He explains why he doesn't always go for blockbusters.
Easily the busiest actor of the year, Michael Shannon has had 10 films in cinemas and festivals in 2016. The latest to arrive in American multiplexes is Frank & Lola, a romantic mystery set in Las Vegas, in which he plays a man who uncovers some uncomfortable secrets about his girlfriend (Imogen Poots).
Michael Shannon talks 'Frank & Lola'
Shannon has made a career out of unexpected choices, switching between big blockbusters like Man of Steel and smaller independent dramas like this year's Midnight Special and Loving, both from his writer-director friend Jeff Nichols. "I'm not primarily profit-driven, necessarily," he laughs. And he finds it amusing that the films are never released in the same order that they're made. "If you look at something like Midnight Special, I made that quite awhile ago, and Warner Bros for some mysterious reason kept it in a closet for a year. With Frank & Lola, there is a Vegas part and a Paris part. And the Vegas part was like three and a half weeks and then we went to Paris for a week. But Elvis & Nixon was also coming together, so what we did was we went to Vegas shot the meat of the Frank & Lola story, did Elvis & Nixon in its entirety, and then did the Paris portion of Frank & Lola afterward! You get to the point where you're so tired and things just get sketchy."
Continue reading: Michael Shannon Caps A Busy Year With Frank & Lola
It's been seven years since designer Tom Ford made a splash with his award-winning writing-directing debut A Single Man, and it's no surprise that his second film is just as exquisitely beautiful to look at. What's unexpected is the complexity of the storytelling. Adapted by Ford from Austin Wright's novel Tony and Susan, this movie has three sides to it: a romantic drama, a darkly personal odyssey and a freaky thriller. These elements kind of fight for the audience's attention, but they're sharply played and packed with intense emotion.
Set in Los Angeles, everything revolves around gallery owner Susan (Amy Adams), who lives in a spectacular home with her banker husband Hutton (Armie Hammer), who's facing financial problems. Susan is shocked when she receives a manuscript by her ex-husband Edward (Jake Gyllenhaal), who has finally finished his long-gestating novel. But as she reads it, she realises that their break-up inspired the story, and she pictures Edward in the central role as Tony, a man travelling through Texas with his wife and daughter (Isla Fisher and Ellie Bamber), who are kidnapped and brutalised by roadside thugs led by the unstable Ray (Aaron Taylor-Johnson). So Tony teams up with jaded detective Bobby (Michael Shannon) to track them down.
The film's central narrative is Susan's deeply internalised discovery of her own dark soul, which plays out both in her scenes with Hutton and figuratively in the fictional thriller narrative. All of these things take complex twists and turns that have vivid moral shadings. But of course the Wild West action element continually steals focus from the more understated personal drama. In this sense, Gyllenhaal has the trickiest role, or rather two roles, as the story's catalyst and victim. Meanwhile, Adams is strikingly transparent as Susan, engaging in jagged interaction with both Gyllenhaal's enigmatic Edward and Hammer's eerily heartless Hutton.
Continue reading: Nocturnal Animals Review
For a short time, Edward and Susan had a happy marriage, they lived in a nice neighbourhood, Susan had a good career and Edward was not far from taking the bar. Susan lives a fast-paced life and as such barely sleeps and Edward would somewhat affectionately tell her that she's a 'nocturnal animal'.
25 years later, Susan has remarried a serial philanderer and her life is far from happy. Unexpectedly a manuscript arrives at her door titled 'Nocturnal Animals' and with the dedication to 'Susan'. She pushes the pages aside and decides to leave them but eventually she can't help but start to read the book that she inspired Edward to write.
The story that unfolds is an incredibly dark tale of murder and revenge and Susan is shocked and traumatised that she would play such a pivotal role in the creation of such a dark piece of work. Susan's interpretation and retelling of the story soon impacts on her life and is unsure how Edward's return into her life will turn out.
