Michael Kidd

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Broadway Choreographer Kidd Dies


Michael Kidd

Legendary Broadway choreographer Michael Kidd has lost his battle with cancer. He was 92.
Kidd died on Sunday (23Dec07) at his home in Los Angeles.
Born Milton Greenwald in New York City, Kidd began his career as a dancer at the Big Apple's Ballet Theater, and was given his first opportunity to choreograph in 1945.
But it was in 1947 when Kidd's career really began to take off and he was invited to work on a theatre production of Finian's Rainbow. His efforts won him his first of five Tony Awards, before moving into Hollywood.
On the big screen, Kidd is perhaps best known for his work on 1954's Seven Brides for Seven Brothers, and directing dances for Fred Astaire in 1953 comedy, The Band Wagon, and Marlon Brando in 1955's Guys and Dolls.
His innovative dance sequences earned him much high praise, and in 1997 he was recognised by the Academy of Motion Picture Arts and Sciences and presented with a special prize for "his services in the art of the dance in the art of
the screen".
But his biggest success remained in theatre, where his choreography in shows like Can-Can in 1954, and Destry Rides Again in 1960, won him a further four Tony Awards.
He even received critical acclaim for one of his few ventures into television, earning himself an Emmy nomination in 1981 for directing former Sex and the City star Mikhail Baryshnikov in Baryshnikov in Hollywood.
Kidd is survived by his second wife, former dancer Shelah Hackett, and their two children, Amy and Matthew, as well as his two daughters from an earlier marriage, Kristine and Susan, reports the New York Times.

Broadway Choreographer Kidd Dies


Michael Kidd

Legendary Broadway choreographer Michael Kidd has lost his battle with cancer. He was 92.
Kidd died on Sunday (23Dec07) at his home in Los Angeles.
Born Milton Greenwald in New York City, Kidd began his career as a dancer at the Big Apple's Ballet Theater, and was given his first opportunity to choreograph in 1945.
But it was in 1947 when Kidd's career really began to take off and he was invited to work on a theatre production of Finian's Rainbow. His efforts won him his first of five Tony Awards, before moving into Hollywood.
On the big screen, Kidd is perhaps best known for his work on 1954's Seven Brides for Seven Brothers, and directing dances for Fred Astaire in 1953 comedy, The Band Wagon, and Marlon Brando in 1955's Guys and Dolls.
His innovative dance sequences earned him much high praise, and in 1997 he was recognised by the Academy of Motion Picture Arts and Sciences and presented with a special prize for "his services in the art of the dance in the art of the screen".
But his biggest success remained in theatre, where his choreography in shows like Can-Can in 1954, and Destry Rides Again in 1960, won him a further four Tony Awards.
He even received critical acclaim for one of his few ventures into television, earning himself an Emmy nomination in 1981 for directing former Sex and the City star Mikhail Baryshnikov in Baryshnikov in Hollywood.
Kidd is survived by his second wife, former dancer Shelah Hackett, and their two children, Amy and Matthew, as well as his two daughters from an earlier marriage, Kristine and Susan, reports the New York Times.

Smile Review


Good
The film references tend to term it "overlooked," but there are many of us who never forgot the wonderful comedy Smile from its theatrical release in 1975. '75 was a great year for movies, and it could be that Smile, like the fresh-faced competitors that populate it, just faced some really rough competition that year; maybe, in the company of Nashville, The Story of Adèle H., One Flew Over the Cuckoo's Nest, Dog Day Afternoon, Grey Gardens, Monty Python and the Holy Grail, and so on, this relatively modest beauty fades into the wallpaper. Maybe its comparatively adult wit would get lost among the frantic adolescence of screen comedy in any year. Whatever the reason, it's a pleasure to welcome back a really funny and distinctively American satire, now available on DVD.

Smile charts the progress of a round of finals for the fictitious Young American Miss pageant being held in Santa Rosa, California. The civic force behind this event is a community-minded car salesman named Big Bob Freelander (Bruce Dern), a yokel with good intentions, an abiding optimism, and an inexhaustible reserve of clichéd bromides about the importance of a positive attitude. Brenda DiCarlo (Barbara Feldon) acts as pageant coordinator and den mother to the young contestants; her husband Andy's suicidal tendencies are exacerbated, rather than quelled, by all the forced goodwill she radiates and by the pageant's general, bright, can-do American vibe. Big Bob, especially, finds this mystifying - what on Earth is there to be blue about in a land of such copious opportunity and beautiful young women such as ours? - and the best advice he can muster for his desperate friend is to "go out there and have some fun."

Continue reading: Smile Review

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