Ann (Huppert) is rattled one evening by two events: she sees her partner Thomas (Beauvois) kissing another woman and she runs into Georges (Anglade), an old friend who knew her before she became a famous pianist. Suddenly she decides to leave her current life behind, dumping Thomas, selling her flat and hitting the road. And Georges is the only person she tells; to everyone else she has simply vanished. She ends up on an isolated Italian island, where her life is redefined by her new friends (Bindi and Sansa). But can she fully escape her past?
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The first (and last) thing that people know of Best of Youth is that it is six hours long. This is indeed true. But rather than a deterrent, this should actually serve as an enticement - it's a film that has room to relax. Best of Youth starts with two brothers who come of age in Rome during the golden year of 1966. There's scooters on which they can zip about the graciously aging city, American R&B tootling out of radios everywhere, friendly prostitutes to relieve them of burdensome virginity, and, in short, their whole lives in front of them.
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Inherently dramatic, Good Morning, Night has a strong premise addressing issues of responsibility and the dynamics of power. The Red Brigade terrorist group kidnaps Italian President Aldo Moro (Roberto Herlitzka) and holds him in their cell -- a small house in a suburban neighborhood. The youngest member of the group, and the only female, is Anna (Maya Sansa), who takes on the role of housewife for her three revolutionary companions and has a soul-stifling job at the local library. As days pass and the terrorists negotiate with the authorities, Anna questions her role in the political machinations. Though she never really grows more self-aware, she feels a sense of guilt over the possibility of killing Moro.
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There's a moment early on in the bright, roomy Italian melodrama Best of Youth that...