Michael Goldenberg

Michael Goldenberg

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Harry Potter And The Order Of The Phoenix Review


Good

It's gotten to the point where the quality of the films don't really matter: Now I feel like I'm committed to the whole Harry Potter series. I've reviewed the first five now, so by golly, I'm going to stick it out and finish the lot... even though I still can't bring myself to read any of the books. As always, consider yourself warned that I don't know the intricate backstory developed over thousands of pages in J.K. Rowling's writing. And really, I'm happy to keep it that way.

Harry Potter and the Order of the Phoenix continues in the tradition of following another year at the Hogwarts School of Wizardry, where Harry Potter (Daniel Radcliffe) has faced nothing but grueling struggle after grueling struggle. His most recent year (Goblet of Fire) saw a friend get killed by his nemesis, the evil Lord Voldemort (Ralph Fiennes), who's gaining more power every day and giving Harry severe nightmares. With few exceptions, his friends have largely abandoned him, and the new term comes with even more headaches in the form of Dolores Umbridge (the perfect Imelda Staunton), sent from the Ministry of Magic to teach the defense from the dark arts class and eventually taking over the school as an iron-fisted, fun-crushing bureaucrat.

After much pottering about (ha ha!), the film finally finds its groove as Umbridge goes too far, refusing to teach magic in the classroom, instead preferring to rely on theoretical knowledge so the students can pass their year-end standardized tests. With Voldemort approaching (this guy is always just around the corner), Harry becomes more nervous that he will be unable to defend himself, finally recruiting a handful of students to his cause to teach them what he knows about magical combat. Together they prepare for the day when they know they'll have to use those skills. (In case you haven't seen any of the first four movies, rest assured it isn't far off: This end-of-movie showdown between Harry and the forces of evil has almost become a cliché that pans out every single time.)

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Contact Review


Very Good
Apparently, we are not alone. And we're beaming The Spice Girls into space.

But seriously, Carl Sagan's ode to the superior intelligence of aliens (and how us darned humans mess everything up) is consistently beautiful and interesting, but it never makes a point (except for that bit about the darned humans). The plot, which gives Jodie Foster schematics from space and focuses on the technical and bureaucratic minutiae that go into the construction of an extradimensional travelling device, is rather on the nose -- and the only real surprises in the film come from its obsession with God (in which the late Sagan did not believe) and the complete and utter disappointment received with the aliens are finally revealed.

Continue reading: Contact Review

Bed Of Roses Review


Weak
Stalker guy delivers flowers to girl he spies late one night. No, it's a romantic comedy! Short on comedy, but still a romance, I suppose. Bed of Roses, starring the badly mismatched Christian Slater and Mary Stuart Masterson, tries so hard to be that Very Special Date Movie but fails all around. The dramatic moments are scary, the characters are unbelievable, their "problems" are pathetic. Only the soundtrack makes much of an impact.

Peter Pan (2003) Review


Essential
The time is right to rekindle our relationship with J.M. Barrie's perpetually adolescent adventurer, Peter Pan. By now, you've probably forgotten Disney's 50-year-old animated adaptation of Barrie's work, and many of us are still trying to purge Steven Spielberg's hollow update Hook from our minds. We adults need a refresher course, and a new generation of whimsy-challenged kids needs a proper introduction to the happy-go-lucky joys of Pan.

Though it goes against everything he stands for, this rejuvenated Pan actually shows signs of growth and maturity. Special effects advancements help Peter and his cohorts pop off the screen. Cinematographer Donald McAlpine expands the rich color palette he utilized in such vivid films as Moulin Rogue and Romeo + Juliet. And director P.J. Hogan slips in subplots of unrequited love, develops pangs of loneliness, and mixes fleeting flights of happiness with his heroism.

Continue reading: Peter Pan (2003) Review

Michael Goldenberg

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Harry Potter and the Order of the Phoenix Movie Review

Harry Potter and the Order of the Phoenix Movie Review

It's gotten to the point where the quality of the films don't really matter: Now...

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Peter Pan (2003) Movie Review

Peter Pan (2003) Movie Review

The time is right to rekindle our relationship with J.M. Barrie's perpetually adolescent adventurer, Peter...

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