Michele Weisler

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Trouble With the Curve Review


Grim

With beautiful but bland direction and a script that can't help but overstate everything, this film is an odd misstep for Eastwood and his assistant-turned-director Lorenz. Instead of being an intriguing exploration of ageing, the film isn't much more than a trite inspirational drama. Fortunately the solid cast manages to inject some subtle touches here and there that bring out more interesting layers of the issues at hand.

Eastwood plays Gus, a scout for the Atlanta Braves who refuses to admit that he's going blind. And he's also in trouble with his boss (Lillard), who's more interested in computer stats than Gus' finely honed ability to see the potential in young players. As a final test, Gus is sent to scout a rising-star teen pitcher (Massingill). Meanwhile, Gus' high-powered lawyer daughter Mickey (Adams) is up for partnership in her firm. She can barely stand to be in the same room as her dad, but abandons the biggest case of her career to accompany him and help him see this young player, because she's even more adept at spotting talent than he is. Along the way she meets Johnny (Timberlake), a charming scout who helps take her mind off her work and her dad.

This is one of those films that undemanding audiences will think is just fine. It never expects us to think at all, telling us everything that's happening and how everyone is thinking while dropping painfully obvious hints about where the plot is going. So the film feels shallow and superficial even though it touches on some intriguing themes, such as the difficulties of ageing gracefully and mending relationships, or the challenge to move forward without forgetting the old skills.

Continue reading: Trouble With the Curve Review

All I Want Review


Grim
This one lost me. A bizarre concoction of Wonder Boys, Spanking the Monkey, Singles, and, I dunno, Moulin Rouge, this film obviously confused the hell out of its studio to the point where they couldn't give it a real release, despite having Frodo himself (Elijah Wood) in the starring role and pop starlet Mandy Moore at his side.

Here's the gist: Jones Dillon (Wood) is a college drop-out at age 17 (already?) and decides to "learn about life" by living in a kooky apartment house with kooky people in it. His neighbors include two chicks: Jane (Franka Potente), a pissy photographer, and Lisa (Moore), an aspiring actress. Who will Jones fall in love with? And more importantly, will this teach him that life is not really learned about through living in a kooky apartment complex? Hey, Jones likes to type an an old style typewriter and drink wine straight from the bottle, so we know he's serious. Isn't he?

Continue reading: All I Want Review

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