Michael Cohl

Michael Cohl

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Michael Cohl, Robert Cuccioli, Reeve Carney, Bono, The Edge, Isabel Keating, Rebecca Faulkenberry, Christina DeCicco, Michael Mulheren and Philip William McKinley - "Spider-Man Turn Off The Dark" celebrates it's 1000th performance at the Foxwoods Theatre - Backstage - New York, NY, United States - Wednesday 29th May 2013

Michael Cohl, Robert Cuccioli, Reeve Carney, Bono, The Edge, Isabel Keating, Rebecca Faulkenberry, Christina Decicco, Michael Mulheren and Philip William Mckinley

Michael Mulheren, The Edge, Philip William McKinley, Bono and Michael Cohl - "Spider-Man Turn Off The Dark" celebrates it's 1000th performance at the Foxwoods Theatre - Curtain Call - New York City, NY, United States - Wednesday 29th May 2013

Michael Mulheren, The Edge, Philip William Mckinley, Bono and Michael Cohl
Bono and The Edge
Bono and The Edge
Bono and The Edge
Bono and The Edge
Michael Mulheren, The Edge, Philip William Mckinley and Bono

Michael Cohl Thursday 6th October 2011 Premiere of the HBO documentary 'Harry Belafonte Sing Your Song' at the Apollo Theater - Arrivals New York City, USA

Michael Cohl
Michael Cohl

Shine A Light Review


Weak
Gimme Shelter this is not. The disillusions and stabbings of the 1969 concert have been replaced by the Clinton Foundation's benefit for the Natural Resource Defense Council and snapping camera phones. But Shine a Light is helmed by Martin Scorsese -- the man behind Goodfellas and Raging Bull -- shouldn't it push the boundaries set by Charlotte Zwerin and the Maysles brothers nearly 40 years ago? It should, but Scorsese has always had a cinematic hard-on for the Rolling Stones, and the result is a personal, biased love letter to the Stones signed with love by Marty.

When the Stones take the stage at New York City's Beacon Theater, it's frightening -- their age truly shows on film. As giants on the silver screen, we have a front row seat for an exhibition of frail bodies moving in ways that only young men should move. As Mick Jagger belts out songs of youthful rebellion and sexual frustration, he still does the same androgynous dances of yesteryear. Yet, this off-putting display of aged youth is clearly a place of sentiment for Scorsese, whose camera lingers with love.

Continue reading: Shine A Light Review

Michael Cohl

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