Mia Wasikowska , Johnny Depp - The European Premiere of 'Alice Through The Looking Glass' held at the Odeon Leicester Square - Arrivals at Odeon Leicester Square - London, United Kingdom - Tuesday 10th May 2016
Emma Bovary is a young Christian woman from Normandy, France with proper values, whose marriage to the town's doctor she hopes will bring money, high status and unending excitement compared to her miserly life on her father's farm. A handsome and intelligent fellow, it seems Emma couldn't wish for a better husband, though as time progresses his frequent coldness towards her and lack of ambition starts to weigh heavy on her heart. On one of her rare social occasions, she and Charles attend a dinner party hosted by Monsieur Homais, and it's there she meets a handsome young man named Leon Dupuis. Dupuis presents gifts and the romantic exhilaration she so craves, but she is trapped by the conventions of respectable marriage. Meanwhile, her taste for the finer things in life have thrust her into huge debt and now she has serious worries about her future.
Continue: Madame Bovary Trailer
As it explores Hollywood's inbred underbelly, this film becomes increasingly deranged and also rather dark and creepy, but it's so fiercely entertaining that it's impossible to look away from the screen. With razor-sharp performances, a brutally witty script by Bruce Wagner and snaky direction from David Cronenberg, the film is perhaps too knowing as it explores a group of fiercely ambitious people who will stop at nothing to get what they want.
Things kick off as Agatha (Mia Wasikowska) arrives in Los Angeles and is collected by chauffeur Jerome (Robert Pattinson), who is also of course an aspiring screenwriter and actor. Focussed and determined, Agatha visits the ruins of a Hollywood Hills home before using a friendship with Carrie Fisher to get a job as an assistant to acclaimed actress Havana Segrand (Julianne Moore). Facing middle age, Havana is desperate for a comeback role in a remake of the movie that made her mother a star. Meanwhile, 13-year-old teen pin-up Benjie (Evan Bird) has completed rehab and is ready to act again, encouraged by his manager mother (Olivia Williams) and self-help guru dad (John Cusack), who are unnerved when they hear that Agatha is back in town. Clearly everyone has a secret that can jeopardise their career paths. And they're connected in ways no one wants to acknowledge.
The knotted mess of the plot is carefully unpicked over the course of the film, which only makes everything that much more intense and nasty. While it's blackly funny, the movie's overall tone is extremely grim, as these wealthy stars are crippled by emptiness and desperation. They're also willing to do just about anything to get ahead, from celebrating someone else's misfortune to blatantly lying about their pasts.
Continue reading: Maps To The Stars Review
Mia Wasikowska, Ed Speleers and Lindsay Duncan are spotted shooting a scene in London for 'Through the Looking Glass'; the sequel to 2010's 'Alice In Wonderland' which was directed by Tim Burton. Mia and Lindsay are returning stars, though the new movie - scheduled for release in 2016 - is being directed by James Bobin who worked on 'Muppets Most Wanted'.
Scroll for photos from the film set
The on-set photos give a fascinating insight into the sequel to Tim Burton’s 2010 film. Johnny Depp, Anne Hathaway, Mia Wasikowska and Helena Bonham Carter are this time joined by Sacha Baron Cohen, in a film that is said to revisit Lewis Carroll’s stories with an “all-new new tale that travels back to Underland —and back in Time.”
Depp stars once again as The Mad Hatter in yet another chance for him to reinvigorate his career, which has plummeted since the critics panned movies like The Tourist, Lone Ranger and Transcendence. However, for Wasikowska, working with Depp was exactly what she thought it would be: like working with a legendary actor
Continue reading: On Set With 'Alice In Wonderland: Through The Looking Glass' [Pictures]
Mia Wasikowska and Ed Speleers - Mia Wasikowska, Lindsay Duncan and Ed Speleers film scenes for 'Alice in Wonderland:Through the Looking Glass' on location in Gloucester - Gloucester, United Kingdom - Monday 18th August 2014
'Maps to the Stars' looks a real curio of a movie. Check out the trailer below.
Ok, so David Cronenberg's latest movie Maps to the Stars - which premiered at the Cannes Film Festival in May - will more than likely pull in a sizable teenage audience, given it stars Twlight's very own Robert Pattinson. Though without making too many assumptions, a chunk of those paying their $20 may have thought better of it by the end of the satirical drama, which delves into the celebrity-obsessed culture that made Pattinson's vampire franchise a global hit.
Robert Pattinson in 'Maps to the Stars'
It's written by Bruce Wagner, the tattooed Ambulance driver turned novelist who Cronenberg has compared to James Joyce. "He's unafraid to express the moment . to go to the darkest places. Hollywood is his Dublin," he told the Los Angeles Times, adding that Wagner is "a kind of star on the red carpet. He's not a typical writer. He's comfortable with cameras and microphones.
