When a priceless painting is stolen with the presumable intention of being sold to fund terrorist activities, England needs a hero. Enter, Mortdecai. Lord Charles Mortdecai (Johnny Depp) is a well-known and barely liked art dealer. He is also on the verge of bankruptcy. Well, 'on the verge' may be a little too generous. Mortdecai's extravagant lifestyle ensures that he is in desperate need of money - so much so, that he is willing to take on the job of tracking down and returning the painting. Or, perhaps, he'll steal it himself when he gets the chance. Either way, he'll have to get his hands on it first, and that is going to be far from easy. Or safe.
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Charlie Mortdecai may be rude, arrogant and distinctly unlikeable, but he's also a terribly rich English art dealer with a drop dead gorgeous wife, charming looks and a trusty man servant. He has been enlisted to uncover a painting, lost for decades and containing a top secret code that leads to a hidden bank account inside which is mounds of Nazi currency. It is with much apprehension on the part of Inspector Martland that Mortdecai become involved, with him being notoriously overt and extremely moronic. But he is happy to help with the recovery, travelling to various corners of the world and dazzling those he meets along the way. However, he has a lot to face on his journey - from MI5 to terrorists and his wife's repeated questions.
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Princess Diana was most definitely one of the most famous and inspirational women in the world, known to all as the People's Princess. Never seduced by the lure of wealth, fame and royalty, she lived her life for others, but struggled deeply from her own personal troubles; her failed marriage to Prince Charles embroiled in affair scandals and subsequent divorce, the constant hounding of the press and her later romances. When she met heart surgeon Dr. Hasnat Khan, she fell deeply in love, feeling for the first time in years, like a real woman. But it was a relationship doomed to failure with further media attention forcing a rift between them. She could never escape the scrutiny of the media, even while she put all her efforts into her hands-on charity work.
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If 1950s sci-fi schlockmeister Ed Wood could have gotten his hands on $60 million and CGI special effects, he might have made a movie as hilariously gawdawful as "Battlefield Earth."
Seriously on par with Wood's infamous "Plan 9 from Outer Space" as one of the worst motion picture in science fiction history, this bloated, brain-dead, narcissistic, almost completely nonsensical cinematic disaster is likely to make anyone with any kind of summer movie standards long for the return of movie-mocking Comedy Central series "Mystery Science Theater 3000."
A man-vs.-monster parable about an enslaved human race rebelling against their alien masters a millennium after being nuked back to the Stone Age, almost every scene features such bad writing, bad acting and absurdly implausible circumstances that it just begs to be viciously ripped apart.
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