When USCP officer John Cale is turned down as he applies for a highly coveted role in the Secret Service, he is devastated but cannot find it in himself to disappoint his young daughter Emily who idolises him and his job. In a bid to give Emily an experience to remember, he takes her on a tour of the White House, but what started out as the most normal of days (if a little extra exciting for Emily) quickly becomes a situation of life and death when terrorist groups launch a series of bombs that hit the White House causing a shocking scene of devastation. John now finds himself with the responsibility of keeping his daughter safe from harm as well as protecting President James Sawyer along with the rest of his country. He may have lost out on becoming an official protector of the President, but he now faces a true test of his abilities that is unlikely to go unnoticed.
Continue: White House Down Trailer
Jeremy Jordan and Michael Murphy - Jeremy Jordan and Ashley Spencer Monday 16th January 2012 If It Only Even Runs A Minute 8, a concert series celebrating underappreciated Broadway musicals, held at Joe's Pub.
Kevin Michael and Michael Murphy - Kevin Michael Murphy and Lucy Horton Monday 16th January 2012 If It Only Even Runs A Minute 8, a concert series celebrating underappreciated Broadway musicals, held at Joe's Pub.
Kevin Michael and Michael Murphy - Jennifer Ashley Tepper and Kevin Michael Murphy Monday 16th January 2012 If It Only Even Runs A Minute 8, a concert series celebrating underappreciated Broadway musicals, held at Joe's Pub.
Jeremy Jordan and Michael Murphy - Jeremy Jordan and Claybourne Elder Monday 16th January 2012 If It Only Even Runs A Minute 8, a concert series celebrating underappreciated Broadway musicals, held at Joe's Pub.
Jeremy Jordan and Michael Murphy - Jeremy Jordan from the film 'Joyful Noise' Monday 16th January 2012 If It Only Even Runs A Minute 8, a concert series celebrating underappreciated Broadway musicals, held at Joe's Pub.
Fiona (Julie Christie) has begun to lose her memory as an effect of Alzheimer's. Grant (Gordon Pinsent), her husband, can only sigh heavily as he watches her slip away; at one point, she puts a frying pan in the freezer. Begrudgingly, Grant signs Fiona into a home for people with Alzheimer's and other diseases incurred through aging. There's a catch: He can't see her for a month, allowing her to settle in without any debilitations. He returns to find Fiona's memory thickly veiled, only remembering him as a figure without nuance. It also happens that Fiona has become cozy with a catatonic, wheelchair-bound man named Aubrey (Michael Murphy). While attempting to get his wife to remember him, Grant makes time to visit with Aubrey's wife Marian (a fantastic Olympia Dukakis) to see what her side is like.
Continue reading: Away From Her Review
No, the other writer was Bill Condon, who not only wrote Gods and Monsters, he also wrote the script for Chicago (not that that's such a Herculean effort). So riding on Condon's rising star comes his first film, made when little Bill was just 26 years old. He even appears in the opening scene, sneaking a cigarette before he gets killed (in shadow) as the first of several offings.
Continue reading: Strange Behavior Review
M*A*S*H isn't just the most successful translation from film to TV show of all time, it's also a masterful movie in its own rite. Maybe Robert Altman's best work (and his first movie of any serious note), though he's barely associated with the film in the popular consciousness now.
Continue reading: M*A*S*H Review
Okay, scratch that last bit. Salvador is actually a gripping docu-drama about the horrors of the revolution in that country in the mid-1980s. From raped nuns to the mass dumping of dead bodies, Stone's gaze is unflinching on the horrors that occurred, and Wood's Boyle is there to document it all, despite an utter lack of charisma, money, or morality.
Continue reading: Salvador Review
Continue reading: McCabe & Mrs. Miller Review
Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review
The only problem is that The Player was the last of his films that was really all that great. While Kansas City marks a slight improvement over Ready to Wear, that ain't saying much because, after all, so does Showgirls.
Continue reading: Kansas City Review
Having conceived the idea for Childstar after a chance Oscar party conversation with Haley Joel Osment, McKellar stars as Rick, an experimental filmmaker who becomes the limo driver for Taylor Brandon Burns (great name!) a spoiled 12-year-old American superstar (Mark Rendall) shooting a new film in Canada. That movie, The First Son, is a ridiculous piece of jingoistic drivel where the President's son kicks some terrorist ass in order to save Dad, the White House and the whole damn country.
Continue reading: Childstar Review
Just four months after he left One Direction seemingly in order to boost their relationship...
To most viewers, Channel 4 quiz show Countdown is a relatively safe programme to watch...