morris Chestnut

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2015 BET Awards - Arrivals

Morris Chestnut - 2015 BET Awards held at the Microsoft Theater - Arrivals at Microsoft Theater - Los Angeles, California, United States - Sunday 28th June 2015

Celebrities at the Staples Center in Los Angeles

Morris Chestnut - Celebrities at the Staples Center in Los Angeles at Staples Center - Los Angeles, California, United States - Saturday 2nd May 2015

Morris Chestnut
Morris Chestnut

2014 American Black Film Festival - 'Think Like A Man Too' Premiere

Nicole Friday, Jeff Friday and Morris Chestnut - 2014 American Black Film Festival - 'Think Like A Man Too' Premiere at SVA Theater - New York City, New York, United States - Thursday 19th June 2014

Jeff Friday and Morris Chestnut

ABC's Associates for Breast and Prostate Cancer Studies Honors Morris Chestnut at the Mothers's Day Luncheon

Adrienne Janic - ABC's Associates for Breast and Prostate Cancer Studies Honors Morris Chestnut at the Mothers's Day Luncheon at Four Season Hotel in Beverly Hills - Arrivals - Los Angeles, California, United States - Wednesday 7th May 2014

Morris Chestnut and Adrienne Janic
Morris Chestnut and Carlton Gebbia
Morris Chestnut and Carlton Gebbia
Morris Chestnut and Carlton Gebbia
Morris Chestnut and Adrienne Janic

"The Best Man Holiday" - Los Angeles Premiere

Morris Chestnut and Pam Byse - "The Best Man Holiday" - Los Angeles Premiere At TCL Chinese Theatre - Hollywood, California, United States - Wednesday 6th November 2013

Morris Chestnut and Pam Byse
Morris Chestnut

The Call Review


Good

After this unusually well-made thriller builds suspense to almost unbearable levels, the filmmakers nearly throw everything away with a gear-change so contrived that we can't help but laugh. It's one of those ill-conceived final acts that seems to have been written by a focus group that wanted to see something "satisfying" on screen even if it violates the integrity of the entire story. Fortunately the cast is good enough to get away with it.

Most of the story takes place in a Los Angeles emergency call centre, where Jordan (Berry) receives a horrific call from a teen girl who's being stalked in her own home. And Jordan blames herself for the violence that follows. Six months later, she has removed herself to a training job, but gets roped in when another teen, Casey (Breslin), calls in panic from the boot of a moving car. This is clearly the same villain (Eklund) as before, and Jordan does everything she can to help Casey both survive and reveal her location. Along the way Jordan's assisted by a passerby (Imperioli) as well as her cop ex-boyfriend (Chestnut).

So far so good, as both Jordan's and Casey's perspectives ratchet up the emotional intensity. The kidnapper is seriously deranged and oddly difficult to track as time runs out. And here's where the film jumps the rail: Jordan takes matters into her own hands, heading out into danger without bothering to call for back-up. This sets up a rather terrifying final showdown that would have been much more involving if we could believe it.

Continue reading: The Call Review

Kick-Ass 2 Review


OK

New writer-director Wadlow (Never Back Down) makes one severe misstep with this sequel to Matthew Vaughn's snappy 2010 Kick-Ass: he loses the irony. Now everything is played for goofy laughs and indulgent grisliness. There's no longer any subtext, nothing original in the structure or premise and a clear fear of being politically incorrect. Even so, it's an entertaining romp with a steady stream of funny gags.

After the craziness of the first film, Dave (Taylor-Johnson) has hung up his Kick-Ass costume and is trying to be a regular teen at school, but he's jealous of Mindy (Moretz) secretly carrying on her training as Hit Girl. So he asks her to team up and teach him some new tricks. But when her guardian (Chestnut) finds out, she promises to give up the violence and go back to school. Now Dave has to find a new partner, so he joins a lively team of underground heroes led by the gung-ho Captain Stars and Stripes (Carrey). But Dave's old nemesis Chris (Mintz-Plasse) still wants to avenge his father's death, so he abandons his dodgy heroic alter-ego Red Mist and instead becomes a supervillain called The Mother F**ker, with his own butler-assistant (Leguizamo) and a crew of minions.

