Oscar winning actor Maximilian Schell has died aged 83 after "a sudden and serious illness." The Austrian born actor was best known for his performance in the 1961 film 'Judgment at Nuremberg.'
Maximilian Schell, the Oscar winning actor, has died aged 83. The actor passed away in Innsbruck, Austria yesterday (1st February).
The Austrian actor was born in Vienna in 1930, one of four children to an Austrian author and Swiss actress. His family were forced to flee their home country during the Nazi annexation of Austria in 1938. They moved to Switzerland before Schell moved to Germany in the 1950s to attend university.
He remained in Europe until 1958 when he was invited to star in a Broadway production. From then on he starred in a number of Hollywood movies alongside the likes of Marlon Brando.
Continue reading: 'Judgment At Nuremberg' Actor, Maximilian Schell, Dies Aged 83
Johnson's brothers Stephen (Mark Ruffalo) and Bloom (Adrien Brody) appear in the film like some kind of magic vaudeville act gone to seed. A spectacularly goofy opener (including a fake magic cave and a one-legged cat locomoting about on a roller skate) about their childhood paints them as Damon Runyon-style scamps set free in a landscape of innocent marks. It's a cotton-candy world that the boys, with their slouchy hats and black suits, are going to take for everything they can. Their roles are cut and dried: Stephen as the storytelling author of their scams, Bloom as his moody and conflicted accomplice, fated to never live a real life of his own.
Continue reading: The Brothers Bloom Review
The film begins with an air of foreboding dread (Vadim Perelman on Quaaludes) as an elderly man, Edmund (Glowna), is seen descending a series of stairways at an empty rail station. He doesn't look happy. The reason? Although he's a successful businessman, he has been brooding and moping for 15 years since the death of his wife and daughter in a car crash. He goes to see his sinister friend Koga (Maximilian Schell) who tries to cheer him up by saying, "You know, we are both at an age in which it is filling to occupy ourselves with death." Kogi encourages Edmund to visit a "meditational" house (aka The House of the Sleeping Beauties) and Edmund complies. At the House, Edmund encounters the severe Madame (Angela Winkler) whom Edmund describes as "a bringer of death." Before she introduces him to his first sleeping beauty, she warns him, "Please don't play any weird pranks -- like sticking your finger in the girl's mouth." Of course, despite that alarm and despite being told by the Madame and Kogi to "be careful," as the maidens are successively unveiled before him, he pulls the finger stunt and a lot more besides.
Continue reading: House Of The Sleeping Beauties Review
Joshua, a long-time Little Odessa expatriate, is called back to the neighborhood to perform a hit on a big shot resident. When he arrives, he encounters his worshipful brother Reuben (Edward Furlong), former lover Alla (Moira Kelly), hateful father Arkady (Maximilian Schell), and dying mother Irina (Vanessa Redgrave). Together, the cast creates a highly dysfunctional family the likes of which you've probably never seen before.
Continue reading: Little Odessa Review
Deep Impact makes no apologies for being a sob-fest. I mean, how else do you smash a comet into the earth without killing off a few hundred million people, and breaking a few hearts in the process? As the first disaster-from-space film of the year, Deep Impact sets the bar at an interesting level. It's not an action film, although it has action elements. It's not a thriller, although suspense is in the mix. It's more a drama than anything else, the main story lines being a reporter (Téa Leoni) estranged from her father, a young astronomer (Wood) who finds he can't abandon his girlfriend, and a codgery astronaut (Robert Duvall) who gains acceptance among a younger crew.
Continue reading: Deep Impact Review
Each year, hundreds of film festivals transpire, but Cannes is definitely one of the most celebrated. Indie director Henry Jaglom takes us within the 1999 Cannes Film Festival and regenerates the flavor of what it's like to be there. As the movie opens, Jaglom inserts a montage of photographs featuring actors and filmmakers who have visited the festival earlier. Actors like Grace Kelly, Charlie Chaplin, and directors like Alfred Hitchcock have attended.
Continue reading: Festival In Cannes Review
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