Melvin Just

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Just, Melvin Review


Weak
The trouble with reviewing a documentary is the inherant difficulty in making a case for a review. You work in narrative film, you watch narrative films at least once a day, every day, for years on end, and you write about three or more reviews a week on nothing other than narrative films. Then someone sets films like Spring Forward, Spectres of the Spectrum, My Dinner with Andre, or a documentary in front of you and all of a sudden you are dead in the water.

Documentaries are the absolute worst of this crew. You have a general impression that it was touching, you have a general impression that it was good, and you have no specific points beyond this. Your standard weapon for the biopic, that it is playing the sympathy card by being "based on a true story," is taken away. You have a dilema: how do you insult the true story as being exploitative? Is there a point that truth every becomes sensationalistic?

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