While this film tackles a huge issue in the history of race relations in America, it's also a remarkably involving true story about a couple tenaciously holding on to each other in the middle of a storm of oppression. By taking such a personal approach, writer-director Jeff Nichols grounds the movie in authenticity, eliciting fine performances from the entire cast, with especially notable turns from Ruth Negga and Joel Edgerton.
It's 1958, and cross-racial marriage is illegal in Virginia. So Richard Loving (Edgerton) takes his pregnant black girlfriend Mildred (Negga) across the state line to Washington D.C. to get married. When they return to the family farm, they're immediately arrested and exiled to Washington, where they start a family. But Mildred longs to raise their three children back in their rural hometown, with their extended families around them. When Richard consults a civil-liberties lawyer (Nick Kroll), he finds that there may be some legal hope for them if they are willing to take on the system. This requires the help of a constitutional expert (Jon Bass) and the tenacity to stand up to a century of ingrained prejudice.
The film is written and directed with a sharp attention to detail, which means including some facts that are rather messy. This sometimes leaves scenes feeling unfinished, but the point is that real life isn't as tidy as it is in the movies. This also means that the film never tries to build a melodramatic sense of momentum, remaining intimate and somewhat reticent, echoing Richard and Mildred's personalities. Many of the biggest scenes take place off camera, while we are instead watching these steely, softspoken people who changed American law by quietly remaining true to their love for each other. Both Negga and Edgerton deliver subtle, wrenching performances as everyday people who express their strong views mainly in telling glances and touches that say more than words ever could.
Continue reading: Loving Review
He explains why he doesn't always go for blockbusters.
Easily the busiest actor of the year, Michael Shannon has had 10 films in cinemas and festivals in 2016. The latest to arrive in American multiplexes is Frank & Lola, a romantic mystery set in Las Vegas, in which he plays a man who uncovers some uncomfortable secrets about his girlfriend (Imogen Poots).
Michael Shannon talks 'Frank & Lola'
Shannon has made a career out of unexpected choices, switching between big blockbusters like Man of Steel and smaller independent dramas like this year's Midnight Special and Loving, both from his writer-director friend Jeff Nichols. "I'm not primarily profit-driven, necessarily," he laughs. And he finds it amusing that the films are never released in the same order that they're made. "If you look at something like Midnight Special, I made that quite awhile ago, and Warner Bros for some mysterious reason kept it in a closet for a year. With Frank & Lola, there is a Vegas part and a Paris part. And the Vegas part was like three and a half weeks and then we went to Paris for a week. But Elvis & Nixon was also coming together, so what we did was we went to Vegas shot the meat of the Frank & Lola story, did Elvis & Nixon in its entirety, and then did the Paris portion of Frank & Lola afterward! You get to the point where you're so tired and things just get sketchy."
Continue reading: Michael Shannon Caps A Busy Year With Frank & Lola
It's been seven years since designer Tom Ford made a splash with his award-winning writing-directing debut A Single Man, and it's no surprise that his second film is just as exquisitely beautiful to look at. What's unexpected is the complexity of the storytelling. Adapted by Ford from Austin Wright's novel Tony and Susan, this movie has three sides to it: a romantic drama, a darkly personal odyssey and a freaky thriller. These elements kind of fight for the audience's attention, but they're sharply played and packed with intense emotion.
Set in Los Angeles, everything revolves around gallery owner Susan (Amy Adams), who lives in a spectacular home with her banker husband Hutton (Armie Hammer), who's facing financial problems. Susan is shocked when she receives a manuscript by her ex-husband Edward (Jake Gyllenhaal), who has finally finished his long-gestating novel. But as she reads it, she realises that their break-up inspired the story, and she pictures Edward in the central role as Tony, a man travelling through Texas with his wife and daughter (Isla Fisher and Ellie Bamber), who are kidnapped and brutalised by roadside thugs led by the unstable Ray (Aaron Taylor-Johnson). So Tony teams up with jaded detective Bobby (Michael Shannon) to track them down.
The film's central narrative is Susan's deeply internalised discovery of her own dark soul, which plays out both in her scenes with Hutton and figuratively in the fictional thriller narrative. All of these things take complex twists and turns that have vivid moral shadings. But of course the Wild West action element continually steals focus from the more understated personal drama. In this sense, Gyllenhaal has the trickiest role, or rather two roles, as the story's catalyst and victim. Meanwhile, Adams is strikingly transparent as Susan, engaging in jagged interaction with both Gyllenhaal's enigmatic Edward and Hammer's eerily heartless Hutton.
Continue reading: Nocturnal Animals Review
For a short time, Edward and Susan had a happy marriage, they lived in a nice neighbourhood, Susan had a good career and Edward was not far from taking the bar. Susan lives a fast-paced life and as such barely sleeps and Edward would somewhat affectionately tell her that she's a 'nocturnal animal'.
