Michael Crichton

Michael Crichton

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HBO Releases Teaser Trailer For Upcoming Sci-Fi Series, ‘Westworld’

Anthony Hopkins Evan Rachel Wood Jeffrey Wright James Marsden Thandie Newton Ed Harris Jj Abrams Ben Barnes Jerry Weintraub Michael Crichton Christopher Nolan

HBO has released its first teaser trailer for its upcoming series, Westworld. The trailer was aired before the season two finale of True Detective on Monday (10th July). In typical HBO fashion, the series promises to be action packed, visually impressive and featuring a hugely talented cast.

Anthony HopkinsAnthony Hopkins at the L.A. premiere of Thor: Dark World in November 2013.

Read More: Anthony Hopkins Tops Insane Cast for HBO's Dystopian Theme Park Series, Westworld.

Continue reading: HBO Releases Teaser Trailer For Upcoming Sci-Fi Series, ‘Westworld’

Looker Review

You gotta love technology. Without technology and the naturally amoral things it does, we'd have no villains in the movies. I mean what's more frightening than extreme rationality? Clones? Oh my! Circuit boards and vacuum tubes? Yikes! According to Michael Crichton's early flick Looker, technology -- in particular, television -- holds us fast in its undeniable sway and there is very little we can do to escape its cold grasp. I guess that's the point in Looker, though it's still a bit unclear.

Albert Finney is a popular plastic surgeon and business is great. Thing is, some of his models start turning up dead and, naturally, there's a conspiracy afoot. One that involves digitized people, high-tech guns (the Lookers of the title or Light Ocular Oriented Kinetic Energetic Responsers), and big business. Susan Dey play Cindy (and doffs every stitch of clothing), a model who wants perfection to get a modeling contract with the ominous sounding Digital Matrix. James Coburn plays the tycoon behind Digital Matrix and like all tycoons he's thoroughly bad.

Continue reading: Looker Review

Rising Sun Review

Wildly improbable (read: typical Crichton) tale about a murder in a Japanese office building. It's action heroes Connery and Snipes on the case, so look out! Plenty of Japanese subculture to be examined and often mocked, which led to charges of racism against the book and the movie.

Sphere Review

Sphere is one of those movies I hate to review more than I hate to watch. On one hand, you have the numerous good aspects of the film (top notch cast, etc.). On the other hand, you have a plot that can't be passed off in the world of celluloid.

Based on the novel by Michael Crichton, Sphere concerns a team called the ULF team (Unknown Life Form). These people, hand picked by Norman Johnson (Dustin Hoffman) during the cold war, are a team designed to make contact with alien life. On it are a mathmatician (Samuel L. Jackson), an astrophysicist (Liev Schrieber), a biologist (Sharon Stone), and a shrink who didn't take the whole thing seriously and picked people to be at each other's throats (Dustin Hoffman).

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The 13th Warrior Review

Take a little Braveheart, take a little Beowulf. Mix them together with a bit of The Goonies, and you've got yourself The 13th Warrior.

Here, at last, is a movie that is exactly what you expect it's going to be. From the opening scene, where Ahmed Ibn Fahdlan (Banderas) is shipped across the world for political reasons, to the end, where Ahmed finds himself an unlikely hero amidst a group of Norse warriors, this is a traditional, big, action movie from start to finish.

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Jurassic Park Review


When John Hammond, the rich billionaire who creates Jurassic Park, says he "spared no expense," we might as well be listening to Steven Spielberg, the film's prolific director. Jurassic Park cost somewhere in the vicinity of $63 million to make but that seems like nothing compared to the return, which was only a hair under $400 million. This is when we really knew what Spielberg could do: He could make a blockbuster better than anyone in the world. Jurassic Park isn't his best film by a long shot, but its mesmerizing entertainment and proof that the man is the go-to guy for action and adventure.

The beginning sets the pace perfectly: While transporting a cloned dinosaur into the titular theme park, a worker is pulled into its cage and ravaged while the other workers prod the beast to no avail. It's the following lawsuit that makes the park's owner, John Hammond (Richard Attenborough), want to bring in married paleontologists Alan and Ellie (Sam Neill and Laura Dern), theorist Ian (Jeff Goldblum), and his lawyer Mr. Gennaro (Martin Ferrero) to consult and give the park their seal of approval. When they first arrive, they are amazed by the dinosaurs and charmed by Hammond, his money and his technology. They are also charmed by his grandchildren, Tim and Lex (Joseph Mazzello and Ariana Richards), who come right before the security breaks down. Soon enough, the dinosaurs are loose, eating humans (and each other) with rampant glee.

The main attractions, obviously, are the dinosaurs and the wizards at Stan Winston Studios and Industrial Light and Magic, who did the special and visual effects for the film. For the raptors, specifically, they give the creatures such a fluid range of motion that the carnality of their attacks gives off a vibrant feeling. Spielberg has a knack for mixing visual fireworks with a solid storyline, but he still has trouble with his characters and making them deeper than mere sketches of people. It's easy: Hammond is the rich guy who learns his lesson, Alan is the logical, surprisingly adept hero, Ellie is his equal but understands more emotional things, Ian is the comic relief, Lex and Tim are the innocents, and the lawyer is a meal. But none of these characters really go beyond these archetypes, although the actors try their hardest to give the lines depth (special kudos to Dern and Neill). David Koepp, assisted by Michael Crichton, has crafted a great story in his screenplay, but he never gives enough care to the details of the characters.

It's been argued by a lot of people that Spielberg is a hack; that he treats his controversial films (Schindler's List, Amistad) with the same do-anything rush of his action/adventure films (Minority Report, the Indiana Jones trilogy). Maybe they have a point, but there is no arguing that Spielberg is an important director and a potent storyteller. Jurassic Park serves as an example of his control of story and imagery but also shows off his lack of character development, which has only really been cured in Jaws, indisputably his best film. His next film, Munich, was written by Tony Kushner, the famed author of Angels in America, which might make for a deeper drama from Spielberg. Either way, I guarantee that the producers spared no expense.

Continue reading: Jurassic Park Review

Twister (1996) Review

Very Good
This is a review of two films....

The first film is an eye-popping, jaw-dropping action/adventure, a study of tornadoes and the carnage they create wherever they land. A story of two maverick "stormchasers" who try to launch a data-gathering probe into the heart of one of these twisters and risk life and limb in doing so.

Continue reading: Twister (1996) Review

Michael Crichton

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Michael Crichton Movies

The 13th Warrior Movie Review

The 13th Warrior Movie Review

Take a little Braveheart, take a little Beowulf. Mix them together with a bit...

Twister (1996) Movie Review

Twister (1996) Movie Review

This is a review of two films....The first film is an eye-popping, jaw-dropping action/adventure, a...

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