Michael J. Willett - A variety of stars were photographed as they arrived for Logo TV's 2014 NewNowNext Award ceremony which were held at the at the Kimpton Surfcomber Hotel in Miami Beach, Florida, United States - Wednesday 3rd December 2014
Michael J. Willett and Greg Sulkin - A variety of celebrities were photographed as they arrived at the Paley Center which was the venue for Media's annual benefit gala for LGBT equality in Los Angeles, California, United States - Wednesday 12th November 2014
Carter Covington, Katie Stevens, Gregg Sulkin, Bailey De Young, Michael J. Willett and Rita Volk - 2014 PaleyFest Fall TV Previews: Fall season premiere of MTV's 'Faking It' at The Paley Center for Media - Arrivals - Los Angeles, California, United States - Friday 12th September 2014
Sharply important themes make this film a lot more important than its wacky style might suggest. It's essentially Mean Girls remade with a gay twist, and the smart script continually acknowledges that fact. There's also plenty of surprisingly deep subtetx, which adds weight even when things start to get a bit silly.
The story centres on Tanner (Willett), a 17-year-old who isn't quite ready to come out of the closet, then is inadvertently outed by his best pal Brent (Iacono). Suddenly, the leaders of the school's three cliques (Pieterse, Bowen and Roquemore) descend on him: the first out gay student, he'll make the perfect accessory as a Gay Best Friend. And wannabe activist Soledad (Levesque) latches on to him so she can launch a gay-straight alliance. But as Tanner strains to fit the stereotype, he finds himself increasingly distant from Brent and their pals (Tarlov and Mio).
Director Stein shoots this in the colourfully wacky style of a Glee episode (without the songs), but even though everything is just a bit over the top, the screenplay grounds the situations and characters with stinging wit and subtle commentary on big issues like peer pressure, bullying, repression, religious intolerance and the reason girls like to hang around gay boys. This lets the likeable actors deepen their characters in ways that continually catch us off guard.
Continue reading: G.B.F. Review