Mitch Glazer

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Mitch Glazer - 27th Annual Producers Guild of America Awards held at the Hyatt Regency Century Plaza - Arrivals at Hyatt Regency Century Plaza - Los Angeles, California - Los Angeles, California, United States - Saturday 23rd January 2016

Mitch Glazer
Mitch Glazer
Mitch Glazer and Kelly Lynch
Mitch Glazer and Kelly Lynch

Mitch Glazer - 27th Annual Producers Guild Awards at the Hyatt Regency Century Plaza, Producers Guild Awards - Century City, California, United States - Sunday 24th January 2016

Mitch Glazer
Mitch Glazer
Mitch Glazer
Mitch Glazer
Mitch Glazer
Mitch Glazer

Mitch Glazer , Kelly Lynch - 27th Annual Producers Guild Awards (PGA) - Arrivals at Producers Guild Awards - Los Angeles, California, United States - Saturday 23rd January 2016

Mitch Glazer and Kelly Lynch

Kelly Lynch and Mitch Glazer - 2014 Vanity Fair Oscar Party held at Sunset Tower in West Hollywood - Los Angeles, California, United States - Sunday 2nd March 2014

Kelly Lynch and Mitch Glazer
Kelly Lynch
Kelly Lynch
Kelly Lynch
Kelly Lynch

Kelly Lynch and Mitch Glazer - Banana Republic, L'Wren Scott And Krista Smith Celebrate The Launch Of The Banana Republic L'Wren Scott Collection At Chateau Marmont - Los Angeles, California, United States - Wednesday 20th November 2013

Kelly Lynch and Mitch Glazer
Kelly Lynch and Mitch Glazer
Kelly Lynch
Kelly Lynch
Kelly Lynch and Mitch Glazer
Kelly Lynch

Scrooged Review


Very Good
Treatments of A Christmas Carol don't get much more quirky -- or memorable -- than this 1988 adaptation of the Dickens classic, done with no attempt to maintain respect for the stuffy source material. As a Scrooge-like TV producer (producing a live adaptation of A Christmas Carol, starring Mary Lou Retton as Tiny Tim), Bill Murray doesn't even come close to stealing the show from a host of characters who do: Bob Goldthwait as a gun-toting Cratchitt type, Carol Kane as a memorably pugilistic ghost of Christmas present, and many more. Not quite a "classic," but a roaring good time.

Great Expectations (1998) Review


Weak
You know, I didn't like the book Great Expectations when I was in high school, so I don't know why anyone thought it would be liked any better now. Hawke's meddling with the story is well-documented (including changing the main character's name from Pip to Finn). Then there's the updating to the 20th century, making Pip, er, Finn an artist (and a bad one at that), Bancroft's horrific drag-queenish dance instructor. De Niro's lost expression. Ugh. I'll take the book over this.

Scrooged Review


Very Good
Treatments of A Christmas Carol don't get much more quirky -- or memorable -- than this 1988 adaptation of the Dickens classic, done with no attempt to maintain respect for the stuffy source material. As a Scrooge-like TV producer (producing a live adaptation of A Christmas Carol, starring Mary Lou Retton as Tiny Tim), Bill Murray doesn't even come close to stealing the show from a host of characters who do: Bob Goldthwait as a gun-toting Cratchitt type, Carol Kane as a memorably pugilistic ghost of Christmas present, and many more. Not quite a "classic," but a roaring good time.

Great Expectations Review


Weak
You know, I didn't like the book Great Expectations when I was in high school, so I don't know why anyone thought it would be liked any better now. Hawke's meddling with the story is well-documented (including changing the main character's name from Pip to Finn). Then there's the updating to the 20th century, making Pip, er, Finn an artist (and a bad one at that), Bancroft's horrific drag-queenish dance instructor. De Niro's lost expression. Ugh. I'll take the book over this.

The Recruit Review


Good
Rarely do I have any trouble coming up with a way to lead into a movie review. But The Recruit has really thrown me a puzzle. Do I say something about its slick Hollywood production values and typically over-the-top performance by Al Pacino? Do I comment on its wealth of technical implausibilities? Or should I say something about how you should never trust a redhead, newbie spy James's (Colin Farrell) first obvious mistake in the film?

None of these leads really grabbed me, but then again, neither did The Recruit. It's a glossy and well-massaged thriller, designed to give you two hours of eye candy and gently massage your brain -- but not too much! After all, a fickle mass audience might be weighing their investment against the simplicity of Kangaroo Jack.

Continue reading: The Recruit Review

Mitch Glazer

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The Recruit Movie Review

The Recruit Movie Review

Rarely do I have any trouble coming up with a way to lead into a...

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