Michelle Nolden

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Carrie Trailer


Carrie White is a plain and very sheltered girl raised alone by her extremely strict Christian mother who frequently punishes her. At school she is habitually bullied, something that gets ten times worse after a both humiliating and terrifying experience in the girls' locker room which causes her mother to inflict yet more punishment on her. Through her tumultuous life, she discovers that she has the power to move objects with her mind, something that causes much distress to her mother. The only people to truly show any compassion is her gym teacher Miss Desjardin and one of the popular girls, Sue Snell, who encourages her handsome boyfriend Tommy Ross to take her to the school prom. Carrie accepts, believing that she has been accepted for the first time in her life, only to face the biggest and most destructive humiliation of her life. 

The re-make to the Oscar nominated 1976 horror based on the book by acclaimed author Stephen King is due to hit screens this year in the first major rendition since the Brian De Palma flick's release. 2013's 'Carrie' has been directed by Kimberly Peirce ('Boys Don't Cry', 'Stop-Loss') with a screenplay by Roberto Aguirre-Sacasa ('Roberto Aguirre-Sacasa') and it is set for release in UK cinemas everywhere from November 29th 2013.

Click Here To Read - Carrie Movie Review

Red Trailer


What happens to retired agents? Well, most of them retire and leave the life of espionage for something altogether more normal. Frank Moses is one of those guys, in his time he was one of the CIA's top black ops agents but now he's left his old life behind him for retirement, there's one slight problem with Frank's retirement plan, his CIA file has been marked RED, Retired and Extremely Dangerous. Frank and his old work colleagues must reunite and find answers to why they've become the CIA's most wanted.

Continue: Red Trailer

The Time traveler's Wife Review


Excellent
Adapting Audrey Niffenegger's wonderfully complex novel to the screen can't have been easy, but Rubin (Ghost) has written a thoroughly engaging film. The heavy emotional tone makes it feel a bit girly, but it's still a terrific story.Henry (Bana) has time-travelled since the night his mother (Nolden) died in a car crash. He can't control his "trips", although he seems to go to places with an emotional resonance. When he first meets Clare (McAdams), she's in her 30s and has known him since she was 6 (Proulx). As a result of this paradox, their relationship develops very differently for each of them. Eventually they find friends (Livingston and McLean) who are in on Henry's condition. And a doctor (Tobolowsky) who may be able to help.Director Schwentke invests the film with a lush visual style that circles around the characters as they try to make sense of their life together. Subtle effects and clever editing work extremely well, even if Mychael Danna's music is a little too insistently weepy. And while the premise presents Henry's condition as something like epilepsy, the film can hardly help but start feeling like a terminal illness drama, as signs of impending tragedy start to appear.Bana is good in what's essentially a thankless role. The script doesn't offer him much personality beyond earnestness, so Bana plays him as a nice guy just trying to muddle through. Opposite him, McAdams is a wonderful breath of fresh air, really capturing Clare's steely resolve and quiet pain. Livingston and Tobolowsky are also extremely good in far too few scenes.There's definitely the sense that this film is edited down from a richer, more detailed novel. One problem is that Henry's ageing is far too subtle, so we're never quite sure which time he's travelling from (see Christopher Nolan's Memento or, better yet, Following, for how to do this well). And although we notice loose threads and missing scenes, the editors have done a remarkable job of making such a fragmented tale hold together both emotionally and logically.

And in the end, the film compellingly explores the nature of relationships while quietly moving us to all kinds of tears.

Show Me Review


OK
Nice setup, sounds familiar: A woman is driving through traffic in a dense urban area (Toronto?) and two homeless "squeegee kids" hop into her car. First the beg for a ride down the street. Then a little further. Then one pulls a knife and demands to be taken to a lakeside cabin in the woods.

Sam (Allegra Fulton) is our yuppie heroine, and the gothy Carl (Gabriel Hogan) and moody Jenna (Ginger Snaps' Katharine Isabelle) are her tormentors. The kidnapping is a bit out of the blue, and neither of the teens has much of a plan on how to deal with Sam once she's tied to a chair in the living room. But eventually, the mind games begin and the trio starts to mess with one another as Sam tries to feebly escape and Carl and Jenna try to figure out how to react.

Continue reading: Show Me Review

Men with Brooms Review


OK
In the litany of movies about the sport of curling, Men with Brooms stands out as one of the best, if not the best ever!

Okay, there are no other movies about curling (to my knowledge), and this film is short of spectacular, but it's amusing enough to merit a peek. It's certainly Leslie Nielsen's best work in many years.

Continue reading: Men with Brooms Review

Michelle Nolden

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