As teenagers in 1985 (cue the best-of-the-'80s soundtrack), Michael (Freddie Prinze, Jr.), Carmine (Scott Caan), and Bobby (Jerry Ferrara) are veering onto different paths. Bobby is the chubby and lovable lunkhead, so stupid he fears failing the Post Office application test. Carmine is the baby goodfella, a hyper stud who takes note of the money and respect that the local bosses have and can't imagine why he shouldn't join up with their crew. And Michael is the one who wants "to get out of this hellhole." An ambitious orphan, he's stumbling through Columbia on a pre-law track and has the hots for Connecticut preppie ice queen Ellen (Mena Suvari), who finds Michael's Brooklyn background attractively "edgy."
Continue reading: Brooklyn Rules Review
Hollywood hardman Russell Crowe has been attempting to persuade director Michael Corrente to cast him in his latest movie, by bringing in his own ideas.
Rather than beg Corrente for the part of notorious Providence, Long Island, mayor BUDDY CIANCI in the big screen adaptation of MIKE STANTON's book THE PRINCE OF PROVIDENCE, Crowe gave him advice on how the film should be made.
Corrente received a phone call from Crowe's movie-maker pal Peter Farrelly, who asked if he could give Crowe his number.
Corrente has met Crowe in New York City and at the actor's Sydney, Australia home.
The director says, "(We're in) constant contact.
"Russell has a lot of ideas. When you're dealing with a star of this magnitude, he brings in a lot of his own ideas.
"He's got the physical characteristics to play Buddy and is known for morphing into the people he plays. He gets why Buddy is so exciting."
Based on an old novel by Peter Farrelly, this is the (obviously autobiographical to some extent) tale of a good-for-nothing, super-poor kid called Dunph (Hatosy) growing up in Pawtucket, Rhode Island (you know, outside Providence). When he gets high and smashes the car into a police cruiser, dad somehow works a deal to get him sent to a prep school in Connecticut, where he finds himself a fish out of water.
Continue reading: Outside Providence Review
Eccentric children's book author and womanizer Ted Cole (an adequately flaky Jeff Bridges) lost his two sons in a car accident years ago, and though he and his wife Marion (Kim Basinger) have relocated to a quaint New Hampshire town and attempted to fill the void in their lives by having daughter Ruth (Elle Fanning), they're still reeling from their family catastrophe and poised to separate. In a supremely idiotic decision, Ted hires Eddie (Jon Foster), a young student from Phillips Exeter Academy who looks just like his deceased oldest son, to be his assistant. However, the freewheeling writer - whose hipness is supposedly confirmed by his penchant for walking around naked in front of others, making erotic sketches of his mistress Mrs. Vaughn (Mimi Rogers), and listening to skanky hip-hop before watching Girls Gone Wild - makes a grave mistake by having the kid work during the day at his wife's nearby apartment. Eddie takes a masturbatory liking to Marion's bra and panties, and when he's caught in the act of self-gratification by the female object of his desire, she's all too willing to accommodate his Mrs. Robinson-patterned longings.
Continue reading: The Door In The Floor Review
In the first, seemingly primary story, we follow Davey Graham (Jonathan Rhys-Meyers) on his none-too-taxing nightly rounds: a little coke-delivery to a fancy party, then a one-nighter with a blonde model (whom he robs), and then to home. Only he's being followed by some tuxedo-wearing rent-a-thugs and a malevolent Malcolm McDowell, who assault him in a shockingly horrific manner - it's quick and brutal, a Hodges specialty, and completely out of nowhere, like a random visit from the Devil. This leaves Davey emotionally shattered and he commits suicide not longer after.
Continue reading: I'll Sleep When I'm Dead Review
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