Scott resumes his techno tricks for Déjà Vu, a police procedural with science-fiction tools that improves longstanding stakeout methods as an investigator works to solve a volatile crime.
Continue reading: Déjà Vu Review
It's a revolutionary story, though one told with overbearingly conventional techniques by Glory Road director James Gartner. The first-time filmmaker hardly deserves all the blame. His strings are being pulled by pandering producer Jerry Bruckheimer, who wouldn't know subtle if it sat on his shoulders.
Continue reading: Glory Road Review
No! You take a role in Gone in 60 Seconds, and try to extend your movie muscle even further! Here's a movie that's pure, unabashed Hollywood: Randall "Memphis" Raines (Cage), in order to convince a mean criminal to spare the life of his brother (Giovanni Ribisi), must BLOW UP 50 cars in the next 72 hours!
Continue reading: Gone In 60 Seconds (2000) Review
Even when subject matter strikes an uncomfortable nerve, folks are still going to show up for a movie that stars Anthony Hopkins as a cold, emotionless career CIA man and Chris Rock as an unsuspecting agent-in-training, so it's necessary to discuss whether or not the film works. Sometimes Bad Company does, but often, it does not.
Continue reading: Bad Company Review
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