Havana Segrand (Julianne Moore) is an actress struggling with her insecurities and desperate to reprise her late mother Clarice's star role in the remake of the latter's 60s film. Constantly haunted by her mother's image and feeling like a less attractive version of her, she seeks comfort from her psychotherapist Dr Stafford Weiss (John Cusack). Weiss is struggling in his own life, with his wife managing his child star son's comeback acting career after a stint in rehab - and he's only 13-years-old. His other child, daughter Agatha (Mia Wasikowska), has been discharged from a mental hospital unbeknownst to them, and lands a job as a PA for none other than Havana. Stafford starts to become suspicious when Havana talks of her unnamed PA having a scarred face from a fire and warns his wife and son that their daughter may have returned. Meanwhile, Agatha becomes close to a limo driver named Jerome who has his own Hollywood dreams.
Continue: Maps To The Stars Trailer
David Cronenberg's new film could have a strong shot at the Palme D'Or if critics are on the money.
Maps to the Stars has finally received its premiere at the Cannes Film Festival and will compete in competition with nearly 20 other films for the top prize. Julianne Moore, John Cusack, Mia Wasikowska and Robert Pattinson lead the way in the movie, which is a scathing satire of Beverly Hills and certain roach-like denizens.
Robert Pattinson Plays Limo Driver Jerome Fantana In 'Maps To The Stars.'
Moore plays Havana Segrand, a famous but struggling star who is battling for another shot at fame playing the lead in a movie about her legendary movie star mother's life. Wasikowska plays Agatha Weiss, a badly scarred pyromaniac whose brother is a Bieber-esque child star with a similar attitude.
The true story behind this movie just about makes up for its oddly flat tone, which never quite captures either the grandeur of the Australian Outback or the deeper emotions of the people on-screen. The acting is superb, but director John Curran (The Painted Veil) opts for a warm, slick style when something much spikier was called for.
It's the story of Robyn Davidson (Mia Wasikowska), a young woman who in 1975 decided to walk nearly 2,000 miles from Alice Springs to the western coast as a way of connecting with her explorer father, who vanished on a similar trek. She needs at least three camels to carry her supplies, so she spends nearly a year working for camel dealers (Rainer Bock and John Flaus) learning how to care for the animals and earning cash to buy them. She also gets sponsorship cash from National Geographic magazine, which sends photographer Rick Smolan (Adam Driver) along to document the trip, which is a series of amazing encounters, beautiful landscapes and colourful local customs.
Wasikowska is superb as the plucky young woman who drops out of society to take on this mind-boggling challenge. In a nicely understated performance, she conveys Robyn's steely courage and tenacity, as well as her reluctance to accept the help she needs. The most inspiring aspect of the story is Robyn's ultimate observation: "I'd like to think an ordinary person is capable of anything." So it's a bit frustrating that Curran keeps trying to turn her into a movie heroine, complete with sun-drenched childhood flashbacks and a tetchy romance with the always-terrific Driver.
Continue reading: Tracks Review
After his acclaimed drama Submarine, actor-turned-filmmaker Richard Ayoade applies his considerable visual skills to this striking blackly comical adaptation of Dostoevsky's novella. Bristling with wit and snappy details, the film's style overwhelms its emotional core, leaving us unable to feel the punch of this odyssey about a young man wrestling with his own identity.
Jesse Eisenberg stars as Simon, a loner who's still anonymous at work after seven years in his desk job. Secretly in love with the copy girl Hannah (Mia Wasikowska), he watches her through a telescope from his flat and digs through her rubbish. Then just as he's assigned to mentor the surly teen daughter (Yasmin Paige) of his manager (Wallace Shawn), James meets new employee Simon (also Eisenberg), a mirror image of himself who is far more confident, fun-loving and, yes, popular with everyone in the office.
Ayoade designs the film like a drab variation on Terry Gilliam's Brazil (and more recently The Zero Theorem), with that same claustrophobic sense of overcrowded anonymity and Kaflaesque bureaucracy. It's not particularly original, but it is fun to watch, especially on a big screen where we can take in the detailed sets and costumes, as well as a steady procession of amusing cameos from the likes of Chris O'Dowd and Submarine stars Sally Hawkins, Paddy Considine, Noah Taylor and Craig Roberts. All of this adds to the general chaos of Simon's life, as well as his deep urban angst. But we're too distracted to properly sympathise with him.
Continue reading: The Double Review
Simon is a timid, uncharismatic and largely forgettable man who doesn't seem to be getting anywhere in life. He is rarely acknowledge at work and is a stranger to all his colleagues, his mother is disappointed in his lacklustre life and to top it all off, the woman he loves, Hannah, remains firmly indifferent to his existence. With his future hanging in the balance as he fails to make an impression on anybody, his life is further thrust into oblivion with the arrival of his doppelganger and complete opposite, James - who is newly employed at Simon's work. Unlike Simon, James captivates everyone he meets and is destined for success - even Hannah has his attention as he rapidly takes over Simon's life. With everybody else totally ignorant of the creepy resemblance, Simon is forced to snatch his life back by any means possible.
