Political documentaries tend to get the blood boiling, and this is no exception, as it keeps us entertained with a lucid exploration of just how our governments have failed us economically. The central topic is income inequality, and having a riotous figure like Russell Brand front and centre brings the issues home in a clear, infuriating way. Director Michael Winterbottom does a terrific job reining Brand in, keeping him on-point and making sure the details are clearly presented.
Right from the start Brand says that there's nothing in this film we don't already know. But he's connecting the dots in ways that the media certainly isn't willing to do, because they're part of the problem. Indeed, as he works with a classroom of young students, he proves that even a child can understand that our system simply isn't fair: the rich are getting richer, but the poor are struggling more than ever as the gap between them grows out of all proportion. Instead of tackling this problem, the politicians simply deflect it, blaming something as essentially irrelevant as immigration while neglecting a fundamental human value we all teach our children: sharing.
The film goes back in history to explore how we got here. In the 1970s, the wealthy earned 10 times what their lowest-paid employees earned, but the policies of Reagan and Thatcher shifted the balance to the rich, arguing that the cash would trickle down into the rest of society. But that has never happened. Companies and banks only consolidated power and profits, as the free market system made the highest-earning 1 percent even more greedy and selfish than they were before. Now top earners get up to 300 times what their employees are paid. No wonder people are broke, small businesses are failing and towns are in bankruptcy, while the rich just get richer.
Continue reading: The Emperor's New Clothes Review
The British model is taking to the big screen like a duck to water.
Cara Delevingne returns to the big screen in Michael Winterbottom's psychological murder thriller 'The Face Of An Angel' based on the true case of Amanda Knox. It marks the first of a string of movies she has lined up to properly kick start her acting career.
Cara Delevingne plays a tour guide in 'The Face Of An Angel'
The charismatic British model, best known for her extraordinary eyebrows, will make her second feature film appearance, having previously starred as Princess Sorokina in the 2012 adaptation of Tolstoy's 'Anna Karenina'. This time she plays a tour guide named Melanie who befriends a filmmaker named Thomas (Daniel Bruhl) in this unusual story of a brutal murder, with an unlikely suspect at the bottom of it. When a beautiful young woman named Elizabeth (Sai Bennett) is found dead in Italy, her supposed friend Jessica (Genevieve Gaunt) immediately faces scrutiny; however, with her own good looks, she seems just as unlikely a perpetrator as Elizabeth was a victim. Kate Beckinsale plays Simone Ford, a writer who's been obsessively covering the case from the beginning.
Stars of the film 'The Face of an Angel' attended the official screening at the British Film Institute's London Film Festival held at the Vue West End
'Face of an Angel' looks a little....Hollywood.
Footage from Michael Winterbottom's Amanda Knox-inspired movie Face of An Angel has premiered on Variety's website. A fictionalisation of the much-publicised murder investigation and subsequent sentences, Winterbottom's movie stars the underrated Daniel Bruhl, the overrated Kate Beckinsale and the frankly untested Cara Delevingne.
Daniel Bruhl Stars in 'Face of an Angel'
Based on the book Angel Face: Sex, Murder and the Inside Story of Amanda Knox by journalist by Barbie Latza Nadeau, Winterbottom's movie follows a filmmaker (Bruhl) who travels to Italy to research a film adaptation of the book with its author (Beckinsale).
Continue reading: First Look at Michael Winterbottom's 'Amanda Knox' Movie. Urgh.
The two star are back in another foody adventure, with impressions, banter and more foolhardy action
2010's The Trip was a surprise success when it was released to a limited audience and an immense amount of critical praise. It's success was such a surprise because, to put it bluntly, not a lot really happens in The Trip other than some arguments, a few Michael Caine impressions and the occasional bit of womanising from Coogan. Oh yes, and lots of food.
Stunning scenery and middle aged men mocking younger men takes up most of The Trip to Italy
That formula proved so successful that the two have been shipped out on a food adventure once again, this time tasting what Italy has to offer. Michael Winterbottom is back in the driving seat for The Trip to Italy, taking stars Rob Brydon and Steve Coogan across a culinary map of Italy for the sake of a food journalism (kind of).
Continue reading: Steve Coogan & Rob Brydon Bring Their 'Trip To Italy' To Sundance
Kate joins Cara Delevingne in a movie based on the killing of Meredith Kercher.
Kate Beckinsale is the latest actress to be added to the cast list of upcoming crime movie, The Face of An Angel, which will be based upon the events and investigation into the violent murder of British student Meredith Kercher in Italy and the group of people tried for the crime.
Kate Beckinsale Joins 'The Face Of An Angel.'
Directed by Michael Winterbottom, the movie will be adapted from Barbie Latza Nadeau's book, Angel Face: Sex, Murder and the Inside Story of Amanda Knox, which references murder suspect Amanda Knox who is a central suspect in the case.
