Michael Bostick

Michael Bostick

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I Now Pronounce You Chuck And Larry Review

We were barely getting over 300, and now this: a movie about two straight firemen who pretend to be gay to ensure that one's life insurance policy won't go to spit if he should die. This all sounds nice on paper, but the execution could be lightly described as flippin' horrendous. While twits are raging against John Travolta slipping into a fat suit to replace Divine in Hairspray, they're missing out on Adam Sandler, Kevin James, and a veritable who's-who of cameo stars sinking in an overblown, patently-ridiculous monolith of fag jokes and gay stereotypes. In I Now Pronounce You Chuck and Larry, Director Dennis Dugan has moved quickly from sentimental spoon-feeding into the realm of absolute absurdity.

So, one day Chuck Levine (Sandler) and Larry Valentine (James) decide to get hitched. The reason is simple: Larry doesn't want to fill-out an insurance form, so he gets Chuck to pose as his "life partner," thus allowing any pension money to go directly to Larry's two kids, a tomboy daughter and a showtune-singing son. Larry still can't get over his saintly wife's death and Chuck has more than likely contracted more STDs than the leather upholstery in Tommy Lee's Jaguar; they're a match made in heaven.

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Evan Almighty Review

In hindsight, Bruce Almighty was the death knell for the Jim Carrey we know and love. This isn't completely a bad thing: Rurning away from manic comedy allowed Carrey to do the best acting of his career in Michel Gondry's Eternal Sunshine of the Spotless Mind. It also allowed for The Number 23. You win some, and you really, really lose some. But that wacky spazz with the ability to manipulate his body like it was made of laffy-taffy was seen hardening in Bruce Almighty, his artful physical comedy becoming a frantic centerpiece to otherwise inept material. It seems strange that Bruce was Carrey's moment of decay while the film's sequel, Evan Almighty, welcomes the great Steve Carell into the annals of mainstream comedic stardom.

Carell's been smart, so far, with his choices of role. Stepping out with small roles in Bruce Almighty and Woody Allen's Melinda and Melinda, Carell hit pay dirt with last summer's sleeper-hit The 40-Year-Old Virgin, quickly establishing him as an actor with even measures of heart and humor. Then he starred in another sleeper: last year's Oscar-nominated Little Miss Sunshine. It now seems time to allow Carell to try his hand at big-budget ($175 million to be exact) summer comedies, seeing if his mug can rake in the big bucks.

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Accepted Review

On paper, there's little doubt that the idea of combining Animal House and Camp Nowhere sounded like a good idea. Both films are entertaining, though the former obviously much more than the latter. Not too surprisingly, Accepted takes the scant mundane parts of Animal House and pastes them on the Camp Nowhere plot, and then decides to throw in a little Van Wilder for old time's sake. If you saw any of these films, expect an uneasy feeling of recycling.

Bartleby (Justin Long) is a clever high school student, but not specifically good at working. He can trick people and has an unnatural ability with words, but he can't get into a college to save his life. Several of his fellow friends and classmates are finding the same problem. After a failed plan to trick his parents, Bartleby decides that the only way to quell his parents' worries is to get an acceptance letter from a fake college. So, on a whim, he and a pack of ravenously creative friends set up a website, buy a space, remodel it, and make it look about as college-like as possible. It works for Bartleby's parents, but soon, hundreds of students are at the gates of the school, ready to learn.

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Bruce Almighty Review

I don't need to sit here and explain this movie to you, do I?

It's one of the most blatantly simple movies I've ever seen: Jim Carrey becomes God. End of story.

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