Janice Williams, Kerry Washington, Rick Famiyiwa , Michael London - Premiere of HBO Films' 'Confirmation' at Paramount Theater - Arrivals - Los Angeles, California, United States - Thursday 31st March 2016
An entertaining film about sobering true events, this is the story of notorious screenwriter Dalton Trumbo, who defied McCarthy's communist witch-hunt hearings in the late-1940s and was blacklisted by Hollywood for more than a decade. As written by John McNamara and directed by Jay Roach, the film is bright, funny and emotionally resonant, clearly simplified to make it more involving. And with such a terrific cast on board, it's both revealing and a lot of fun.
In 1947, Dalton (Bryan Cranston) is the film industry's top-paid screenwriter, so of course Senator McCarthy's House Un-American Activities Commission goes after him about his rumoured links to the communist party during the war. But he and nine fellow writers refuse to testify, so they're imprisoned for contempt, denied work by the Hollywood studios and targeted personally by the powerful gossip columnist Hedda Hopper (Helen Mirren). To survive, Dalton begins writing under a series of pseudonyms for the B-movie producer Frank King (John Goodman), creating a script factory in his home with the help of his wife Cleo (Diane Lane) and daughter Niki (Elle Fanning). Two of these screenplays win Oscars, and it isn't until Dalton begins writing Spartacus in 1960 that actor Kirk Douglas (Dean O'Gorman) breaks the studio blacklist.
Roach directs this story in a sunny, snappy way that includes lots of smart wordplay and a clear sense of the us-or-them mentality that has defined America since the Cold War. People need a villain to hiss at, so anyone with even a passing connection to communism will do. And Mirren hisses better than most. Her performance is riotously funny and relentlessly nasty at the same time. More textured characters include Louis C.K. as a fellow writer and Michael Stuhlbarg as conflicted actor Edward G. Robinson. All of the actors are excellent, anchored by Cranston's wonderfully prickly Oscar-nominated turn as a bullheaded man who hilariously seizes every opportunity to make an inspiring speech.
Continue reading: Trumbo Review
This may look like it's going to be a zany Christmas romp, but it's really a warm exploration of family connections, essentially an American take on Love Actually's multi-strand comedy-drama. At least it has an unusually strong cast and moments of hilarity scattered throughout the story. And while it's never very deep, the themes are strongly resonant.
The Cooper family is gathering for what Charlotte (Diane Keaton) hopes will be one last perfect Christmas together. She knows that her 40-year marriage to Sam (John Goodman) is on the brink, but is ignoring that to plan a massive dinner. Their son Hank (Ed Helms) is stinging from divorce and unemployment, while daughter Eleanor (Olivia Wilde) has picked up a hunky soldier (Jake Lacy) in the airport and asks him to pose as her boyfriend so her family will stop asking about her love life. Meanwhile, Charlotte's father Bucky (Alan Arkin) is trying to cheer up his favourite waitress (Amanda Seyfried), and Charlotte's sister Emma (Marisa Tomei) is delayed when a cop (Anthony Mackie) arrests her for shoplifting.
Narrated with wry joviality by Steve Martin, the interwoven stories are fairly simplistic, but each touches a raw nerve. And the above-average cast brings out the underlying themes without overplaying their scenes. Keaton and Goodman add subtle shades to the slightly undemanding central roles, while Arkin finds a couple of new textures to his usual twinkly grandad persona. Helms and Wilde strike the right balance in their intriguingly unlikeable roles, while Tomei gets the most complex character as a woman who feels like she's merely watched her life drift along. By contrast, the outsiders played by Seyfried, Lacy and Mackie are much less defined, but each actor brings just enough magnetic energy. The most wasted performer is June Squibb, as a ditzy old aunt who's little more than the requisite gross-out relative.
Continue reading: Love The Coopers (aka Christmas With The Coopers) Review
Michael London , Guest - Celebrities attend the U.S. Premiere of TRUMBO at Academy of Motion Picture Arts & Sciences. at Academy of Motion Picture Arts & Sciences - Los Angeles, California, United States - Tuesday 27th October 2015
Mike (Giamatti) is a New Jersey lawyer struggling to make ends meet when he discovers he can earn a bit extra as the guardian of senile client Leo (Young).
