Unfortunately, such generous adjectives can't be used for Elysian, which has a promising premise but does little of interest with it. Andy Garcia plays Byron Triller, a struggling novelist who has mounds of trouble supporting his young family. Out of luck and out of nowhere, Byron meets a mysterious, upscale pimp, Luther (Mick Jagger), who thinks Byron would be an ideal addition to his escort service.
Continue reading: The Man from Elysian Fields Review
To look at the life of Rodney is to look at a near-complete history of several decades of music. A shy kid from a broken home, Rodney left Mountain View, California, for Hollywood in the early 1960s and never really left. Quickly making himself at home on the Sunset Strip scene, Rodney surrounded himself with every kind of celebrity, especially from the music industry. One interviewee after another comments on his Andy Warhol-like blank demeanor that allows the famous and talented to see reflections of themselves. But there is also an eternally childlike innocence to him that was quickly picked up on: Cher, who practically adopted Rodney for a time with Sonny, talks about how you could just tell that Rodney never wanted anything from you, just to be there and absorb the glittery experience was enough. There's a sense of a kid trying to make up for his own fractured past with a famous family, and also just looking for someone to take care of him.
Continue reading: Mayor of the Sunset Strip Review
Continue reading: Tease Review
"Sugar Town" is a hastily thrown-together, satirical showbiz dramedy concerning washed up '80s rock stars learning generic life lessons about responsibility, trust, fidelity and aging gracefully, and it wouldn't be interesting at all if it didn't feature a curiously appropriate cast.
John Taylor (late of Duran Duran), Michael Des Barres (The Power Station), Martin Kemp (Spandau Ballet) and John Doe (X) are all uniquely qualified for their roles as four former pop icons trying to stage a comeback with a new band and lousy record no label will touch.
One has become a semi-rural family man, tempted to go back on the road (and to cheat on his pregnant wife) by a sexy Tejano singer (Lumi Cavazos). Another has an acrid, 11-year-old punk in bad '80s make-up (what 11-year-old boy wears makeup?) left on his doorstep by a groupie who claims he's the father. Another has become a small-time drug dealer, and the last is desperately clinging to his faded sex appeal, not realizing how pathetic he looks to the 19-year-old girls he comes on to in bars.
Continue reading: Sugar Town Review