Continue: Nocturnal Animals Trailer
This movie is based on a real meeting between Elvis Presley and Richard Nixon in the White House in December 1970. The only details about this collision of two icons come from a few eyewitness accounts, as well as the photograph they took together. So the screenwriters have some fun with it, weaving in quite a bit of comedy that encourages actors to chomp merrily on the scenery. It's entertaining to watch, but the script misses the chance to add meaning on the situation.
Elvis (Michael Shannon) is the one who initiates this meeting, concerned about the growing protests on the streets of Washington, DC. So he flies to Los Angeles to collect his long-time friend Jerry (Alex Pettyfer) then heads to the capital to meet with his nutty colleague Sonny (Johnny Knoxville) and pitch himself to President Nixon (Kevin Spacey) as an undercover FBI agent who can infiltrate the nation's youth. Since it's obvious that all Elvis wants is a federal ID badge, Nixon brushes the whole idea of a meeting aside until his advisors (Colin Hanks and Evan Peters) convince him that it would be a great PR move. So just before Christmas, the two men finally meet up, and they discover that they have more in common than either expected.
Because of the absurdity of the set-up and the wackiness of the period styles, the movie feels rather a lot like an extended sketch comedy that's largely improvised by an up-for-it cast. These two men are both such big personalities that a meeting like this would be hard to believe if it weren't for the photographic evidence. The conversation between Presley and Nixon is surreal and hilariously random (and largely fictionalised). Shannon and Spacey are having a great time prowling around each other, pouncing with a punchline at every opportunity, so watching them is riveting. Mercifully, they underplay the impersonations, capturing the men with tiny details of movement and vocal inflection rather than relying on lots of make-up. Although Shannon does have that hair and costume.
Continue reading: Elvis & Nixon Review
It may seem like a bizarre fantasy, but Elvis & Nixon is based on a true event in 1970, when Elvis Presley visited Richard Nixon in the White House.
Inspired by an iconic photograph of Nixon shaking Presley's hand and appointing him as an honorary federal drug-enforcement agent, the screenwriter spun the meeting into a full-on screwball comedy. Kevin Spacey plays Nixon in the film, and notes that "while this was such a famous meeting, it wasn't recorded. So in a way it allowed us, and certainly the screenwriter, to be able to imagine what a lot of this conversation was. First-hand witnesses were helpful in terms of snippets, but I think it was expanded. And that's sort of the fun of it, that we could imagine it."
Michael Shannon plays Presley in the movie, and Spacey says that both actors decided not to do impersonations on-screen. "These are two figures who, obviously, people know," Spacey says. "There's so much public stuff but not that much private stuff, so we tried to find an essence of each of these figures and then allow them to respond to each other genuinely. I think what was most interesting was the fact that these two people you wouldn't think would have anything in common actually, at the end of this meeting, had sort of an appreciation for each other."
Continue reading: Michael Shannon And Kevin Spacey Bond As Elvis & Nixon
Every superhero has a dark side and being 100% human, Batman is in doubt over how genuine Superman actually is. After all, Superman is from a different planet and has incredibly natural powers; powers that could easily destroy our world.
As Lex Luther manipulates Batman and Superman into a deeper and deeper war, the duo find that they are pitted against a force that's much more of a present threat than either of the heroes. They are joined by a number of other heroes (including Wonder Woman and The Flash) on a quest to save earth from immediate danger.
Warner Bros. Pictures releases Batman V Superman: Dawn Of Justice in cinemas 25 March 2016.
Who would've thought that Elvis and Richard Nixon would become allies? When Elvis sporadically showed up at The White House, it was completely unexpected. He was the biggest pop star in the world and there he was, at the gates of The White House unannounced.
Under the advice of one of his top aides, Nixon is a talked into meeting with The King Of Pop. Nixon needed a boost in popularity and for him to be seen as becoming friends with America's most loved star would be a perfect photo op for The President.
Elvis is accepted and taken into the building; him and his security sidekicks are searched and relieved of their firearms. Whilst speaking with Egil Krogh, Elvis is run through a few of the certain White House protocols that one must follow on meeting the president, protocols Elvis is quick to cast aside. The reason behind this meeting was kept entirely secret, but now we'll learn about Elvis' aspirations to take on a new mission unlike anything he's ever done before.