25 years later, Susan has remarried a serial philanderer and her life is far from happy. Unexpectedly a manuscript arrives at her door titled 'Nocturnal Animals' and with the dedication to 'Susan'. She pushes the pages aside and decides to leave them but eventually she can't help but start to read the book that she inspired Edward to write.
The story that unfolds is an incredibly dark tale of murder and revenge and Susan is shocked and traumatised that she would play such a pivotal role in the creation of such a dark piece of work. Susan's interpretation and retelling of the story soon impacts on her life and is unsure how Edward's return into her life will turn out.
Continue: Nocturnal Animals Trailer
This movie is based on a real meeting between Elvis Presley and Richard Nixon in the White House in December 1970. The only details about this collision of two icons come from a few eyewitness accounts, as well as the photograph they took together. So the screenwriters have some fun with it, weaving in quite a bit of comedy that encourages actors to chomp merrily on the scenery. It's entertaining to watch, but the script misses the chance to add meaning on the situation.
Elvis (Michael Shannon) is the one who initiates this meeting, concerned about the growing protests on the streets of Washington, DC. So he flies to Los Angeles to collect his long-time friend Jerry (Alex Pettyfer) then heads to the capital to meet with his nutty colleague Sonny (Johnny Knoxville) and pitch himself to President Nixon (Kevin Spacey) as an undercover FBI agent who can infiltrate the nation's youth. Since it's obvious that all Elvis wants is a federal ID badge, Nixon brushes the whole idea of a meeting aside until his advisors (Colin Hanks and Evan Peters) convince him that it would be a great PR move. So just before Christmas, the two men finally meet up, and they discover that they have more in common than either expected.
Because of the absurdity of the set-up and the wackiness of the period styles, the movie feels rather a lot like an extended sketch comedy that's largely improvised by an up-for-it cast. These two men are both such big personalities that a meeting like this would be hard to believe if it weren't for the photographic evidence. The conversation between Presley and Nixon is surreal and hilariously random (and largely fictionalised). Shannon and Spacey are having a great time prowling around each other, pouncing with a punchline at every opportunity, so watching them is riveting. Mercifully, they underplay the impersonations, capturing the men with tiny details of movement and vocal inflection rather than relying on lots of make-up. Although Shannon does have that hair and costume.
Continue reading: Elvis & Nixon Review
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael Shannon, after Shotgun Stories, Take Shelter and Mud. This one's an involving character-based sci-fi adventure made in the style of classic films like E.T. or Close Encounters. As the characters are thrown into an extraordinary situation, the story gradually reveals its fantastical secrets without resorting to the usual overblown blockbuster formula, which makes the movie remarkably resonant and genuinely thrilling.
Shannon plays Roy, a man who is on the run across Texas with his 8-year-old son Alton (Jaeden Lieberher) and his childhood friend Lucas (Joel Edgerton), who's now a state trooper. And the FBI is on their trail, investigating the religious cult they escaped from. Led by the defiant Calvin (Sam Shepard), the cult seems to have been centred around the unusual ability Alton has to gather information from government satellites. Which is why the FBI is so intent on tracking him down. Working with the FBI, NSA Agent Sevier (Adam Driver) is fascinated by Alton's abilities, and he begins to worry what might happen if the boy is captured. Meanwhile, Roy and Lucas have reunited with Alton's mother Sarah (Kirsten Dunst) and are continuing their journey across the American South. And time is clearly of the essence, since Alton is growing seriously ill.
Writer-director Nichols skilfully keeps the audience gripped by the central mystery, dropping in hints and revelations along the way that slowly build up to the final big picture. This forces the viewer into the same perspective as the characters, who don't have a clue what's going on but are gripped by the possibilities of what they're witnessing. This also makes it impossible to predict where the story might go next as it cycles through action, humour, emotion and exhilarating drama. Through all of this, the actors all offer beautiful textures in their characters, underplaying even the most intense scenes to make them feel strikingly realistic.
Continue reading: Midnight Special Review
Michael Shannon - The 66th annual International Berlin Film Festival (Berlinale) Midnight Special Premiere at Berlinale Palace in Potsdamer Platz. at Berlinale Palace - Berlin, Germany - Friday 12th February 2016
This blending of the stoner bromance with the Christmas comedy works surprisingly well, layering gross-out humour with holiday sentimentality. So it's a bit of a shame that the script is thin and ultimately rather pointless. There are observations about the nature of friendship and maturity, but nothing very deep. But along the way, the cast and crew pack in a riotous sense of humour that mainly centres on drugs and genitalia, plus a whiff of Christmas magic.
