Dr. Atsuko Chiba has the honor of being one of the few psychotherapists to test out the next wave of psychological probing: The DC Mini. Designed by a jelly donut of a man named Dr. Tokita, the DC Mini allows Chiba to go into her patients' dreams, studying and interacting as her alter ego Paprika. She has made major breakthroughs with one patient, Detective Konakawa, but soon enough the DC Mini becomes a point of threat. It seems that certain proprietors of the Mini DC are committing suicide while in a waking dream populated by lunatic imagery including a disco-dancing refrigerator, teddy bears trotting around, and a monster mash of telephones, alarm clocks, and action figures. It becomes Chiba, Det. Konakawa, and Paprika's charge to find out who is behind these deeds and who has stolen one of Tokita's Mini's for their own use.
Continue reading: Paprika Review
Vincent, the "terrorist," baffles everyone, as he doesn't seem to have much of a motive, and might just be having anger management issues. Most of the Cowboy band - coolly magnetic Spike Spiegel, gruff Jet Black, and the very capable Faye Valentine - spreads out across the city to find out what the guy's problem is and what exactly what was the agent that he was using. It's a good excuse to show off the film's impeccable design, which incorporates familiar elements from Earth cities and reproduces them on Mars, presumably as the inhabitants' way of remembering their ruined home planet (several New York icons are used as background, including the Flatiron building and even, this being a 2001 film, the World Trade Center). Thus we get several scenes set in a North African-style bazaar, and even a climactic showdown on an Eiffel Tower, during a Halloween parade, no less.
Continue reading: Cowboy Bebop: The Movie Review
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