Mike Medavoy

Mike Medavoy

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LACMA 50th Anniversary Gala

Mike Medavoy and Irena Medavoy - LACMA 50th Anniversary Gala sponsored by Christies - Arrivals at LACMA - Los Angeles, California, United States - Saturday 18th April 2015

2014 LACMA Art + Film Gala Honoring Barbara Kruger And Quentin Tarantino Presented By Gucci - Red Carpet

Irena Ferris and Mike Medavoy - Celebrities attend 2014 LACMA Art + Film Gala honoring Barbara Kruger and Quentin Tarantino presented by Gucci at LACMA. at LACMA - Los Angeles, California, United States - Saturday 1st November 2014

The Wrap 5th Annual Pre-Oscar Event

Mike Medavoy and Irena Medavoy - Celebrities attend TheWrap.com 5th Annual Pre-Oscar Event at Culina Restaurant at the Four Seasons Hotel. - Los Angeles, California, United States - Wednesday 26th February 2014

Mike Medavoy
Mike Medavoy and Irena Medavoy

What to Expect When You're Expecting Review


Grim
The odd moment of honest drama or genuinely witty humour catches us completely off guard, because this is one of those resolutely bland Hollywood star machines that bears no resemblance to the real world at all.

In Atlanta, TV fitness guru Jules (Diaz) is about to reveal that she's pregnant by her celebrity dance show partner Evan (Morrison). Meanwhile, Holly and Alex (Lopez and Santoro) are looking into adoption even though they're not sure they're ready; Wendy and Gary (Banks and Falcone) are finally expecting after trying for years, only to be upstaged by Gary's dad (Quaid) and his much younger wife (Decker); and food truck operators Rosie and Marco (Kendrick and Crawford) rekindle their teen romance with unexpected results.

Continue reading: What to Expect When You're Expecting Review

Picture - Producer Mike Medavoy, Irena Medavoy,... Beverly Hills, California, Thursday 8th December 2011

Mike Medavoy - Producer Mike Medavoy, Irena Medavoy, and Nick Medavoy Beverly Hills, California - The 2011 Unicef Ball at the Beverly Wilshire Four Seasons Hotel Thursday 8th December 2011

Picture - Producer Mike Medavoy, Nick Medavoy,... Beverly Hills, California, Friday 9th December 2011

Mike Medavoy - Producer Mike Medavoy, Nick Medavoy, and Irena Medavoy Beverly Hills, California - The 2011 Unicef Ball at the Beverly Wilshire Four Seasons Hotel Friday 9th December 2011

Black Swan Review


Extraordinary
Aronofsky takes his usual bravura cinematic approach to this harrowing psychological thriller set in a New York ballet company. Not only is it unlike any film we've ever seen, but it leaves us shaken by its boldly evocative themes.

In a noted ballet company, Nina (Portman) is a rising star who's up for the lead in a new production of Swan Lake. She's fiercely aware of the fact that the previous lead ballerina (Ryder) has been casually discarded while younger newcomer Lilly (Kunis) is already threatening Nina's position. Or is Nina just being paranoid? As opening night approaches, Nina begins to clash with everyone around her, from Lilly to her mercurial director (Cassel) and domineering mother (Hershey). And reality starts slipping out of her grasp.

Continue reading: Black Swan Review

Shutter Island Review


Excellent
Essentially a B-movie thriller with an A-list cast and production values (and an epic's running time), this film is almost ludicrously well-made. Scorsese is clearly having fun rattling our nerves, and he does it very well.

In 1954 Boston, Ted (DiCaprio) is a US Marshal heading with his new partner Chuck (Ruffalo) to the Shutter Island hospital for the criminally insane. A patient (Mortimer) has mysteriously disappeared, and the head doctor (Kingsley) is acting suspicious. So is everyone else for that matter. As Ted delves deeper into the mystery, which hints at a big conspiracy, he struggles with the implications these events have for his own life, including the death of his wife (Williams) and his experiences liberating Dachau at the end of the war.

Continue reading: Shutter Island Review

Resurrecting the Champ Review


OK
You could say that young sportswriter Erik Kernan (Josh Harnett) has a greater need for resurrection than the down-for-the-count ex-boxer he wants to write about. That's because, sadly, Kernan hasn't been able to match his dead dad's sharp writing and sterling reputation on the Denver Post. The only thing that makes his professional resurrection possible with his story idea is the passion to tell it, and he's pleading for the assignment.

When Erik first comes upon the man they call "Champ" (Samuel L. Jackson), the homeless resident has just been violently attacked by a small gang of vicious delinquents trying to prove their manhood with an act of cowardice typical of the goons and bullies in this part of town. After suffering their blows, the victim lies nearly helpless on the grounds of his minimal stakeout in a downtown alley. Once more, Champ is down, but this is the life he's accepted and adapted to with stoic resolve.