The movie centres on three best buddies in New York: Ethan, Isaac and Chris (Joseph Gordon-Levitt, Seth Rogen and Anthony Mackie). Over the past several years, they've celebrated Christmas together with a series of traditions including karaoke, Chinese food and loudly festive sweaters. But now Isaac's wife Betsy (Jillian Bell) is about to give birth to their first child, and Chris' pro-football career is beginning to take off. So this will be their last Christmas Eve together, and they plan to make it an epic one. Ethan has secured tickets to New York's most exclusive secret holiday party, which he learns that his not-quite-ex girlfriend Diana (Lizzy Caplan) is attending. Meanwhile, Betsy has given Isaac a box of drugs for a last blow-out, and Chris scores a stash of weed from a mythical dealer (Michael Shannon).
The premise is certainly packed with possibility, and the filmmakers have a ball with the druggy excesses as the night unfolds, including wildly anarchic set-pieces that throw these likeable characters into all kinds of messy situations. The three lead actors make the most of their roles, adding layers of complexity that aren't in the script while indulging in rampant silliness at every turn. And the supporting cast are up for it as well, fully committing to the movie's crazed atmosphere. There are also hilarious extended cameos from James Franco and Miley Cyrus.
Continue reading: The Night Before Review
Ever since Chris, Ethan and Isaac were young, the trio of friends have always spent the run-up to Christmas together, as the years have gone by their Christmas eve reunion has become harder to manage and this year is no exception, with Chris living the highlife as a celebrity and Isaac soon to become a father, the trio decide that this year they're going to have a huge blowout.
The three guys might be approaching middle age but that's not going to stop them from having fun, this year they're convinced that they're going to find the Nutcracka Ball - piece de resistance in Christmas Parties.
The Night Before was written and directed by Jonathan Levine who also directed 50/50 and Warm Bodies starring Nicoholas Hoult. The film also sees the one and only Miley Cyrus making a cameo appearance.
This harrowing morality play is timely and riveting, but never remotely subtle. The setting is the mortgage crisis, during which savvy fast-talkers figured out how to make a fortune on the back of other people's tragedy. It's strikingly written and directed by Iranian-American filmmaker Ramin Bahrani with an attention to internalised detail, revealing an aspect of Western culture that's deeply disturbing.
It's 2010, and the economy is in freefall as families and small businesses struggle to survive. When Florida builder Dennis (Andrew Garfield) loses his job, he has no idea how he'll support his mother and son (Laura Dern and Noah Lomax). Unable to pay their inflated mortgage, they're evicted from the family home by ruthless estate agent Rick (Michael Shannon). Then Rick sees something in Dennis that he admires, and hires him to do some building work, eventually taking him under his wing and teaching him how to profit from the record number of repossessions. But this means taking advantage of government grants, banking loopholes and people whose lives have collapsed. And it isn't long before it starts eating away at Dennis.
Garfield gives an open, searching performance as this desperate young father who's grasping at any lifeline he can find for his family. It's a complex, difficult character, mainly because his moral dithering sits in contrast to Shannon's flashier, shark-like Rick, who's often scary in the way he's able to avoid empathising with people in pain. In a much smaller role, Dern is the polar opposite, a warm blast of straight-arrow morality who continually prods her son to do the right thing. Yes, these characters are somewhat constructed as three points in a triangle, but they beautifully highlight the issues involved. And the actors dig deep into the emotional ramifications.
Continue reading: 99 Homes Review
Dennis Nash is a struggling single father whose life is turned upside down when he's evicted from his home by a corrupt real-estate broker named Rick Carver. Facing life on the streets, Dennis is forced to work for Carver in the hope of reclaiming his home, but how will he cope carrying out the same ruthless eviction techniques that were used on him? As Dennis falls deeper into Carver's web, relationships suffer and his situation becomes more dangerous than he could have imagined.
Continue: 99 Homes Trailer
While this film tackles a huge issue in the history of race relations in America,...
It's been seven years since designer Tom Ford made a splash with his award-winning writing-directing...
For a short time, Edward and Susan had a happy marriage, they lived in a...
This movie is based on a real meeting between Elvis Presley and Richard Nixon in...
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael...
After 2013's beefy Man of Steel, director Zack Snyder goes even bigger and darker with...
Every superhero has a dark side and being 100% human, Batman is in doubt over...
Who would've thought that Elvis and Richard Nixon would become allies? When Elvis sporadically showed...
This blending of the stoner bromance with the Christmas comedy works surprisingly well, layering gross-out...
What happens when two superheroes with vastly differing opinions come head to head? Well, not...
Alton is a very special young boy who has been given a unique gift. When...
Ever since Chris, Ethan and Isaac were young, the trio of friends have always spent...
This harrowing morality play is timely and riveting, but never remotely subtle. The setting is...