Wadlow briskly leaps from one action set-piece to the next, and each scene has a witty sense of humour about it, even if the extreme violence is played for rather glamorised fun rather than the shock-value of the first film. Through everything, the dialog is packed with amusing lines that keep us laughing. And Mindy's parallel plot has its moments as well, throwing her in with the school's mean girls, who clearly don't know who they're messing with. Moretz plays Mindy so well that she makes everyone else feel scruffy and simplistic by comparison. Carrey's muscled meathead is a startlingly against-type role that strangely refuses to go anywhere. But Glen is rivetingly sharp in one key scene.

Continue reading: Kick-Ass 2 Review

Not Easily Broken Review


Terrible
Not Easily Broken is a Tyler Perry movie without the Tyler Perry. To be fair, Perry did contribute a half-assed pull quote that is proudly displayed on the front cover of the film's DVD case. Of the film, Perry says, "It's a powerful movie." As a counterpoint, I say, "It's insipid, inspirational gobbledygook."

The film has all the attitude of a standard Urban Professionals in Transition movie (think Brown Sugar or The Brothers) and is made with all the over-pronounced storytelling and shove-it-down-your-throat moralizing of a cinematic church tract. The title refers to the three-way bond between a husband, wife, and God, and the film is wrought with all the stereotypical signposts of a "We Need Jesus" story -- the couple with "no time for sex," who "can't pay the bills," and "aren't quite ready to have kids" discovers that their "marriage is on the rocks" and must work to save it, thereby solidifying their "spiritual bond." Yuck.

Continue reading: Not Easily Broken Review

The Brothers (2001) Review


OK
Like many other African-American-targetted flicks like The Best Man and Waiting to Exhale, The Brothers is best when it's trying to be a comedy and comes off as fluffy if not sappy and lame when attempting to teach us more serious lessons about life and love. But this movie about the trials and tribulations of four attractive, successful "buppies" will definitely entertain, and it's sure to rake in the box office cash.

The four "brothers" are commitment-fearing Jackson (Morris Chestnut, who also starred in The Best Man), woman-hating playboy Brian (Bill Bellamy), not-so-happily married Derrick (D.L. Hughley) and reformed womanizer Terry (Shemar Moore). When Terry decides to get married, his boys start sizing up their own lives.

Continue reading: The Brothers (2001) Review

Boyz N The Hood Review


Excellent
Boyz n the Hood is a movie so fraught with cultural significance that it's hard to remember if it's any good. Upon its release, it was immediately hailed for its startling depiction of gang violence in South Central L.A. But then, in a sort of nightmarish Purple Rose of Cairo twist, the violence jumped from the screen to the audience. All around the country, at scores of theaters showing Boyz, acts of violence--shootings, stabbings, brawls--heaped gasoline on the already burning controversy surrounding the cultural influence of gangsta rap and its glorification of the gangsta lifestyle. Less than a year after Boyz' release, racial tensions boiled over and rioting swept through the very neighborhoods where the film's action is set. And while it would be absurd to claim that Boyz had anything to do with the start of the unrest, the riots made it clear that the rage and frustration depicted in the film was eerily on the money. So, more than a decade later, in a completely different racial climate, with gangsta rap now as mainstream as mac-and-cheese, does Boyz n the Hood still play? Yeah, in a very raw way, it does.

Writer-director John Singleton was only 23 when Boyz hit the big screen in 1991, and if the intervening years have brought anything into sharper focus, it's his immaturity as a writer. Boyz is a sledgehammer of a film -- powerful, but hardly subtle. Singleton centers his story on the character of Tré Styles, who's about 11 in the opening sequence. After Tré gets into a fight at school, he's taken to live with his father, Furious (Laurence Fishburne), who has a better shot at teaching him how to be a man than his mother (Angela Bassett) does. Tré's best friends are Doughboy -- a tough, pudgy, troublemaking little kid -- and Ricky -- Doughboy's good-looking, athletic younger brother. As the sequence winds to a close, Furious' paternal influence keeps Tré out of trouble while the fatherless Doughboy ends up being arrested for shoplifting.

