The cult comedy Arrested Development was cancelled 6 years ago on Fox, however after the cast reunited in 2011 at the New Yorker Festival, creator and writer Mitchell Hurwitz announced that he was going to write a fourth season of the comedy, to precede a film. Filming began for the fourth season last summer, and it is only now that Hurtwitz has begun to reveal a little about this new season.
Speaking to the Detroit Free Press, Hurwitz said: "The bigger story is the family has fallen apart at the start of our show. They all went their own way, without Michael holding them together, so they're left to their own devices, and they're not the most successful devices... Each individual [episode] kind of depicts what happens in 2006 as the Bluths fled from the law on the Queen Mary [an event which ended the third season]."
As screen rant notes, judging by the recently released episode titles, it seems that each one will focus on a member of the family, with most characters having 2 episodes dedicated to them.
Arrested Development was always an ingenious cross between crisp satire and loopy human cartoon, but season two hit a stride from the start; the season opener, "The One Where Michael Leaves," picks up exactly where the first season left off, and enriches the already-complicated plot with hysterical new wrinkles. Family patriarch George Bluth Sr. (Jeffrey Tambor) has broken out of prison and escaped to Mexico, while well-adjusted middle son and our nobel hero Michael (Jason Batemen) has made a decision to break from the family entirely. As usual, he keeps getting sucked back in for a variety of reasons: with George Sr. on the lam, Michael must prove his innocence in connection with his father's shady business deal with Saddam Hussein (yes, it just keeps getting deeper), and he would also need money to post bail if he were unfairly arrested. But as complicated as Arrested can get, its themes always remain truly simple -- more than any other reason, Michael returns because his family needs him, and Michael himself has a need to be needed.
Continue reading: Arrested Development: Season Two Review
The series made such a mockery of the traditional, homogenized three-camera sitcom with cheap sets and canned laughter, to the point that very few of them even exist anymore. Most TV comedies now chase after the off-the-wall genius of Arrested Development, with its sly, easy-to-miss references to every aspect of current pop culture, and its uncanny knack for testing the devotion (and the memory banks) of its viewers with severely high-risk inside jokes. The show was a bold concept, a sharply radical turn from the ordinary, and the funniest damn program to appear on television before or since its three-season run.
Continue reading: Arrested Development: Season One Review
Of course, this being Arrested Development and all, there are more laughs in those 13 episodes than a lifetime of just about any another live-action show. Hurwitz's show chronicles the twists and turns of the formerly wealthy, currently imperiled (and morally impaired) Bluth family, led by good son Michael (Jason Bateman). The show moves like a soap opera, cramming an hour's worth of bizarre plots into 20 minutes or so. Season three contains the most ambitious story arc of the show's run, wherein lovelorn Michael finds a new relationship with Rita (guest star Charlize Theron, appearing in five of the baker's dozen), a charming English woman harboring a deep secret. You may guess the twist ahead of the climactic revelation, but even if you do, it's just as much fun to notice the many clues that start to seem hilariously obvious.
Continue reading: Arrested Development: Season Three Review
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