Alfred Hitchcock might have had a fair-to-good thriller here with Stage Fright had he not blown it with cheap plotting that has made the film one of his most reviled among Hitchcock enthusiasts and historians.

The problem relates to the flashback, a device Hitchcock frequently used to good effect. But here, Hitch deceives us from the get-go with a big (and bold) lie. To explain further would ruin the film more than it already is.

Continue reading: Stage Fright Review