Michelle Rodriguez and Max Perlich - L.A. street artist ALEC Monopoly presents the 'Park Place' art exhibit at Lab Art Gallery - outside - Los Angeles, California, United States - Wednesday 13th March 2013
Four years later, Taylor drops another oddball flick on us, and the trouble is obvious before frame one. For starters, the name of the movie is The Darwin Awards, which sounds like it's going to be a documentary about those nutty people who kill themselves doing stupid things, thus earning posthumous "Darwin Awards" (as written up in a series of books of the same name) for ridding the gene pool of their DNA.
Continue reading: The Darwin Awards Review
The Independent is Jerry Stiller's show, starring him as Morty Fineman, a Roger Corman/Andy Sidaris-style filmmaker who makes lovingly crafted low-budget, borderline-exploitation films that the world largely dismisses as junk. The film follows Morty and daughter Paloma (Garofalo) as they try to revive Morty's sagging career and reflect on decades of schlocky work like Brothers Divided (about Siamese twins in Vietnam) and Foxy Chocolate Robot (about a foxy chocolate robot). The film uses present-day footage intercut with scenes ostensibly from Morty's body of work, all appropriate in graininess, streaks, and rotten acting quality. Real-world directors like Roger Corman and Ron Howard appear to offer commentary on Morty's oeuvre, all of whom declare him an underrated genius.
Continue reading: The Independent Review
Instead, it's pretty much a copy of all the other haunted-house horror movies that have run briefly in theaters over the years (and then run on cable channels indefinitely, giving teenagers something to stare at for a minute or two before leaving the house or switching channels). I understand that the beast of cable programming must be fed, but I still don't understand why directors are still making new movies like this, given the thousands that have already been made. Why don't the cable channels just run old ones from the late 1980s that nobody remembers?
Continue reading: The House on Haunted Hill (1999) Review
From first-time writer/director Danny Comden, an erstwhile actor who has starred in some of Hollywood's biggest duds (Fast Sofa, Highway, Urban Legend), comes the oh-so-cleverly-titled Sol Goode, with Getty starring as an unemployed actor type by the titular name. Say it out loud.
Continue reading: Sol Goode Review
A virtually identical film to John Waters' Hairspray, Shake, Rattle & Rock! Tells us of teens obsessed with a 50's-era dance show, the parents that disapprove, and the struggle of minority chanteuses to get through the door. Unfortunately, Shake doesn't bear nearly the pleasures of a Waters' movie. While director Allan Arkbush is wise in casting the charming Patricia Childress and Max Perlich into supporting roles as Renée's friends (and later bandmates as she starts her own rockin' group), the movie is just plain dull and invariably predictable, an after-school special at best. And there's so much slow-motion nonsense that film comes off as padded and lifeless, despite a spare 83-minute running time.
Continue reading: Shake, Rattle & Rock! Review
Remember that great Z-grade 1969 protest picture "Brothers Divided," about the conjoined twins drafted to serve in Vietnam?
No? How about the blaxploitation classics "Venus De Mofo" and "The Foxy Chocolate Robot?" Or the tree-hugging girlie biker flick "The Eco-Angels"? Or the midget Gidget movie "Teenie Weenie Bikini Beach"?
Those don't ring a bell? Surely you've seen at least one of the 427 movies directed by schlock filmmaker Morty Fineman over the last 38 years, right?
Continue reading: The Independent Review
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