Documentaries are the absolute worst of this crew. You have a general impression that it was touching, you have a general impression that it was good, and you have no specific points beyond this. Your standard weapon for the biopic, that it is playing the sympathy card by being "based on a true story," is taken away. You have a dilema: how do you insult the true story as being exploitative? Is there a point that truth every becomes sensationalistic?
Continue reading: Just, Melvin Review
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