In this smart but inconsistent look at the concept of celebrity, Canadian indie favorite Don McKellar pulls triple-duty -- writing, directing, and starring -- for the first time in seven years. That year, 1998, McKellar caught the eye of the international film audience with his end-of-the-world diary Last Night, and the ambitious epic The Red Violin, which he co-wrote. In comparison to those fine contributions, Childstar is lightweight stuff and sub-par McKellar.

Having conceived the idea for Childstar after a chance Oscar party conversation with Haley Joel Osment, McKellar stars as Rick, an experimental filmmaker who becomes the limo driver for Taylor Brandon Burns (great name!) a spoiled 12-year-old American superstar (Mark Rendall) shooting a new film in Canada. That movie, The First Son, is a ridiculous piece of jingoistic drivel where the President's son kicks some terrorist ass in order to save Dad, the White House and the whole damn country.

Continue reading: Childstar Review