When USCP officer John Cale is turned down as he applies for a highly coveted role in the Secret Service, he is devastated but cannot find it in himself to disappoint his young daughter Emily who idolises him and his job. In a bid to give Emily an experience to remember, he takes her on a tour of the White House, but what started out as the most normal of days (if a little extra exciting for Emily) quickly becomes a situation of life and death when terrorist groups launch a series of bombs that hit the White House causing a shocking scene of devastation. John now finds himself with the responsibility of keeping his daughter safe from harm as well as protecting President James Sawyer along with the rest of his country. He may have lost out on becoming an official protector of the President, but he now faces a true test of his abilities that is unlikely to go unnoticed.
Continue: White House Down Trailer
Jeremy Jordan and Michael Murphy - Jeremy Jordan and Ashley Spencer Monday 16th January 2012 If It Only Even Runs A Minute 8, a concert series celebrating underappreciated Broadway musicals, held at Joe's Pub.
Kevin Michael and Michael Murphy - Kevin Michael Murphy and Jennifer Ashley Tepper New York City, USA - 'If It Only Even Runs A Minute 7', a concert showcasing songs from Broadway shows that did not last very long on the boards, held at Carolines. Monday 1st August 2011
Fiona (Julie Christie) has begun to lose her memory as an effect of Alzheimer's. Grant (Gordon Pinsent), her husband, can only sigh heavily as he watches her slip away; at one point, she puts a frying pan in the freezer. Begrudgingly, Grant signs Fiona into a home for people with Alzheimer's and other diseases incurred through aging. There's a catch: He can't see her for a month, allowing her to settle in without any debilitations. He returns to find Fiona's memory thickly veiled, only remembering him as a figure without nuance. It also happens that Fiona has become cozy with a catatonic, wheelchair-bound man named Aubrey (Michael Murphy). While attempting to get his wife to remember him, Grant makes time to visit with Aubrey's wife Marian (a fantastic Olympia Dukakis) to see what her side is like.
Continue reading: Away From Her Review
No, the other writer was Bill Condon, who not only wrote Gods and Monsters, he also wrote the script for Chicago (not that that's such a Herculean effort). So riding on Condon's rising star comes his first film, made when little Bill was just 26 years old. He even appears in the opening scene, sneaking a cigarette before he gets killed (in shadow) as the first of several offings.
Continue reading: Strange Behavior Review
M*A*S*H isn't just the most successful translation from film to TV show of all time, it's also a masterful movie in its own rite. Maybe Robert Altman's best work (and his first movie of any serious note), though he's barely associated with the film in the popular consciousness now.
Continue reading: M*A*S*H Review
Okay, scratch that last bit. Salvador is actually a gripping docu-drama about the horrors of the revolution in that country in the mid-1980s. From raped nuns to the mass dumping of dead bodies, Stone's gaze is unflinching on the horrors that occurred, and Wood's Boyle is there to document it all, despite an utter lack of charisma, money, or morality.
Continue reading: Salvador Review
Continue reading: McCabe & Mrs. Miller Review
Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review
The only problem is that The Player was the last of his films that was really all that great. While Kansas City marks a slight improvement over Ready to Wear, that ain't saying much because, after all, so does Showgirls.
Continue reading: Kansas City Review
As part of its bid to make 24-hour news an institution, CNN sent producers Robert Wiener (Michael Keaton) and Ingrid Formanek (Helena Bonham Carter) to Baghdad in August 1990 to cover the brutal Iraqi invasion of Kuwait. The HBO film Live from Baghdad is the story of how Wiener and CNN overcame adversity to become the only network to continue broadcasting from Baghdad during the U.S. air strikes.
Continue reading: Live From Baghdad Review
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Every time Robert Altman makes a movie, it becomes the thing to do for the...