To the best of my understanding, here's what the movie is about. A man known as the "Black Monk" (Fassbinder, uncredited) suggests a shepherd launch a revolution among the lower classes after he claims to have been visited by the Virgin Mary and ordered to do so. The Black Monk suggests as well that dressing up his friend as Mary herself and parading her about might help her cause.
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Hanna Schygulla plays Maria, who marries her beau Hermann (Klaus Löwitsch) toward the end of WWII, just as he's being shipped off to fight for the Nazis. When Hermann disappears, presumed dead, Maria soberly gives up her search for him in favor of taking a job as a prostitute at a dancehall/brothel for American soldiers stationed there. Hermann's sudden return finds her in bed with a large, black G.I., and Maria ends up killing the G.I. in a scuffle.
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Glamour isn't exactly high on Franz or Fassbinder's list here. Love was a poor enough movie as it is, and Fassbinder has even worse luck here, in what I believe is the only sequel he ever made. With characters this dull and uninspired, why did he feel they needed to be revisited? Who can say?
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