American Pastoral is based on Philip Roth's 1998 Pulitzer Prize winning novel which follows the life and Seymour Levov and his observations on his fellow man and the inevitable fake veneer many of us build to masquerade their real personalities.
Seymour Irving Levov has always lived a quiet life, he takes over his family business and marries a woman he loves very much. They have a large house and live a very comfortable life. They have a beautiful daughter called Meredith and up until her teenage years, Merry is much like any other kids but there's a turning point.
Various social influences - in particular the war - make a huge impact on Merry's life and she soon becomes an extremist, after growing more and more weary of her voice not being heard, Merry plants a bomb in a local post office and she becomes a wanted person.
Continue: American Pastoral Trailer
With heavy overtones of Hitchcockian mystery and intrigue, this stylish thriller is the enjoyably melodramatic story of a rather odd 9-year-old boy and the adults caught in a twisted vortex around him. Emotive acting helps make the characters come to life, and the story's secrets keep the audience hooked as what's actually happening becomes horrifyingly clear.
Louis Drax (Alden Longworth) has had several close encounters with death in his first nine years. Is he immortal? Or just accident prone? His mother Natalie (Sarah Gadon) protects him fiercely, while his father Peter (Aaron Paul) clearly adores him. So what happened on his birthday, when Peter went missing and Louis ended up in a coma after falling from a cliff? While treating him, Dr Pascal (Jamie Dornan) becomes entangled in the drama of their life. He meets Louis' sardonic therapist (Oliver Platt) and Peter's manic mother (Barbara Hershey), and he also gets perhaps a bit too close to Natalie than he should.
Director Alexandre Aja and writer Max Mingella have a lot of fun stirring in references to Hitchcock films, including the San Francisco setting, switching identities, vertiginous heights and a dangerous blonde. They add so many mysteries and red herrings into the plot that the audience is kept happily off-balance for most of the film, waiting for the other shoes to drop. This means that everything feels somewhat overcooked, complete with fantasies, dreams and even some magic. But this gives the cast a lot to play with. Dornan is his usual charming, seductive self, haplessly wooing Natalie even though he already has a hot wife (McGregor). But then Gadon oozes vulnerable lustiness in her role, so he doesn't have much of a chance. And despite the obvious set-up, Paul creates a surprisingly complex character out of Peter, while Hershey has fun chomping on the scenery.
Continue reading: The 9th Life Of Louis Drax Review
Louis Drax is a young boy who lives with his mother and father, the family are close but each year Louis seemingly has a bad accident. His parents put this down to their son's clumsy ways but they're fully aware that something deeper might be at play.
It's Louis ninth birthday and he and his parents plan to go into the woods for a picnic to celebrate. As the trio begin to have a nice time, tragedy strikes and Louis is found at the bottom of a cliff.
In a deep coma, the young boy is transferred to a special coma unit where his vitals are monitored by acclaimed neurologist Dr. Allan Pascal. Louis had been technically dead for two hours before being rescued and the fact that he's reciprocating to any form of treatment is a miracle in itself.
Continue: The 9th Life of Louis Drax Trailer
Molly Parker - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Molly Parker - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at The Shrine Expo Hall, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Molly Parker, Michael Gill, Jayne Atkinson, Rachel Brosnahan and Joanna Going - 21st Annual SAG (Screen Actors Guild) Awards at Los Angeles Shrine Exposition Center - Arrivals at Los Angeles Shrine Exposition Center, Screen Actors Guild - Los Angeles, California, United States - Sunday 25th January 2015
Derek Cecil, Mozhan Marno, Jimmi Simpson, Michael Kelly, Molly Parker, Michael Gill, Jayne Atkinson, Rachel Brosnahan and Joanna Going - A host of stars were photographed on the red carpet as they arrived at the 21st Annual Screen Actors Guild Awards which were held at the Shrine auditorium in Los Angeles, California, United States - Sunday 25th January 2015
'House of Cards' season 2 has opened with a surprising death. The full second season was released on Netflix yesterday (14th February) and has already made headlines owing to its shockingly brilliant first episode.
The opening episode of House of Cards season 2 will definitely go down as one of the most shocking in television history: one of the main characters has been brutally killed off; Claire is desperate for a baby; and Frank celebrates a subdued birthday. If you haven't seen it yet, stop reading now! Spoilers included!
Kevin Spacey at the screening of House of Cards season 2 in L.A.
Frank's usual narrative directly to the camera only begins in the last minute and he leaves the audience with a menacing "Welcome Back." This sudden address is almost as shocking as the writer's decision to kill one of the main characters. Zoe Barnes (Kate Mara) and her journalist friends are attempting to uncover the truth about Congressman Peter Russo's (Corey Stoll) death. They know Frank is somehow connected and Zoe confronts him at a secret meeting in a subway station. Unfortunately for Zoe, Frank will do anything to ensure he's not under suspicion and pushes his former lover in front of a passing train.
'House of Cards' season two promises, if the actor's comments are to be trusted, to be filled with even more twists, turns and scheming from anti-hero Frank Underwood. The complete second season will be available on Netflix on 14th February.
Season 2 of Netflix's political drama, House of Cards, will be available from the early hours of Valentine's Day (14th February) and promises to be filled with even more scheming from Frank Underwood, the politician we love to hate.
Kevin Spacey at the season 1 premiere of House of Cards.
The last season ended with Underwood, played by Spacey, committing the ultimate crime against the troubled US Representative Peter Russo (Corey Stoll) and remaining inhumanly calm under pressure. As he continues with his schemes to become even more powerful it seems Underwood will go even further in this season of House of Cards.
This film by aspiring assistant director/producer Lewin Webb is straight out of episodic TV. Think your lesser episode of, oh, Law & Order. A priest (Von Flores) is discovered red-handed with one of his flock, dead and covered with blood. The priest says he was just giving him the last rites, and that he knows what happened, but he can't divulge this due to confession's rules of confidentiality. Immediately on the case is Daniel Clemens (Slater), who's better known for his fundraising abilities and PR schmoozing. What he uncovers is a sort-of half-baked counterculture of gay Catholics (of which Flores may or may not have been a member)... and a murder plot that has absolutely nothing to do with any of that.
Continue reading: The Confessor Review
The story is about as dark as they come. A Newfoundland restaurateur named Dave (William Hurt) finds his business is failing, so he and neighbor Alphonse (Andy Jones) decide to fake the sighting of a very rare bird, thus drawing hordes of birdwatchers to the area... in turn, drumming up business for the restaurant.
Continue reading: Rare Birds Review
In Sunshine, Svabo looks back through the last 100 years of his country's history for meaning, and finds some --- enough to fill a three-hour, soapy epic about the century's chaos. The film mostly works, and is a worthy addition to Svabo's art.
Continue reading: Sunshine Review
Peter Sarsgaard plays Richard, a typical (almost stereotypical) techo-geek who made a million dollars the year prior and is about to make a lot more through an IPO. We are introduced to him and Florence (Molly Parker) as they check into a hotel suite in Las Vegas. Through a series of flashbacks, we learn that Richard recently met Florence, a freckled stunner, at the strip club where she works. Within five minutes, Wang sets the film's tone by having Parker perform an act that eliminates any chance for an R rating -- a shocking act for a lead actress in a mainstream film, and one that suggests that freedom of sexuality is a major issue here (and that Parker is an actress with few boundaries).
Continue reading: The Center Of The World Review
American Pastoral is based on Philip Roth's 1998 Pulitzer Prize winning novel which follows the...
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Now that the 20th century is finally over, I guess it's time to start re-interpreting...