Continue: The Double - Clip
It's hardly surprising that laconic filmmaker Jim Jarmusch (Broken Flowers) has created such an inventively offbeat vampire movie, helped hugely by the ace casting of Tilda Swinton and Tom Hiddleston as extremely long-term lovers. Fans of the genre might find the movie a bit slow and relaxed, but sharp humour and especially strong characters make it unmissable.
In a run-down house in Detroit, centuries-old Adam (Hiddleston) is living in squalor while anonymously creating club music with the assistance of Ian (Yelchin), who finds things like antique guitars for him to play. He gets his supply of clean O-negative blood from a helpful doctor (Wright). Meanwhile in Tangiers, Adam's wife Eve (Swinton) relies on her old pal Marlowe (Hurt) for the blood she sips at sunrise like a cocktail before lapsing into a deep sleep. Bored, Eve decides to visit Adam, so books nighttime flights and arrives to a blissful reunion. But their solace is interrupted when her wild-child sister Eva (Wasikowska) turns up.
These may be creatures of the night, but over thousands of years they have discovered exactly what kind of art soothes their souls. And Eva's boisterous presence disrupts their languorous peace even more than the fact that the blood supply is becoming increasingly contaminated. Adam and Eve call humans "zombies" dismissively and joke about their influence on key events and inventions throughout history. Hiddleston and Swinton are utterly perfect for these roles, bringing out details that are hilarious as well as emotionally moving. They also let us see the years of boredom mixed with a glimmer of childish curiosity that would be required to survive for so long.
Continue reading: Only Lovers Left Alive Review
Simon is one of those sorts of people who can never seem to make an impression on anybody. His work colleagues barely know his name, his love interest Hannah remains stoically uninterested and his mother is unsupportive and, quite frankly, thinks he's rather strange. Already in danger of letting his life slowly slip from his grasp, things start to get dark when a new employee joins Simon at work. James is the spitting image of Simon in every way from the hair and clothes to the voice and smile; however, the very obvious difference is that James is brimming with confidence with a magnetic charisma that charms everyone he meets. Simon appears to be the only person who notices his resemblance - a frustrating prospect when Hannah starts to become extremely interested in James. Simon simply can't let this imposter infiltrate his world - but just how far will he go to stop him?
Continue: The Double Trailer
Simon is already running the risk of seeing his life crash and burn around him, with his reticent personality forcing away any love interests (or even friends), attracting much disappointment from his mother and losing him support in his career, but things are about to go further downhill very soon. A new employee named James has taken up a position at his workplace but, to Simon's horror, he looks and sounds identical to him - only with a more extroverted disposition and captivating character. Simon's too afraid to try and change things in his life, feeling comfortable (if a little depressed) with remaining in the shadows, but when James starts to take over everything he holds most dear, he is forced to try. But can he battle his demons while remaining sane at the same time?
Continue: The Double - 2 Snakes Clip
The Brit actor is apparently in talks to star as the villain in the upcoming sequel
Sacha Baron Cohen is believed to be in early talks with Disney to star in the planned sequel to Tim Burton's Alice In Wonderland. Cohen is apparently on the verge of signing with Disney to take on a lead role in the film, said to be the main villain, which will be based upon and titled Through the Looking Glass.
Cohen will most likely play The White King in Alice 2
Should Cohen be given the role, he will join up with returnees Johnny Depp and Mia Wasikowska, who will be reprising their roles as The Mad Hatter and Alice, respectively. Cohen's reported interest in the role was first reported by Variety, who went on to say the the sequel will feature a change of direction from the first, with Tim Burton stepping down to be replaced by The Muppets director James Bobin. Any other details surrounding the movie have been kept closely under wraps by Disney.
Watch the stunning trailer for Jim Jarmusch's achingly cool 'Only Lovers Left Alive.'
You'd think we'd have had our fill of vampire romances by now, but new movie Only Lovers Left Alive is set to show us that there's still fresh blood to shake from the undead fantasy genre. It helps that Jim Jarmusch's soon-to-be-released film boasts the hair-raisingly talented lead duo of Tilda Swinton and Thor's Tom Hiddlestone, who play a pair of trendy vampire lovers trying to find their fill of blood whilst keeping a low profile.
Tilda Swinton & Tom Hiddlestone Strike A Deathly Pose In The New Vampire Romance.
Swinton and Hiddlestone are moulded into the deathly cool couple Adam and Eve. After being around for centuries, Adam, a rock star with a penchant for vintage guitars, is finding it difficult to get his head around the modern world with all of its technology. His need for reclusiveness is threatened by the people drawn to his air of mystery and the music he makes.