Continue reading: Resurrecting the Champ Review

Pathfinder Review


Grim
The idea that Vikings arrived in America long before Christopher Columbus is a fascinating one. It's easy to envision these bearded warriors, hunkered down in their longboats, stumbling sick and exhausted onto North American shores after a harrowing journey across the wild Atlantic. That's at least what I see. The makers of Pathfinder see something else entirely. The Vikings who wash ashore here are giant-sized brutes and they come complete with veritable armies and practically a herd of horses. It's like they rowed over from Jersey on cruise ships.

And forget every image of Vikings you've ever seen, these guys are less Scandinavian herdsman and more post-Apocalypse titans. Remember Humungous from The Road Warrior ("The Ayatollah of Rock and Rolla!")? Throw a few bear skins on that guy and give him a helmet made of twelve ram's horns and he could play every one of the Viking raiders in Pathfinder. I half expected MasterBlaster to come surging out of the primitive landscape.

Continue reading: Pathfinder Review

Zodiac Review


Essential
Talk about a tough sell. David Fincher's most accomplished film to date is a true-crime masterpiece about the Zodiac, an enigmatic serial killer whose random approach to murder terrified Northern California throughout the late '60s and early '70s. Methodical and mesmerizing, the picture flirts with a three-hour run-time, features realistic depictions of senseless slaughter, and builds to an incomplete conclusion that is only satisfying when taken in context (for those unaware, the infamous cold case remains unsolved to this day).

It's also brilliant, the first great film of the year which constructs with painstaking detail a fruitless investigation that grew into an obsession for certain members of San Francisco's media and police forces.

Continue reading: Zodiac Review

Miss Potter Review


Grim
Chris Noonan's Miss Potter continues a rather long line of films that attempt to diagnose the creative process of a writer and the critical world that surrounds the writer's inherent social (emotional) ineptitude. There are moments where Miss Potter seems to be on the right track in feeling out the emotional trajectory of its main character, but it often chooses the route of greater cuteness over the challenges of trying to study the life of a writer.

Beatrix Potter (Renée Zellweger) came from a well-off family and was well past her marriage date when three brothers agreed to publish her book, expecting nothing more than a minor profit. In case the name doesn't ring a bell, Miss Potter was the brains behind the beloved Peter Rabbit and several other indelible creatures of delightful fantasy. When the elder statesmen of the publishing firm deem the project unworthy of their time, they send their young brother (Ewan McGregor), to handle the book and its flighty author. As you may guess, the two fall head-over-heels, much to the chagrin of Beatrix's parents (Bill Patterson and Barbara Flynn) and to the glee of his sister (Emily Watson, the film's most evident charm factory).

Continue reading: Miss Potter Review

Miss Potter Review


Grim
Chris Noonan's Miss Potter continues a rather long line of films that attempt to diagnose the creative process of a writer and the critical world that surrounds the writer's inherent social (emotional) ineptitude. There are moments where Miss Potter seems to be on the right track in feeling out the emotional trajectory of its main character, but it often chooses the route of greater cuteness over the challenges of trying to study the life of a writer.

Beatrix Potter (Renée Zellweger) came from a well-off family and was well past her marriage date when three brothers agreed to publish her book, expecting nothing more than a minor profit. In case the name doesn't ring a bell, Miss Potter was the brains behind the beloved Peter Rabbit and several other indelible creatures of delightful fantasy. When the elder statesmen of the publishing firm deem the project unworthy of their time, they send their young brother (Ewan McGregor), to handle the book and its flighty author. As you may guess, the two fall head-over-heels, much to the chagrin of Beatrix's parents (Bill Patterson and Barbara Flynn) and to the glee of his sister (Emily Watson, the film's most evident charm factory).

Continue reading: Miss Potter Review

All The King's Men (2006) Review


OK

"What you don't know won't hurt you," Jack Burden narrates in the opening scene, as he contemplatively stares at the ceiling. "They call it idealism, in a book I read."

Idealism was the force that shaped the 20th century, and post-WWII Louisiana was not immune from its allure. But idealism rarely survives its first bad winter, and it's then that revolutionaries must question when the ends no longer justify the means.

This doubt pervades Steven Zaillian's well-played but often tedious adaptation of Robert Penn Warren's All the King's Men, a Pulitzer-winning novel that had already seen screen time three years after its publication in 1946. Based on the life of Gov. Huey Long, one of America's most colorful populists and egomaniacs, Zaillian's version follows a people's revolt through the eyes of a man romanced by a cause that compels him to bring down everything that was ever important to him.

Continue reading: All The King's Men (2006) Review

The 6th Day Review


OK
You've seen the ads. You know the story. So is The 6th Day the same movie as Total Recall, just without the blonde? Not really, but don't feel bad if you have a little déjà vu along the way.

Rest assured, you're watching an Arnold Schwarzenegger vehicle. This time he's not a spy or a commando, he's Adam Gibson, an extreme snowboarding tour guide in the not-so-distant future, an era that includes a company called RePet can clone your dog, cat, or snake. Or you can pick up a Sim-Pal, a child-size doll (with real hair that grows) that makes for one of the creepiest props I've seen since that miniature, squirting chicken in Eraserhead.

Continue reading: The 6th Day Review

Mike Medavoy

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