Continue reading: Kate Beckinsale Added To Amanda Knox Movie, 'The Face Of An Angel'
Anna Friel turned heads at the Look Of Love premiere in Soho last night.
Anna Friel was among the 'Look of Love' stars turning out for the movie's premiere in London last night (April 15, 2013). The actress wore a suitable seventies-style outfit to promote Michael Winterbottom's film about legendary porn mogul Paul Raymond. Friel, who plays the wife of the 'King of Soho' wore a banana yellow gown as she lined up alongside co-stars Steve Coogan and Timsin Egerton.
Anna Friel Wore A Banana Yellow Gown To The Look Of Love Premiere in Soho, London
Friel's dress, a vintage number by Trager Delaney, featured velvet and satin panels and a cut-out panel at the back. Her co-star Tamsin went for a simplistic white dress, while Coogan opted for a black suit and floral shirt. Elsewhere at The Curzon cinema in Soho, several burlesque girls added a touch of glamour to the occasion, carrying giant feathers while wearing flowers in their hair.
Paul Raymond biopic 'The Look of Love' premieres at London's Curzon Soho in style.
Upcoming biopic 'The Look of Love' based on the life of glamour entrepreneur Paul Raymond hit London yesterday (April 15th 2013) in its premiere with all the pizazz that Soho could offer.
'Alan Partridge' star Steve Coogan still seemed a little in character, shunning a tie and opting for an eye-catching shirt with several top buttons undone when he hit the red carpet at the Curzon Soho in London alongside his glamorous co-stars Anna Friel and Tamsin Egerton who play his onscreen wife and daughter respectively. While Anna was positively glowing in her ankle length yellow and gold dress that certainly matched up to the glorious English Springtime, Tamsin opted for a white, long-sleeved, floor-length number that flattered her elegant frame. Former 'Mock The Week' host Chris Addison and current host Dara O'Briain also made appearances on the red carpet having both featured in the biographical comedy, as well as 'Boy Meets Girl' star James Lance who played Raymond's business associate Carl Snitcher in the movie.
Is The Look of Love any good? Hopefully our round-up of reviews will let you know.
The Look Of Love is the quite extraordinary true story of British entrepreneur and smut peddler Paul Raymond (played by Steve Coogan), who made his fortune opening some of Britain's first strip clubs and financing other classically un-British pursuits to eventually become Britain's richest man. The film follow's Raymond's life in humorous fashion before leading up to the darkest parts of his life when his daughter (played by Imogen Poots) and heir to his empire died of a drugs overdose and his eventual withdrawal from public life.
The film has already been aired at film festivals across the globe and will be given general release across the UK on April 26, with the first round of reviews for the film giving a delicately mixed reception to the the tale of Raymond's life. So far the film holds an unflattering score of 56% on Rotten Tomatoes, with critics largely agreeing that the performances (particularly Coogan's) and the story itself are worthy of praise, however the movie doesn't quite come together as a complete entity, with the Daily Telegraph commenting that the film is "funny and touching, but feels like a missed opportunity."
An impressive cinematic experiment, this film is worth seeing for its big concept and documentary touches, even if the narrative is frustratingly underdeveloped. We can actually see the passage of time, as the cast and crew shot this fly-on-the-wall drama over five years. So it's a shame there's so little going on to hold our interest.
The story takes place in rural Norfolk, where Karen (Henderson) is struggling to take care of her four young children (played by the four Kirk siblings, using their own names). Her husband Ian (Simm) is in prison, and taking the kids to visit him is a big outing. Things get easier when he's transferred to a lower security location and given weekend passes to visit his family. But as the years pass, the children grow up and Karen and Ian's relationship begins to shift. And for help, Karen befriends a local man who fills Ian's upcoming release with mixed emotion.
Winterbottom assembles this as an intriguing blending of the kitchen-sink drama (most notably portrayed through Michael Nyman's surging score) and a grainy, hand-held documentary. There is no shape of a plot to speak of, and few significant events along the way. Essentially, the film is merely examining these four children as they age over five years, which is rather astonishing as we've never seen it captured on film like this. Their scenes with Henderson and Simm are especially well-played, beautifully revealing the affection and tension between parents, children, spouses, brothers and sisters. Even though we never find out why Ian was imprisoned, Simm gives him a quiet realism that plays nicely opposite Henderson's superbly underplayed exhaustion.
Continue reading: Everyday Review
When her father loses his livelihood in a traffic accident, Trishna (Pinto) needs to support her family in Rajasthan. So she takes a job offered by flirty tourist Jay (Ahmed), who works at his father's hotel in Jaipur. When Jay pushes their relationship further, Trishna runs home. But Jay finds her and talks her into moving with him to Mumbai, where they can live together while he pursues his dream of being a film producer. And as he becomes more distant, Trishna wonders if she's made a terrible mistake.
Continue reading: Trishna Review