Miriam Hopkins

Miriam Hopkins

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Barbary Coast Review


Very Good
Any self-respecting San Franciscan needs to give Barbary Coast a spin, a film of Gold Rush-era S.F., when the town was full of backstabbing gold panners, corrupt tycoons, and nary a "white woman" in the whole town. That changes when Miriam Hopkins arrives, fresh off the boat, only to discover her fiancee is no longer alive. To keep food on the table, she takes a job as a roulette wheel spinner (crooked, natch) for local boss Edward G. Robinson, who owns the movie -- at least when Walter Brennan's "Old Atrocity" (his actual character's name) isn't on screen. Lots of fun, despite a forced love story late in the picture, and full of chilly, delicious fog.

Trouble In Paradise Review


Good
Cute and quaint, perfectly befitting Trouble in Paradise's 1932 origins. Ernst Lubitsch directs this little number about a conman and con-woman who together decide to swindle a wealthy woman out of her birthright. Man falls for the lady, though... will he be able to go through with it all? Well, that wouldn't be very warmhearted, would it? Seventy years later, the movie suffers from a massive number of jokes that no longer work. A couple of visual gags are still on target and the acting is swell, but on the whole the story is too simple, too flat, and too uninteresting to stand the test of time.

Carrie (1952) Review


Very Good
The people at the video store hadn't heard of this movie, naturally confusing it with Brian De Palma's hyperkinetic horror classic Carrie. They should know better. William Wyler's 1952 film is an intense, visual retelling of Theodore Dreiser's first novel Sister Carrie, a sprawling story of a "kept woman" in turn-of -the-century America and how she rises from shy country girl to big-city diva in spite of, or because of, what was then called "moral transgressions." Considered controversial, if not indecent, when Dreiser wrote it in 1900, its publication was delayed for over a decade.

Wyler (who died in 1981) was a master of hybrid movie-making, transforming one masterpiece novel and one serious play after another, into stylized, highly cinematic pictures that made audiences forget they were watching adaptations. His Wuthering Heights may not be true Bronte, but audiences in 1939 cried over Heathcliff and Kathy as if they were Romeo and Juliet; in These Three, he fashioned Lillian Hellman's play The Children's Hour in ways that made a lesbian couple acceptable on screen in 1936; and any one who's seen The Heiress, his version of Washington Square by Henry James, will never forget Olivia de Havilland's haunting portrayal of the lonely, angry, ugly-duckling daughter of a rich and powerful physician. Then there's always Ben-Hur.

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Miriam Hopkins

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The Cast Of 'Will And Grace' Have Reunited, But What Are They Up To?

The Cast Of 'Will And Grace' Have Reunited, But What Are They Up To?

The NBC series ended a decade ago, but Will, Grace, Karen and Jack haven't changed a bit.

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Robbie Williams Announces New Album 'Heavy Entertainment Show'

Robbie Williams Announces New Album 'Heavy Entertainment Show'

The album is Williams’ first release since 2013’s ‘Swings Both Ways’.

Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

There's already an Oscars buzz surrounding this movie.

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