Russkie aristocat Eugene Onegin (Fiennes) finds himself the unwilling target of Tatiana's (Tyler) love. He rejects her, misunderstandings ensue, duels are fought, tears are wept, everyone is bummed, end of film. Much of Onegin is shot in mute silence, probably an overwrought symbol of some kind I was too lazy to pick up on. The filmmakers are blatant Merchant-Ivory wannabes, and the story of Onegin is so not worth telling that one struggles to stay awake for even a fraction of the running time. Thank God for the lush photography, even if the sound is turned off.
Continue reading: Onegin Review
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