Director Stuart Gillard dutifully follows up the still-precient original with another installment of WarGames. It's not quite a sequel, not quite a remake... though it ostensibly continues the story not of David Lightman (Matthew Broderick in the original), but rather of whatever happened to the W.O.P.R. (aka Joshua) and its creator, Stephen Falken.
Continue reading: WarGames: The Dead Code Review
The Devil's Rejects diverges from its predecessor beginning with its opening frames, in which the depiction of the Firefly residence - no longer a remote, forest-shrouded funhouse of horrors but, rather, a dilapidated structure situated in a stretch of open land - speaks to the film's rejection of atmospheric claustrophobia in favor of wide-open anarchy. A fascination with rampant disorder certainly fuels the tour de force intro sequence, a bullet-strewn siege on the Firefly home by Sheriff Wydell (Forsythe) and an army of police officers heightened by Zombie's sly use of freeze frames, Sergio Leone-esque close-ups, and The Allman Brothers' "Midnight Rider." Exhibiting a directorial maturity devoid of his former MTV-ish gimmickry (no hyper-edited montages with varying film stocks or bludgeoning industrial heavy metal here), the director orchestrates the chaotic events with feverish abandon, his shaky handheld camera set-ups and scraggly, sun-bleached cinematography (courtesy of Phil Parmet) placing us directly inside the carnage. By the time murderous siblings Otis (Bill Moseley) and Baby (Sheri Moon) escape their now overrun home to seek shelter in the rotting, blindingly white desert, Zombie has demonstrated a newfound adeptness at lacing nasty action with a breakneck thrust and vicious wit.
Continue reading: The Devil's Rejects Review
As the story goes, Matthew (Matthew Settle) just can't get over his ex-girlfriend Liz (Gretchen Mol), which sees him drinking heavily and attempting to beat down Liz's door in the hopes of getting her back. (Never mind that Matthew's job is being a radio psychologist...) Fortunately, Liz's friend Corey (Samantha Mathis) enters his life, and maybe Matthew will be able to move on, right? Alas, he continues stalking Liz while he's banging her friend. And to throw another twist on you, Matthew's co-worker Garrett (Tom Everett Scott), decides he now loves Liz, and he's going to return the favor by stalking Matthew and Corey.
Continue reading: Attraction Review
Here's the gist: Jones Dillon (Wood) is a college drop-out at age 17 (already?) and decides to "learn about life" by living in a kooky apartment house with kooky people in it. His neighbors include two chicks: Jane (Franka Potente), a pissy photographer, and Lisa (Moore), an aspiring actress. Who will Jones fall in love with? And more importantly, will this teach him that life is not really learned about through living in a kooky apartment complex? Hey, Jones likes to type an an old style typewriter and drink wine straight from the bottle, so we know he's serious. Isn't he?
Continue reading: All I Want Review
He'll be performing a new residency at an intimate theatre.
Queens of the Stone Age front man Josh Homme has described their new music as ''an experience''.
Vicky Cornell explains that they're planning to pay tribute with a sculpture.
It's their first foray into television.
Luc Besson has loved the Valerian story for many, many years.