The story turns mainly on the relationship between Queens garbage man Simon Grim (James Urbaniak) and Henry Fool (Thomas Jay Ryan), a pretentious aesthete who drifts into Grim's life. Fool is thoroughly unlikeable - Ryan plays him as greasy, chain-smoking poseur, acting smarter than he actually is - but Simon clearly need somebody in his life. He's friendless, antisocial, and living with his mother and sister, who routinely berate him as retarded. Fool blathers on out his memoirs and opines about the difficult life of a genius ("An honest man is always in trouble," he opines), but he also encourages Simon to start writing himself. For Simon, that counts as friendship enough.
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Miles away from what we critics enjoy referring to as "visually austere" (i.e., static shots with careful compositions), The Book of Life throws caution to the wind. Working with new cinematographer Jim Denault (Boys Don't Cry) instead of old standby Michael Spiller (Trust), Hartley spins and fusses in colorful blurred abstractions, creating a dreamy, impressionistic look with none of his trademark hard edges. Look, ma -- no hands!
Continue reading: The Book Of Life Review
Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The actor plays the titular hero in the forthcoming adaptation.