Michael O'keefe

Michael O'keefe

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21st Annual SAG Awards - Arrivals

Michael O'Keefe and Emily Donahoe - 21st Annual Screen Actors Guild Awards - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, United States - Sunday 25th January 2015

Michael O'Keefe
Michael O'Keefe
Michael O'Keefe

Opening Night After Party for The Library - Arrivals

Michael O'Keefe - Opening night after party for The Library at the Public Theater - Arrivals. - New York, New York, United States - Tuesday 15th April 2014

Ben Livingston, Daryl Sabara, Lili Taylor, Scott Z. Burns, Jennifer Westfeldt, Chloe Grace Moretz, Tamara Tunie, Michael O'Keefe and Steven Soderbergh
Michael O'Keefe
Michael O'Keefe, David L. Townsend and Ben Livingston

Frozen River Review


Excellent
This film couldn't really be more timely if it tried, as it traces the length to which a fractured family is willing to go to survive financial turmoil. And each situation and relationship is beautifully rendered on screen.

In upstate New York, Ray (Leo) is struggling to cope after her husband ran off with their house-payment savings. Her sons TJ (McDermott), 15, and Ricky (Reilly), 5, don't really understand what's happened but want to help. Then Ray meets the Mohawk native Lila (Upham) and teams up to make some quick cash by driving across the frozen river to Canada and smuggling illegal immigrants back into the USA. But this is very dangerous business, and both woman will have to examine the risks they're taking.

Continue reading: Frozen River Review

Frozen River Review


Weak
In Courtney Hunt's Frozen River, two mothers begin smuggling illegal aliens across the Canadian border by way of the St. Lawrence River. One of them is white American, the other is Native American. The white mother wants to rekindle the trust between her and her two sons. The other mother simply wants her son back from her erstwhile mother-in-law.

Shot on DV and acquired by Sony Pictures Classics for under a million, River won the prestigious Grand Jury Prize in the Dramatic Competition at this past year's Sundance Film Festival, beating out Lance Hammer's upcoming, hypnotic Ballast and Ryan Fleck & Anna Boden's Sugar, Fleck's follow-up to the enthralling Half Nelson.

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AARP The Magazine's Seventh Annual Movies for Grownups Awards at the Hotel Bel-Air - Arrivals

Michael O'Keefe Monday 4th February 2008 AARP The Magazine's Seventh Annual Movies for Grownups Awards at the Hotel Bel-Air - Arrivals Los Angeles, California

Caddyshack Review


Excellent
No, they don't make 'em like this any more. Now you just can't make jokes about guys eating boogers and turdlike objects floating in the swimming pool -- not unless you want the FCC coming down on your ass! The absurd humor of Caddyshack is legend enough to merit little additional comment from me, but it's notable for featuring Chevy Chase in one of his most sophisticated roles -- but his deadpan dialogue is only the second-most quotable in the movie, after Bill Murray's infamous Carl Spackler, one of Murray's most ridiculous roles on film. The plot wanders around the golf course and involves a half-dozen elements, but if you simply dig the gopher, the caddy, and the Dangerfield, you're not going to be doing half bad.

The Pledge Review


Excellent
An early note to parents with young, blonde daughters: Think twice about seeing The Pledge, and if you must go -- if you're eager to see Jack Nicholson give one of his best cinematic performances ever -- then take a Valium before entering the theater and practice saying, "This won't happen to my family! This won't happen to my family!"

From the opening shot, where we see the top of Nicholson's half-bald, hair-transplanted head, The Pledge is an exercise in stomaching an ugly truth. Body parts, pony-tailed girls splotched with blood and bruises -- this isn't a film about happy endings and human triumph. Suspected sex perverts lurk down every road in The Pledge, causing Nicholson's character, a retired homicide detective, so much angst that he becomes his own worst enemy.

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The Glass House Review


Good
People who live in glass houses... better not have much to hide. Because sooner or later, you'll get caught with your pants down, leaving everything hanging out for everyone to see.

The Glass House stars everyone's favorite Helen Hunt clone, Leelee Sobieski, as half of a sister-brother duo who move in with family friends after the untimely deaths of their parents. Little does she know that her new guardian's motives are less than altruistic and it's up to her to protect herself and her brother.

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The Great Santini Review


Excellent
An exceptional film, this odd combination of Top Gun and Ordinary People features Robert Duvall in one of his greatest performances (Oscar-nominated, too) as the difficult Marine family patriarch in the years leading up to the Vietnam War. This ain't Major Dad, as Duvall's "Great Santini" drinks hard and pushes his kids to the limit. Or beyond. Some of it's funny, some of its tragic, and with the exception of a misfired subplot about race relations, all of it's stellar.

The Hot Chick Review


Terrible

Rob Schneider's new low-brow body-swap romp "The Hot Chick" is such an insipidly sexist so-called comedy that the movie's entire female cast is reduced to jumping up and down, giggling and playing patty-cake while rhyming about the ickiness of sex.

These characters don't have a brain cell to share among them, but Schneider (who plays an idiot too, but what else is new?) and director Tom Brady genuinely expect the audience to identify with these one-dimensional teenage airheads.

More specifically, they expect us to identify with catty queen ditz Jessica (Rachel McAdams), who, through a curse not worth explaining here, wakes up in the short, hairy, burlap-sack body of a scummy, gas-station-robbing low-life (Schneider) just a few days before the prom.

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The Pledge Review


Grim

Director Sean Penn and star Jack Nicholson must have been drawn to the complexity of the haunted ex-detective character at the center of "The Pledge," because he's just about the only thing at all uncommon in this largely conventional serial killer suspense flick.

Although, even calling him uncommon is a stretch. Reno homicide dick Jerry Black is pretty much an assembly-line character -- a freshly retired cop obsessed with finding the "real killer" in an officially closed murder case that was his last assignment. Having made a promise to the parents of the dead little girl, he's still following hunches on his own time because nobody in the precinct believes him.

Doesn't Jerry sound like a regulation Morgan Freeman character? But with Nicholson in the role, he's a bit more of a wildcard. Big Jack brings an element of instability to Jerry that leaves the audience concerned for his sanity when his ostensive retirement finds him buying a gas station at a High Sierra crossroads as his nest egg because it's at the center of a geographic pattern he's discovered for his suspect.

Continue reading: The Pledge Review

The Glass House Review


Grim

Remember that string of "...from hell" psycho flicks in the early 1990s? There was "The Hand That Rocks The Cradle" (nanny from hell) and "Single White Female" (roommate from hell). Well, here's one that was missed at the time: legal guardians from hell.

"The Glass House" is a failed spine-tingler about a teenage girl (Leelee Sobieski) whose parents die in a car crash leaving her and her little brother a $4 million trust -- money their surrogate parents are just itching to get their hands on.

Following the funeral, Ruby and Rhett Baker (Sobieski and Trevor Morgan, "Jurassic Park III") move in with Terry and Erin Glass (Stellan Skarsgard and Diane Lane), seemingly wealthy old friends of their parents who live in a expensive, ultra-modern, ultra-stylish, windows-and-concrete house in the Malibu hills.

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