Continue: Elvis & Nixon Trailer
This blending of the stoner bromance with the Christmas comedy works surprisingly well, layering gross-out humour with holiday sentimentality. So it's a bit of a shame that the script is thin and ultimately rather pointless. There are observations about the nature of friendship and maturity, but nothing very deep. But along the way, the cast and crew pack in a riotous sense of humour that mainly centres on drugs and genitalia, plus a whiff of Christmas magic.
The movie centres on three best buddies in New York: Ethan, Isaac and Chris (Joseph Gordon-Levitt, Seth Rogen and Anthony Mackie). Over the past several years, they've celebrated Christmas together with a series of traditions including karaoke, Chinese food and loudly festive sweaters. But now Isaac's wife Betsy (Jillian Bell) is about to give birth to their first child, and Chris' pro-football career is beginning to take off. So this will be their last Christmas Eve together, and they plan to make it an epic one. Ethan has secured tickets to New York's most exclusive secret holiday party, which he learns that his not-quite-ex girlfriend Diana (Lizzy Caplan) is attending. Meanwhile, Betsy has given Isaac a box of drugs for a last blow-out, and Chris scores a stash of weed from a mythical dealer (Michael Shannon).
The premise is certainly packed with possibility, and the filmmakers have a ball with the druggy excesses as the night unfolds, including wildly anarchic set-pieces that throw these likeable characters into all kinds of messy situations. The three lead actors make the most of their roles, adding layers of complexity that aren't in the script while indulging in rampant silliness at every turn. And the supporting cast are up for it as well, fully committing to the movie's crazed atmosphere. There are also hilarious extended cameos from James Franco and Miley Cyrus.
Continue reading: The Night Before Review
Ever since Chris, Ethan and Isaac were young, the trio of friends have always spent the run-up to Christmas together, as the years have gone by their Christmas eve reunion has become harder to manage and this year is no exception, with Chris living the highlife as a celebrity and Isaac soon to become a father, the trio decide that this year they're going to have a huge blowout.
The three guys might be approaching middle age but that's not going to stop them from having fun, this year they're convinced that they're going to find the Nutcracka Ball - piece de resistance in Christmas Parties.
The Night Before was written and directed by Jonathan Levine who also directed 50/50 and Warm Bodies starring Nicoholas Hoult. The film also sees the one and only Miley Cyrus making a cameo appearance.
This harrowing morality play is timely and riveting, but never remotely subtle. The setting is the mortgage crisis, during which savvy fast-talkers figured out how to make a fortune on the back of other people's tragedy. It's strikingly written and directed by Iranian-American filmmaker Ramin Bahrani with an attention to internalised detail, revealing an aspect of Western culture that's deeply disturbing.
It's 2010, and the economy is in freefall as families and small businesses struggle to survive. When Florida builder Dennis (Andrew Garfield) loses his job, he has no idea how he'll support his mother and son (Laura Dern and Noah Lomax). Unable to pay their inflated mortgage, they're evicted from the family home by ruthless estate agent Rick (Michael Shannon). Then Rick sees something in Dennis that he admires, and hires him to do some building work, eventually taking him under his wing and teaching him how to profit from the record number of repossessions. But this means taking advantage of government grants, banking loopholes and people whose lives have collapsed. And it isn't long before it starts eating away at Dennis.
Garfield gives an open, searching performance as this desperate young father who's grasping at any lifeline he can find for his family. It's a complex, difficult character, mainly because his moral dithering sits in contrast to Shannon's flashier, shark-like Rick, who's often scary in the way he's able to avoid empathising with people in pain. In a much smaller role, Dern is the polar opposite, a warm blast of straight-arrow morality who continually prods her son to do the right thing. Yes, these characters are somewhat constructed as three points in a triangle, but they beautifully highlight the issues involved. And the actors dig deep into the emotional ramifications.
Continue reading: 99 Homes Review
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Ever since Chris, Ethan and Isaac were young, the trio of friends have always spent...
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Dennis Nash is a struggling single father whose life is turned upside down when he's...