Miriam Colon

Miriam Colon

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Míriam Colón, Saundra Santiago and Richard Gere - Opening night after party for The Glass Menagerie at Bourbon Street Bar and Grille - Arrivals. at Bourbon Street Bar and Grille, - New York City, New York, United States - Thursday 14th May 2015

Míriam Colón, Saundra Santiago and Richard Gere

Miriam Colon, Great White and Mayor Michael Bloomberg - Miriam Colon & Chita Rivera New York City, USA - "Forbidden Broadway" celebrates 25 Years of Lampooning The Great White Way with Chita Rivera reading a Proclamation from Mayor Michael Bloomberg renaming 47th Street "Forbidden Broadway" at the 47th Street Theatre. Tuesday 2nd October 2007

Miriam Colon, Great White and Mayor Michael Bloomberg

Scarface Review


OK
To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par excellence, doesn't really do justice to the performance. Pacino tears into his lines with a lust approaching frenzy, ripping through scenes with an animalistic fervor, creating a role that has already gone down in the books as one of the great, if not the greatest, portrayals of a gangster ever to hit the screen. It's also, watching some 20 years down the line, laughably campy in a manner that the rest of this bloated, self-important film doesn't seem to appreciate.

Pacino and producer Martin Bregman had a good idea in wanting to make an updated version of the original 1932 Scarface, which chronicled the rise and fall of a Prohibition-era Capone-like criminal overlord (screenwriter Ben Hecht was a Chicago journalist with a lot of intimate knowledge of Capone). Handing it over to director Brian De Palma (who had specialized mostly in psychosexual thrillers like Dressed to Kill and The Fury), and screenwriter Oliver Stone (whose credits included an Oscar for 1978's Midnight Express but also Conan the Barbarian), was a daring move. Stone did a lot of research for the screenplay, hanging out and doing coke with drug lords all over Latin America, and De Palma promised to bring a certain visual flair to the proceedings.

Continue reading: Scarface Review

Scarface Review


OK
To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par excellence, doesn't really do justice to the performance. Pacino tears into his lines with a lust approaching frenzy, ripping through scenes with an animalistic fervor, creating a role that has already gone down in the books as one of the great, if not the greatest, portrayals of a gangster ever to hit the screen. It's also, watching some 20 years down the line, laughably campy in a manner that the rest of this bloated, self-important film doesn't seem to appreciate.

Pacino and producer Martin Bregman had a good idea in wanting to make an updated version of the original 1932 Scarface, which chronicled the rise and fall of a Prohibition-era Capone-like criminal overlord (screenwriter Ben Hecht was a Chicago journalist with a lot of intimate knowledge of Capone). Handing it over to director Brian De Palma (who had specialized mostly in psychosexual thrillers like Dressed to Kill and The Fury), and screenwriter Oliver Stone (whose credits included an Oscar for 1978's Midnight Express but also Conan the Barbarian), was a daring move. Stone did a lot of research for the screenplay, hanging out and doing coke with drug lords all over Latin America, and De Palma promised to bring a certain visual flair to the proceedings.

Continue reading: Scarface Review

Miriam Colon

Miriam Colon Quick Links

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Miriam Colon Movies

Scarface Movie Review

Scarface Movie Review

To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par...

Scarface Movie Review

Scarface Movie Review

To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par...

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