But his wife Jackie (Ryan) only finds out when Leo's 16-year-old grandson Kyle (Shaffer) turns up needing a place to stay while his mother (Lynskey) goes through rehab. To keep him busy, Mike invites Kyle along to the wrestling practice he coaches with his friends (Tambor and Cannavale). Surprise: Kyle's a gifted wrestler who may help the team win for a change.
Continue reading: Win Win Review
Milk finds experimental auteur Gus Van Sant taking cautious steps back toward the mainstream to celebrate Harvey's accomplishments. Van Sant's tender human-interest story, which showcases Sean Penn's considerable talents, is a closer relative to earlier efforts such as Finding Forrester or Good Will Hunting than to recent, abstruse features like Elephant, the spare Gerry, or the haunting Last Days.
Continue reading: Milk Review
It's 1882, and the intimidating landowner Randall Bragg (Jeremy Irons) casts a long shadow over the New Mexico town of Appaloosa. With three booming gun blasts, the film establishes Bragg's cold-blooded disdain for authority and utter lack of morals. Man, how I wish Appaloosa gave this character more time to breathe, develop, and wreck proper havoc.
Continue reading: Appaloosa Review
For Walter Vale (Richard Jenkins), existence is a stifled sleepwalk of commitments and complaints. He hates teaching. He hates faculty politics. He especially hates the lonely life he leads as a widower. His wife long dead, Vale just can't find a purpose. Forced to travel from his new home in Connecticut to his old apartment in New York City to present a paper, he discovers two strangers living there. As illegals, Arab Tarek (Haaz Sleiman) and African Zainab (Danai Jekesai Gurira) have no real place to go, so Vale reluctantly lets them stay. When the Syrian Tarek is wrongfully arrested and detained, our quiet professor becomes his champion. The arrival of Tarek's mother (Hiam Abbass) from Michigan makes matters more complicated.
Continue reading: The Visitor Review
Entering into the Wetherhold house, ostensibly to chauffer the belligerent prof after a seizure suspends his driver's license, is Lawrence's laid-back, semi-transient adopted brother Chuck. Chuck is played by Thomas Haden Church in a clear and mostly successful post-Sideways bid to establish future laid-back semi-transients as "the Thomas Haden Church part." Church and Page are especially fun to watch and, especially, listen to: Church's sort of deadpan surfer growl and Page's nasal precociousness in a vocal duel. That they recall their previous roles only hastens our desire to spend time with them.
Continue reading: Smart People Review
King of California is cute, innocent, and precocious, just like the little 10-year-old niece you want to kill. Cahill's film aims to be quirky and quizzical and it has the feel of the kind of anti-establishment films made in the '60s and '70s along the lines of They Might Be Giants or Daddy Douglas' The Lonely Are the Brave. But there is no ballast for the whimsy, and the whole concept wisps away like a leaky balloon full of hot air.
Continue reading: King Of California Review
Based on a short story by Steven Millhauser, a Pulitzer winner given to tidy exposition and nostalgic settings, The Illusionist concerns a stage magician who was separated from the love of his love due to his peasant roots and her aristocratic family, only to meet her years later on stage, when she is betrothed to a villainous crown prince. The magician, Eisenheim, is played stiffly by Edward Norton, without a shred of humor or self-awareness. Somewhat in keeping with his performance is that by Jessica Biel as his beloved, Sophie von Teschen -- whose beauty helps brighten these lamp-lit rooms, but who is never close to believable as a Viennese noblewoman. Rather more in keeping with the spirit of the rather melodramatic story is Rufus Sewell, as the evil Crown Prince Leopold, who swans through the film with cigarette holder perched lightly in one hand, his face a deliciously, maliciously bored mask.
Continue reading: The Illusionist Review
Written and directed by Thomas Bezucha, the story starts with Everett Stone (Dermot Mulroney) bringing his uptight girlfriend, Meredith (Sarah Jessica Parker), home for Christmas to meet his family. The Stones take an immediate disliking to Meredith -- she's corporate, they're earthy -- forcing her into a downward spiral where she tries ever harder to win their approval. Sort of like Meet the Parents... at Christmastime... without the laughs.
Continue reading: The Family Stone Review
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