When Bob was at school he was the complete opposite to the person he's grown into. The uncool kid known for being quite rotund is now a lean, mean, killing machine - literally. Now going by the name Bob, he's one of the CIA's main operatives and he's about to embark on a tricky mission.
Coincidentally, one of the most popular kids from his year has also grown up to be a very different person to who he was. Bob calls on the help of one of the old jocks who's now living a far more sedate life as an accountant. Adjusting to a new way of life isn't going to be easy for the former no1 but with the help of Bob, along the course of their journey they might just save the free world from being destroyed.
Central Intelligence is directed by Rawson Marshall Thurber and will be released in June 2016.
A young woman and her 5-year-old son Jack live together in a confined, sound-proofed room in the outhouse of Old Nick's backyard. There is nothing but a bed, a bathtub and a few household items inside, with Old Nick making occasional visits when Jack hides away in a wardrobe. The woman was kidnapped seven years ago by Nick, and subsequently raped by him, meaning that Jack knows nothing of life outside the room. He's content with life with his mother, but she has never given up hopes to escape their prison. She hatches a plan for Jack to escape and seek help and the pair are eventually re-united with her mother and father, and given temporary accommodation in hospital. But Jack is barely able to comprehend all the new experiences and longs for the comfort of his dark former home.
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With his first romantic-comedy, Daniel Radcliffe proves adept at delivering snappy dialogue and generating strong chemistry with his costars, so it's frustrating that the film is never remotely believable. Director Michael Dowse and writer Elan Mastai find some cleverly original angles on the genre, but never seem sure whether this is silly slapstick or darker black comedy. They also indulge in several appallingly corny plot points that would only happen like this if they were written by a screenwriter.
Radcliffe plays Wallace, a British guy living in Toronto. After a bad break-up he has dropped out of med school and let his life drift aimlessly, but now his best pal Allan (Adam Driver) is tired of his moping around. So he introduces Wallace to his cousin Chantry (Zoe Kazan), and the two hit it off. The problem is that Chantry has a lovely boyfriend, Ben (Rafe Spall), so just wants to be friends. Wallace is smitten but pretends that this is fine. And this causes a serious problem as they get to know each other over the next few weeks. Meanwhile, Allan has his own fast-moving relationship with Nicole (Mackenzie Davis), and he urges Wallace to make a move when Ben is transferred to Dublin for six months. The question is whether Chantry feels the same way about him.
Dowse has always been good at finding the sharper edges of humour in any scene (see Fubar or Goon), but this film has a squishy sentimental centre that threatens to undo it at every turn. There are also several goofy moments that strain credibility, such as when Wallace and Chantry are forced to share a sleeping bag naked. Meanwhile, the characters are so perky that they're somewhat exhausting. The actors seem to be trying desperately to make us like them in every scene, and sometimes this works simply because they are genuinely engaging. But the best moments are when Radcliffe hesitates awkwardly or explores the darker side of his longing, or when Kazan reveals the doubt behind her super-cute eyes.
Continue reading: What If Review
Wallace has just about giving up on finding love and relationships. He's dropped out of medical school and seems quite happy to spend all of his time at home, barely venturing out of the apartment he shares with his promiscuous roommate Allen. When he is persuaded to attend a party, however, he meets Chantry; a girl determined to be friends with Wallace. While Wallace is rather taken by her initially, he is disappointed that she has a boyfriend but willing to make their special friendship work. Everyone around them is sceptical about their platonic relationship despite their insistence that men and women can indeed be just friends. Though the more they try and insist they are not falling in love, the less convinced they are making themselves. Feeling confused and guilty, Wallace and Chantry must look deep within themselves to puzzle out the meaning of their chemistry.
'What If' was originally named ‘The F Word’ and is a rom-com based on the T.J. Dawe and Michael Rinaldi play 'Toothpaste and Cigars'. It has been directed by Michael Dowse ('Goon', 'Take Me Home Tonight', 'It's All Gone Pete Tong') and written by Elan Mastai ('Alone in the Dark', 'Fury', 'Sk8 Life'), and it has already won two awards with a further four nominations.
Molly Moris is a private investigator who puts crime-fighting before fashion and is dedicated to working for her ex-cop father Sam. They may carry guns and speak over radios like serious law officials, but their main assignments consist of exposing adulterous affairs and dealing with petty theft. Despite this, her streetwise attitude and the fact that she is a young, college age girl catches the eye of the FBI who are in search of the perfect undercover agent to infiltrate a sorority and keep watch on a key witness for a major crime who is in grave danger. She undergoes a college makeover and becomes Brooke Stonebridge; a girly and pretentious sorority member. Things aren't as easy to keep an eye on as they first appear and Molly finds herself suspecting everyone of being an undercover hitman, even potential love interest Nicholas.
'So Undercover' is the most hilarious chick flick action comedy since 'Miss Congeniality'. With a star-studded cast and Tom Vaughan ('What Happens in Vegas', 'Starter for 10') directing, it's definitely one to look forward to this year. It has been written by Allan Loeb ('Rock of Ages', 'The Switch') and Steven Pearl in his debut full-length feature and will hit cinemas on December 7th 2012.
Director: Tom Vaughan
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After the initial frames turn an immigrant family into a bunch of slow-moving flesh-chewers taped by a local newsman, the perspective shifts directly to Creed's camera as he shoots the zombie rampage that was meant to be his senior thesis for his professor (Scott Wentworth), a world-class alcoholic. As his star (Philip Riccio) takes off for his mansion with the sound girl, Creed and his crew start hearing broadcasts over the internet and the radio about the dead coming back to life: the death of death indeed.
Continue reading: Diary Of The Dead Review
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When Bob was at school he was the complete opposite to the person he's grown...
A young woman and her 5-year-old son Jack live together in a confined, sound-proofed room...
With his first romantic-comedy, Daniel Radcliffe proves adept at delivering snappy dialogue and generating strong...
Wallace has just about giving up on finding love and relationships. He's dropped out of...
Molly Moris is a private investigator who puts crime-fighting before fashion and is dedicated to...