An ancient vampire named Adam is desperate to remain hidden from the world in his Detroit home. But that's harder than it looks as people are becoming increasingly interested in the music he makes and his mysterious ways. However, it seems music is not his only passion when his old lover Eve makes her way over to his home to rekindle their long lost feelings for each other. Enamoured at the sight of each other, it isn't long before all their attentions are focused on each other, but things aren't as easy as they should be when Eve's perpetually irritating little sister Ava shows up to see them and proceeds to test Adam and Eve's relationship to the limits as Adam struggles to contain his frustration at having her around. The pair have more to worry about, however, such as how they are going to survive in a quickly decaying world.
'Only Lovers Left Alive' is a hearty vampire flick written and directed by Jim Jarmusch ('Ghost Dog: The Way of the Samurai', 'Broken Flowers', 'Dead Man'). What makes it different to vamp films of recent times, however, is that the characters' monstrous natures take a bit of a back seat as romance and drama become the movie's main themes. It is due for release in the UK on February 21st 2014.
Being diffident, introverted and generally awkward in social situations, Simon finds his life increasingly difficult as he feels unappreciated in his work life, disparaged by his disappointed mother and rejected by his only love interest. Unable to find the courage to turn his life around, things are about to get much, much worse as a new employee at his company named James shows up. James is Simon's ultimate doppelganger, and his appearance only serves to make Simon increasingly more nervous as, although they are identical in looks, they are total opposites in personalities with James possessing a much more confident and magnetic character. Gradually, James starts to infiltrate Simon's life, taking over everything he holds most dear with Simon being driven completely insane in the process.
Continue: The Double - Teaser Trailer
Will Kristen be jealous? Robert Pattinson goes through awkward kissing scene with Mia Wasikowska for Cronenberg's 'Maps To The Stars'.
The 'Twilight' star is in the front of the limousine for once as he takes on the role of driver and aspiring actor Jerome in the new drama. As well as starring alongside Mia, who plays feisty pyromaniac Agatha Weiss, Pattinson will also appear alongside John Cusack, Julianne Moore and Carrie Fisher.
Getting the hang of cruising in a limo is one thing, but what Robert finds most difficult to get his head round is the romantic scenes, which he has previously admitted is 'awkward'.
You could argue that this film is all lurid style over substance, but there's actually a lot going on behind the stunningly gorgeous imagery. Korean director Park (Oldboy) beings his lavish visual approach to this Hitchcockian story about a family infiltrated by a predator. Packed with references to iconic movies and books, the film is heightened and deranged, and its intense moodiness gets under the skin.
It centres on 18-year-old India Stoker (Wasikowska), distraught after the death of her beloved father (Mulroney). Without him to soften her, she's also even angrier than usual at her needy mother Evie (Kidman). Then the charming, handsome Uncle Charlie (Goode) turns up at the funeral and moves in to help them grieve. Actually he seems to be trying to seduce Evie, who is flattered by his attention. But the housekeeper (Somerville) and an auntie (Weaver) don't stick around long enough to see what's really going on, and it becomes clear that Charlie actually has his sights set on India.
Both the script and the direction continually echo familiar literary and cinematic icons, from the family's name to the Shakespearean family plot to the prowling interloper (see Robert Mitchum in the 1950s classic The Night of the Hunter). Director Park's camera prowls through the house like a ghost, catching tiny details in every lushly designed scene while finding all kinds of shadings in the performances. Wasikowska is terrific as the sensitive, rather cruel young woman at the centre of the storm, while Kidman steals her scenes with a haunted, conflicted performance. Between them, Goode is almost painfully seductive. And clearly dangerous.
Continue reading: Stoker Review
As the Sundance Film Festival continues in Utah, buzz is emerging about the new Nicole Kidman movie Stoker, in which she plays the widowed mother of teen Mia Wasikowska as they deal with the arrival of the unexpectedly sexy Uncle Charlie (Matthew Goode). From the director of Old Boy, a new trailer depicts the film as a stylish, warped and very black comedy. It comes to cinemas on March 1st.
Here in Britain, two leading awards contenders open this week. Steven Spielberg's Lincoln stars Daniel Day-Lewis, the front-runner in the Best Actor race. This would be his unprecedented third win in the category. And Kathryn Bigelow's Zero Dark Thirty stars Jessica Chastain, who is currently the favourite for Best Actress, although Jennifer Lawrence in Silver Linings Playbook is giving her some serious competition.
But no one should write off iconic French actress Emmanuelle Riva's astonishing turn in Amour. She won the London Critics' Circle Film Award for Best Actress on Sunday. The London critics also gave Amour their Film of the Year title, and it's up for Best Picture at the Oscars as well.
Date of birth
14th October, 1989
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