Milo Ventimiglia pictured at the 24th Annual Screen Actors Guild (SAGs) Awards 2018 held at The Shrine Auditorium in Los Angeles. This year's big winners included 'Three Billboards Outside Ebbing, Missouri', 'Veep' and 'Big Little Lies' - Los Angeles, California, United States - Sunday 21st January 2018
Milo Ventimiglia at the HBO Golden Globe After Party 2018. With 12 nominations, the network received the most of any TV network, including for one of the night's biggest winners: 'Big Little Lies' - Los Angeles, California, United States - Monday 8th January 2018
Milo Ventimiglia, Susan Kelechi Watson , Justin Hartley - NBC Universal Mid Season Press Junket at the Four Seasons Hotel - Red Carpet Arrivals - New York, New York, United States - Friday 3rd March 2017
Jason Statham may be playing essentially the same character he always plays, but this noir-style thriller has a somewhat groovier tone thanks to the Las Vegas setting and a scruffy William Goldman script. It's also directed with wit and energy by Simon West, who keeps everything moving very briskly. Although not fast enough for us to miss the fact that it's all rather thin and pointless.
As always, Statham is a former black-ops agent whose jaded, frazzled exterior obscures his fighting-fit action moves. His name this time is Nick Wild, and he works as a bodyguard for wealthy clients like Cyrus (Michael Angarano), who needs protection as he visits Vegas casinos with vast sums of money. He also has a lot to learn from Nick about gambling and wants to learn some of those action moves too. Meanwhile, Nick's ex-girlfriend Holly (Dominik Garcia-Lorido) asks him to help her get revenge against the swaggering gangster Donny (Milo Vengimiglia), who kidnapped and viciously terrorised her. Nick knows that getting even with Donny will put him on a collision course with mob kingpin Baby (Stanley Tucci), but he can't resist a challenge.
Nick is one of those characters who can't resist much. He's addicted to high-stakes blackjack, life-threatening confrontations and his own seedy poverty. So clearly the goal of the screenplay is to find some sort of uneasy redemption. Statham has played this role before in his sleep, so he looks almost bored here, which makes him vaguely intriguing. His gimmick this time is an ability to turn everyday objects into lethal weapons, including a seriously nasty moment with a pair of hedge clippers. It also helps that the film is packed with colourful scene-stealers who add plenty of badly needed spark, including a ripped Ventimiglia and the reliably wonderful Tucci, plus lively cameos from the likes of Sofia Vergara and Anne Heche.
Continue reading: Wild Card Review
The shift from bright comedy to rather grim drama is gradual enough to carry the audience along, but it's rather startling to end up somewhere so serious after such a cheeky start. Director Anna Mastro and writer Paul Shoulberg set this up as a breezy coming-of-age movie before adding a supernatural twist and quietly moving the goal posts. Fortunately, the strong cast and assured filmmaking carry the audience along. So even if it ultimately begins to feel melodramatic, it's also surprisingly moving and meaningful.
Convinced that he has been called by God to decide who goes to heaven and hell, 18-year-old Walter (Andrew J. West) is a perfectionist who maintains order in his life both at home with his over-concerned mother Karen (Virginia Madsen) and at his job taking tickets in the local multiplex. At work, he has his eye on the smart-sexy Kendall (Levin Rambin), but is too shy to speak to her and is teased mercilessly about this by bullying colleague Vince (Milo Ventimiglia). Then a ghost named Greg (Justin Kirk) starts taunting him as well, and Walter finally agrees to see a shrink (William H. Macy) in the hopes of restoring order to his life.
Of course, the point is that Walter doesn't need order: he needs to face up to the truth about the death of his father (Peter Facinelli in flashbacks). But the more he acknowledges, the more his life seems to unravel around him. This is played beautifully by West, a likeable actor who manages to get even more engaging as Walter falls apart. His interaction with the rest of the cast is pointed and witty, packed with knowing commentary and some sharply funny observations. And all of the actors around him bring layers of emotion and energy to the film.
Continue reading: Walter Review
Nick Wild (Jason Statham) is working as a Las Vegas bodyguard for hire, mainly due to his lethal professional skills, but also because of a slight gambling problem he has. Unfortunately for Wild, he allows business to get mixed up with his personal life, as he chooses to help a friend of his that gets savagely beaten by a Vegas thug. After extracting a bloody revenge on the thug, Wild finds his simple little existence challenged by an entire crime family that seem hell-bent on sending him to a shallow grave in the desert. Wild knows that one way or another, he's not gonna be in Vegas by the morning.
Continue: Wild Card Trailer
While the tone is all wrong, this fantastical version of a momentous year in the life of Grace Kelly is still entertaining, and not just unintentionally. Lavishly designed and heavily fictionalised, the film is anchored by a solid movie-star performance from Nicole Kidman that may miss Kelly's persona but captures an intriguing inner life.
