Like Robert Rodriguez in Sin City, Snyder employs cutting-edge visual technology and green-screen effects to essentially photocopy Miller's acclaimed work of the same name. Because Miller's graphic novels have been fountains of inspiration for a handful of recent directors, his style has become overly identifiable. Splotches of crimson (usually blood) stain sun-dried backdrops as impossibly chiseled warriors fight long past their dying breath. That's 300 in a nutshell, though Snyder's tight epic additionally bathes in every tired cliché of the warrior genre, yet somehow makes it all seem fresh.
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To the best of my understanding, here's what the movie is about. A man known as the "Black Monk" (Fassbinder, uncredited) suggests a shepherd launch a revolution among the lower classes after he claims to have been visited by the Virgin Mary and ordered to do so. The Black Monk suggests as well that dressing up his friend as Mary herself and parading her about might help her cause.
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