Jessica Joffe , Mick Jones - New York premiere of 'The Man From U.N.C.L.E.' at The Ziegfeld Theater - Red Carpet Arrivals at Ziegfeld Theater - New York City, New York, United States - Monday 10th August 2015
Rock stars daughters take part in anti-bully campaign to prevent animal cruelty
With the tagline ‘Cruelty Doesn’t Fly With Us. Be An Angel For Animals,’ Ava Jones, 8, Stella Jones, 10 and Anais Gallagher, 13 are dressed in boots and tutus for the adverts, with wings and a halo drawn on each girl, afterwards. The photo shoot was taken by leading celebrity photographer Pal Hansen.
The purpose of the advert is to urge other children to report anyone that they see harming animals. The ad goes on to say “Only bullies hurt animals. Don’t be afraid to report them.” Noel’s daughter Anis said, in a press statement “We all know it's wrong to abuse animals, but it takes courage to speak up when we see an animal in trouble. If you suspect that somebody's hurting an animal, be brave and tell your parents, a teacher, PETA or a police officer. You could save that animal's life."
Is The Justice Collective's 'He Ain't Heavy, He's My Brother' The Underdog In The Fight For Christmas Number One?
The Justice Collective have finally released their tribute single 'He Ain't Heavy, He's My Brother' in remembrance of the tragic disaster at the Hillsborough Stadium in Sheffield.
The Hillsborough single, released to raise money for the families of Liverpool fans who lost their life during the tragic Hillsborough disaster in 1989, where 96 football fans lost their lives during a FA Cup semi-final match at the Sheffield stadium, has had it's full line-up released, featuring a fair share of star power.
The single, a cover of the 1969 Hollies track 'He Ain't Heavy, He's My Brother,' will be released on December 17th and is already hotly tipped to take this year's Christmas Number One spot. The full line-up is to feature Liverpudlian Paul McCartney, Robbie Williams, Mick Jones, X Factor star Rebecca Ferguson, Spice Girl Mel C, Gerry Marsden, Paloma Faith, Squeeze's Glenn Tilbrook, Beady Eye's Chris Sharrock, Hollie Cook, Jon McClure, Eliza Doolittle, Beverley Knight, Liverpool FC legend Kenny Dalglish, Liverpool MP Steve Rotheram, Liverpool-born comic John Bishop and members of Frankie Goes to Hollywood, Lawson, the Farm, the Zutons, the Beautiful South and Cast.
Families of the victims have already been given a listen to the charity single, which will raise funds for the ongoing legal costs as the victim's families seek retribution from the Government and police, who had covered up the truth about the disaster until earlier this year. Margaret Aspinall, chair of the Hillsborough Family Support Group, commended McCartney for lending his name to the project and spoke of how her son, one of the 96, was listening to the song shortly before he passed on. She said, "I thought, maybe he's handing me this new version and saying 'listen to this'."
A single is to be released to be released to help families of the victims of the Hillsborough disaster as they seek to recoup legal costs paid out over 23 years of fighting the authorities.
There was jubilation around Merseyside recently after it was finally determined via inquiry that Liverpool fans were not at fault for the deaths of 96 of their fans at a soccer match between their club and Nottingham Forest at Hillsborough, Sheffield on April 15, 2012. The battle has been long and hard, after the South Yorkshire Police had originally blamed the fans for the tragedy, and now the hope is that those who covered up the affair will be brought to justice.
The single though, a cover of The Hollies He Ain’t Heavy He’s My Brother, will be recorded by Robbie Williams, Mel C, Rebecca Ferguson and Paloma Faith, with other artists involved including Mick Jones from The Clash, Chris Sharrock from Oasis and the Lightning Seeds, and Gerry Marsden. It will be doing battle for the Christmas number one singles spot in the UK, probably against whoever wins the latest X Factor series. The money raised from it is of far importance than where it might finish, with the families of the 96 having spent tens of thousands in their quest for justice.
Despite making some of the most uncompromising music of the last 30 years, Motorhead for some strange reason, cross all boundaries. This is undoubtedly down to the enduring appeal of Lemmy - a man who's stuck to his guns and done things on his own terms to the point where he has just ended up being accepted.
Which gives credence to the fact that If you spend long enough doing something and which such conviction, people will eventually come round to your way of thinking. As a rock 'n' roll icon his influence has touched almost everyone who is anyone and the most surprising thing of all about this documentary is the sheer breadth of people who have fallen under his influence. The usual rock crowd is to be expected. Alice Cooper, Ozzy Osbourne, Dee Snider (Twisted Sister), Dave Grohl (Foo Fighters, Nirvana), Metallica etc but its appearances of others such as Jarvis Cocker, Peter Hook (Joy Division), Mick Jones (The Clash), Marky Ramone (The Ramones) and Billy Bob Thornton that most surprise.
Continue reading: Lemmy Review
A child of British diplomats who was always keenly embarrassed of his public school education and refers to himself as "a mouthy little git," Strummer was squatting in London with gypsies in the mid-1970s, busking for food money, playing in a pub band called the 101ers, and generally charming the pants off of everyone he met. It was a hand-to-mouth existence, but seemed like the kind of thing Strummer could do for years, living his beloved lowlife. Then he was being introduced to a trio of short-haired punks, The Clash was formed, and Strummer was on his way to rock stardom. He wasn't a singer, he was a yelper (as some fantastic footage of him laying down the vocal track for "White Riot" shows particularly well), a snaggletoothed smoker with a penchant for nonsensical lyrics and overblown statements. But in Strummer's work, with The Clash and afterwards, there always rang true a tone of absolute and unmistakable sincerity, sung and played with complete conviction each and every time. This was a man without irony, leading a band that set the model for all the conscious groups which would follow (tellingly, Bono is one of the interviewees here, talking about The Clash being his first concert, and in short the reason he got into music).
Continue reading: Joe Strummer: The Future Is Unwritten Review
As the front man of The Clash from 1977 onwards, Joe Strummer changed people's lives forever. A musical icon and political activist, Strummer was never shy about saying what was on his mind and meaning it. He was a voice of a generation, which still resonates today.
Most of the literature and documentaries on punk tend to start out in the same place, talking about how in the mid-1970s music had become this bloated, big-business monster, with pretentious arena rock bands playing 20-minute solos and so on - and then came The Ramones to shatter all that. Letts - a former producer and icon in the scene, as well as director of the authoritative documentary on The Clash, Westway to the World - digs deeper than that, going back to the 1960s and early '70s, finding the root of the coming musical uprising not just in expected places like The Velvet Underground, MC5, and Iggy Pop, but also in the jaggedly poppy sounds of many now mostly forgotten garage bands (whose sound is still inspiring post-punkers like The Hives). In describing the ascent of punk later in the '70s, Dead Kennedys frontman Jello Biafra talks about how just about every smaller town and city had one guy who was into The Stooges and The Velvet Underground who then moved to the bigger cities, met up with all the other like-minded small-town new arrivals, and started bands.
Continue reading: Punk: Attitude Review
Date of birth
27th December, 1944