It's set in 1961, five years after Grace (Kidman) left her Oscar-winning career to marry Monaco's Prince Rainier (Tim Roth). Now with two kids, she is still struggling to define her role as a foreign-born princess while considering a return to Hollywood. Meanwhile, France is ominously threatening Monaco with embargoes and more if Rainier doesn't start taxing his population and paying the money to France. Taking advice from her priest friend Tucker (Frank Langella), Grace decides to devote herself to her husband to help solve the crisis. This will require training with an etiquette guru (Derek Jacobi) as well as fending off the in-laws (Geraldine Somerville and Nicholas Farrell). And it may mean that she'll never return to the movies.
The script by producer Arash Amel presents each of Grace's decisions in the most simplistic melodramatic light, as director Olivier Dahan cuts to yet another extreme close-up of Kidman's weeping eyes. The corny approach undermines any chance at real drama, as the filmmakers keep trying to crank up suspense (someone is leaking secrets!) or emotion (the people need a champion!) without building up any meaningful substance. This makes most of the plotting feel rather laughably silly, centred around a painfully dull series of political negotiations.
Continue reading: Grace Of Monaco Review
Grace Kelly is one of the most famous and most beloved Hollywood actresses in the world having won an Academy Award and two Golden Globes among others, and having starred in some of the most exciting films of the fifties. In 1955, her life changes dramatically when she catches the eye of the charming Prince Rainier III of Monaco who is on the lookout for the perfect wife. After three days of meeting, wedding plans begin and the high profile of such an event forces Grace to give up acting. Their marriage is about to be seriously tested, however, as Grace is offered a new screen role and she is itching to get back in front of the cameras. Unfortunately for her, nobody is in agreement with her continuing in film as a bad role could mar her royal reputation.
'Grace Of Monaco' is the dramatic onscreen biography of actress-turned-princess Grace Kelly, who was well-known for appearing in several of Alfred Hitchcock's films. It has been directed by the BAFTA nominated Olivier Dahan ('La Vie en Rose', 'Ghost River', 'Crimson Rivers 2') and written by Arash Amel ('The Expatriate'). The film is set to be released in the UK on June 6th 2014.
NBC say the surprising return is 'shrouded in secrecy'
'Heroes' was one of the most talked dramas on television when it aired in 2006, initially being well received as an original concept, then because of the stark dip in quality, which became an in-joke for the media’s more satirical outlets.
Remember 'Heroes'? Well, It's Back.
Now, it seems, Heroes is back for more. The studio plan to bring the show back in 2015 as a miniseries - imaginatively titled: 'Heroes Reborn.' NBC aired a teaser during its Olympics coverage on Saturday, giving fans of the cult hit a real thrill.
Continue reading: 'Heroes' To Return On NBC In 2015 With Miniseries
NBC is bringing one of its most loved shows out of retirement for a brief run in 2015.
Good news for any Heroes fans out there – NBC is reviving its hit show in miniseries form. NBC announced the news during its Olympic broadcast on Saturday. The new show, appropriately titled Heroes: Reborn will premiere in 2015 and get a 13-episode run, according to E! News. The series even got a brief teaser during the Olympic coverage.
The big question is, which of the original actors will return?
It's not the first show to be promoted over Twitter, but it might be the first to "air" there as well.
Social media isn’t on the rise any more, it’s booming and taking over in new and creative ways, as TNT’s promotional stunt for their upcoming Mob City demonstrates. The channel will promote its “three-week television event,” by tweeting out the script for the first episode, in its entirety, 140 characters at a time.
Jon Bernthal stars in this inovative (at least in its promotion) drama.
We wouldn’t worry about spoilers though, since even followers of the show’s Twitter (@MobCityTNT) probably won’t be able to keep up with the hundreds of statuses this is bound to produce. The “adaptweetion” will go live line by line, two days before the premiere, the network has announced, via Deadline. The project, a collaboration between TNT and Deutsch NY is a 1940s period series, focusing on 1940s Los Angeles.
As missiles rain down on New York City, nine people take refuge in their building's basement. After the dust settles, contamination-suited goons burst in and grab a young girl (Thickson) from her hysterical mother (Arquette), then clearly intend to kill the adults. After a rebellion, they are instead sealed in the basement. Soon a hierarchy develops around building repairman Mickey (Biehn) and his stash of supplies. Then the increasingly menacing Josh (Ventimiglia) and his mercurial friend Bobby (Eklund) take control. Meanwhile, Eva (German) is carefully treading the middle ground.
Continue reading: The Divide Review
Set in New York in the not too distant future, a sudden nuclear explosion happens in the city. In an apartment block near the explosion, the residents are hurrying down to the basement, which was converted from a fallout shelter. Only eight manage to make it inside - the rest are left to die in the blast.
Continue: The Divide Trailer
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