Mike Starr - A variety of stars were snapped as they arrived for the Closing of The 2015 Tribeca Film Festival and to celebrate the 25th Anniversary of 'Goodfellas' in Manhattan, New York, United States - Saturday 25th April 2015
The generally limp script by Josh Friedman starts off smartly, setting us up for the bruising friendship between the stars, a couple of L.A. cops who also happen to be boxers and get paired up for a publicity-machine fight that touts them as "Mr. Fire and Mr. Ice." Ice is "Bucky" Bleichart (Josh Hartnett), a cool and low-key guy charitably described as a loser who gets his shot at a good chunk of change as well as reassignment to the LAPD's hotshot Warrants department for agreeing to the fight. Fire is Lee Blanchard (Aaron Eckhart), one of those bigger-than-life cops who cuts corners with aplomb and seems happy enough to bring Bucky on as his partner after knocking his teeth out (literally) in the ring. Further binding the two men together, besides work and friendship, is Kay Lake (Scarlett Johansson), the sultry blonde dame on Lee's arm who takes a shine to Bleichart that doesn't seem to be entirely platonic.
Continue reading: The Black Dahlia Review
As a debut, it did exactly what it needed to do: It announced the director's intentions in film. The Farrelly brothers wanted inspired vulgarity, laughs mixed equally with disgust. And for awhile there, they had it; Dumb & Dumber, Kingpin, and There's Something About Mary were pioneering efforts in the history of gross-out cinema. Lately, however, the Farrelly Brothers have become tame and inoffensive, bothering themselves with misguided causes (Shallow Hal) and dull remakes (Fever Pitch). Peter, Bobby, we need you back, and in a hurry.
Continue reading: Dumb & Dumber Review
While there's a fair amount of confusion in Backflash (a title which really means nothing but which I guess someone thought sounded cool), the twists are fairly garden variety and can be spotted coming from a mile away. Ray is a patsy in this whole thing? Well of course he is, just as sure as he'll find a way out of it. Or is Ray really running the show?
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Eigeman is Gus, who starts out the film having the worst possible day. On his way to an important meeting, battered portfolio in hand, his wallet is swiped by a swindler escaping from subway havoc. The interview goes poorly with gallery owner Arthur Pomposello (an unrecognizable Farley Granger, of beloved Hitchcock fame) because Gus just doesn't "catch you." His shading shows talent and his composition is pleasant to look at, but he doesn't display the normal despondence and stereotypical artistic pain seen in his peers.
Continue reading: The Next Big Thing Review
Continue reading: Miller's Crossing Review
Drowning in every workaholic- single- father- gets- his- priorities- straight cliché you could possibly imagine (and then some), "Jersey Girl" is so insultingly trite and treacly it actually features self-centered, single-dad widower Ben Affleck not only realizing (at the last moment) that his daughter's school talent show is more important than a job interview, but actually dashing back to the 'burbs from Manhattan to join her on stage for a song.
Granted, the duet -- which manages to be insipidly saccharine and hokey despite being a murderous number from "Sweeney Todd" -- is the performance that father and daughter had planned all along before his ego got in the way. But the very fact that it never even crosses Affleck's mind to ask about rescheduling his interview lays bare how blindly enamored writer-director Kevin Smith was with the hackneyed notion of this false dilemma.
For all the post-"Gigli" murmur about this being the another possible bomb co-starring former fiancés Ben Affleck and Jennifer Lopez, "Jersey Girl" is actually quite romantic, amusing and well-acted up to the point when Lopez, as Affleck's beloved wife, dies in childbirth, providing the timber-souled actor a brief moment in which to show unexpected depth as he collapses in a weeping heap in the hospital hallway.
Continue reading: Jersey Girl Review