Continue reading: Boyz N The Hood Review

Scenes of the Crime Review


Weak
Tip for those of you who want to make a gangster thriller flick: Don't set it largely in a van parked outside a dingy deli. Not really the glamor scene you're looking for, even if you do have perennial actor's actor Jeff Bridges trapped in back. While this cat and mouse game is woefully lacking in grandeur and carries few surprises in its plot, it's got a few goodish performances and soliloquys that make the two hours something better than truly awful.

Confidence Review


Extraordinary
If Heist held your attention and The Score kept you guessing, you need to see Confidence, James Foley's stunningly original sting movie that puts the majority of sting movies to shame. Who knew that Foley, the man responsible for brainless thrillers like The Corruptor and Fear, would helm a genre film that outwits even those from acclaimed filmmakers David Mamet and Frank Oz?

Confidence has triple the pizzazz of any caper movie released in the past several years. To say that it keeps you guessing would be misleading; the film has so many twists, turns, and reveals them in such an order that you don't even know where to start guessing. You'll need a scorecard to keep everything in order. Yet, remarkably, in the end, everything adds up without any apparent plot holes. It's astonishing.

Continue reading: Confidence Review

Anacondas: The Hunt For The Blood Orchid Review


Grim
When I admitted to a friend that I yet to see the original Anaconda, he assured me that it was a hoot. After all, where else can you see Jon Voight eaten by a gigantic snake and then vomited back out? Well, aside from Coming Home?

If the sequel had one scene like that, then, I would have left the theater a happy camper. However, Anacondas: The Hunt for the Blood Orchid does not. That is a big problem.

Continue reading: Anacondas: The Hunt For The Blood Orchid Review

Two Can Play That Game Review


Excellent
Two Can Play That Game turns love into a brutal battleground of the sexes. It's not about relationships as much as it is about the "rules" they abide by (or don't abide by). A twisted version of Angela Bassett in How Stella Got Her Groove Back, Vivica A. Fox stars as a successful businesswoman named Shante Smith. She's a player, as she explains in the opening scenes, knowing as much as there is to know about the "rules" of love.

Shante has a bunch of friends, and a handsome, charming boyfriend named Keith Fenton (Morris Chestnut), a successful lawyer himself. One night, Shante finds her love dancing with another woman at a nightclub -- and so begins the vicious battles of the sexes. Will the two get back together, or will this be the end of their relationship?

Continue reading: Two Can Play That Game Review

The Cave Review


Good
When I as a kid, there was no better place in Denver than Celebrity's Sports Center. I was not an athletic adolescent -- I spent more time reading books in my bedroom than I did tossing around the pigskin or chasing skirt -- but luckily for me Celebrity's Sports Center wasn't that type of "sports" place. It was a bowling alley/arcade/indoor water slide extravaganza where even the most geeky, awkward child could feel as though he or she was a star. What attracted me most to Celebrity's was the waterslides. There were three: the Dolphin, the Shark, and the Barracuda. Despite its often being referred to as the "baby" slide, or the "slow" one, I most enjoyed the Dolphin. Not because I was a lily-livered wuss, but because it was the one slide with rocky overhangs and waterfalls. For the two minutes that you drafted down the Dolphin you passed through a veritable equatorial jungle, replete with cascades, overhanging foliage and steep cliff faces -- all fake, of course.) And being in that slide, spiraling down to the warm pool, I often imagined myself an explorer making his way to some subterranean kingdom inhabited by monstrous creatures and lovely damsels in distress. (They tore Celebrity's down in the late '90s to make way for a Home Depot. Have people no respect?)

Watching The Cave I had that same feeling. The movie is like a multi-million dollar recreation of my boyhood fantasies on the Dolphin. And despite the many lapses in logic, the ridiculous plot twists, and the sketchy characterizations, I found myself giddy while watching The Cave.

Continue reading: The Cave Review

Morris Chestnut

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