In many ways, it's hard to figure out exactly why. It's not, on the surface, particularly well made. It doesn't feature an exceptional amount of skin. Nor is it even really all that funny. It even has Ted McGinley in it. But it's about nerds, and for better or worse, that's a subculture that doesn't easily let go of its icons. Especially pioneering ones, like this film.
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The original film takes Hinton's spare 1967 novel of young gangs in Tulsa and turns it into grand melodrama, with gorgeous CinemaScope sunsets, sweeping orchestral score, and teen scuffles that take on all the clashing importance of medieval battles. On the crap side of town live the working-class greasers, with their black t-shirts and slicked-back hair, always getting hassled by the socs, preppie bastards with family money and nicer cars. The film centers on the greasers, particularly the sensitive 13-year-old orphan Ponyboy Curtis (C. Thomas Howell) who lives with his older brothers Sodapop (Rob Lowe) and Darrell (Patrick Swayze). The surrogate family hanging around the Curtis' ramshackle house also includes Emilio Estevez and Tom Cruise, while their friend, born-to-lose Dally Winston (Matt Dillon) has just been released from jail. Almost as childlike as Ponyboy is his best friend, Johnny (Ralph Macchio), an angelically bruised kid from a troubled home who provides the film's most emotional moments.
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In the '80s, however, there are no shortage of movies that are just plain fun. From the Ghostbusters films to Ferris Bueller's Day Off, to the off-kilter dark comedy/horror April Fools Day, the 80s had no shortage of movies that made you laugh. It was the only time that comedies had scripts instead of actors that make up their own scripts, and, as a consequence, the movies of the '80s were actually funny.
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